Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
3
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
4
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
5
James Lewis, 1751–1820
Design for a Country House
undated
6
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
7
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
8
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
9
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
10
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
11
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
12
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
13
Peter Casteels, 1684–1749
Feeding Ducks
undated
14
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
15
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
16
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
17
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
18
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
19
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
20
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
21
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
22
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
23
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
24
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
25
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
26
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
27
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
28
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
29
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
30
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
31
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
32
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
33
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
34
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
35
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
36
unknown artist
Peers' Entrance
undated
37
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
38
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
39
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
40
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
41
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
42
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
43
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
44
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
45
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
46
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
47
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
48
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
49
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
50
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
51
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
52
William Collins, 1788–1847
Dartmouth
undated
53
Thomas Crofton Croker, 1798–1854
Houses at Kilmallock
undated
54
Edward Francis Burney, 1760–1848
J.B. Cramer
1804
55
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
56
Charles Hamilton Smith, 1776–1859
Hall, Easton Neston, Northants
undated
57
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
58
Charles Hamilton Smith, 1776–1859
Porch with Statuary, Easton Neston, Northants
undated
59
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
60
Edward Francis Burney, 1760–1848
Elevation of a House
undated
61
Gangaram Chintaman Tambat, active 1790s
Drawing of a Column from Ekvera
undated
62
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
63
Edward Francis Burney, 1760–1848
Norbury Park
undated
64
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
65
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
66
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
67
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
68
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
69
Edward Francis Burney, 1760–1848
Study for the Figure of Grammateus
undated
70
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
71
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
72
Edward Francis Burney, 1760–1848
Wedding of a God
undated
73
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
74
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
75
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
76
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
77
Frederick Catherwood, 1799–1854
Mountain Road
undated
78
Edward Francis Burney, 1760–1848
Musicians
undated
79
Robert Mabon, died 1798
Retreat Beating at Poona
undated
80
Edward Francis Burney, 1760–1848
Watley
undated
81
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
82
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
83
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
84
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
85
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
86
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
87
Gangaram Chintaman Tambat, active 1790s
Interior View of the Temple at Ekvera (Karle)
ca. 1793
88
Aubrey Vincent Beardsley, 1872–1898
Salome on Settle, The Conductor
between 1892 and 1898
89
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
94
unknown artist
Grave of the Supposed William Lyndewode
1852
95
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
96
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
97
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
98
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
99
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords