The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
4
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
5
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
6
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
7
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
8
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
9
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
10
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
11
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
12
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
13
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
14
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
15
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
16
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
17
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
19
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
20
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
22
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
23
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
24
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
25
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
28
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
29
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
30
George Romney, 1734–1802
Laocoon
undated
31
George Romney, 1734–1802
Borghese Gladiator
undated
32
George Romney, 1734–1802
John Henderson as Falstaff
1780
33
John Inigo Richards, 1730/31?–1810
Maxstoke Priory, Warwickshire
undated
34
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
35
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
36
Mather Brown, 1761–1831
Man Seated on a Rock
undated
37
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
38
style of Paul Sandby, 1731–1809
Landscape with a man playing a pipe under an old tree
undated
39
George Richmond, 1809–1896
Portrait of Samuel Palmer, February 5, 1828
1828
40
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
41
Imitator of James Gillray, 1756–1815
The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
42
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
43
Walter Greaves, 1846–1930
Old Chelsea Church
undated
44
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
45
George Morland, 1763–1804
Peasants Resting
1795
46
William Hamilton, 1751–1801
Hero and Leander
1801
47
James Hook, ca. 1772–1828
A Regency Pair
1802
48
Attributed to unknown artist
A Soldier on Horseback
undated
49
Sir Max Beerbohm, 1872–1956
Messrs. Carfax
undated
50
William Henry Hunt, 1790–1864
Portrait of a Man
ca. 1820
51
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
52
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
53
Philip William May, 1864–1903
Caricature Portrait of Gladstone
undated
54
Philip William May, 1864–1903
Wild Indian
undated
55
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
56
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
57
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
58
Samuel Howitt, 1756–1822
A Lion Standing over a Wounded Leapard
undated
59
Samuel Howitt, 1756–1822
A Boar and a Ram
undated
60
Samuel Howitt, 1756–1822
Riders Outside an Inn
undated
61
Francis Le Piper, 1640–1698
A Portly Man in a Wide-Brimmed Hat
undated
62
Francis Le Piper, 1640–1698
A Bearded Man Looking Down
undated
63
Francis Le Piper, 1640–1698
A Man in Eccentric Head Gear and Collar
undated
64
Paul Sandby, 1731–1809
Couple in a Farmyard
1782
65
attributed to Thomas Barker, 1769–1847
Man in a Blue Cloak
undated
66
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
67
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
68
Attributed to John Martin, 1789–1854
Daniel in the Den of Lions
undated
69
Attributed to John Martin, 1789–1854
Lot Fleeing Sodom
undated
70
Attributed to John Martin, 1789–1854
An Elderly Man Petitioning Christ
undated
71
Henry Monro, 1791–1814
A Wooded Track
1813
72
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
73
Attributed to Gilbert Stuart Newton, 1794–1835
Henry Fuseli
undated
74
Henry Morton, ca. 1807–1825
Old Buildings at Hastings
after 1819
75
Francis Wheatley, 1747–1801
The Rustic Lover
1786
76
John Taylor, 1739–1838
Study of a Man Asleep on a Bench
undated
77
Samuel Wale, 1721–1786
Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
undated
78
Thomas Rowlandson, 1756–1827
The Drunken Nurse
undated
79
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
undated
80
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
81
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
82
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
83
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
84
James Seymour, 1702–1752
The Famous Childers
undated
85
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
86
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
87
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
88
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
89
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Hunt Servants Returning Hounds to Kennels
undated
90
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Rider Jumping a Stile
undated
91
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Rider Approaching a Fence by a Pond, Hound Swimming Through
undated
92
Paul Sandby, 1731–1809
Stout Man on a Bucking Horse
undated
93
Paul Sandby, 1731–1809
A Man and a Saddled Horse
undated
94
Thomas Girtin, 1775–1802
Chalfont Lodge, Buckinghamshire
undated
95
James Seymour, 1702–1752
Foxhunting
undated
96
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
97
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
98
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
99
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat