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Creator Rowlandson, Thomas, 1756–1827

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501. Comforts of Bath: The Ball

Comforts of Bath: The Ball
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 11/16 x 8 1/4 inches (14.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

502. The Comforts of Bath: The Breakfast

The Comforts of Bath: The Breakfast
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

503. Comforts of Bath: Gouty Persons Fall on Steep HIll

Comforts of Bath: Gouty Persons Fall on Steep HIll
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and black ink, and graphite; verso: extensive watercolor blots on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

504. The Enraged Vicar

The Enraged Vicar
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

505. A Dead Horse on a Knacker's Cart

A Dead Horse on a Knacker's Cart
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/16 x 6 1/16 inches (8.7 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

506. A Death-Bed Scene

A Death-Bed Scene
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 9 inches (17.1 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

507. Women Drinking Punch

Women Drinking Punch
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 x 7 3/4 inches (12.1 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

508. Chess Players

Chess Players
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 7 inches (11.1 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

509. Dr. Syntax Bound to a Tree by Highwaymen

Dr. Syntax Bound to a Tree by Highwaymen
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

510. Richmond Park

Richmond Park
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and red ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 8 1/2 x 11 inches (21.6 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

511. Cottage in a Forest Clearing

Cottage in a Forest Clearing
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 5 1/2 inches (12.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

512. Loading a Stage-Coach

Loading a Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 15/16 inches (14.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

513. A Merchant's Office

A Merchant's Office
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Watercolor with pen and black, brown, and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 15/16 x 13 1/8 inches (27.8 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

514. 'Slender Billy' Taking Refreshment

'Slender Billy' Taking Refreshment
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/4 x 8 9/16 inches (27.3 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

515. Taunting with Smoke from a Pipe

Taunting with Smoke from a Pipe
Creator:
Thomas Rowlandson, 1756–1827
Date:
1823
Materials & Techniques:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 10 3/8 inches (22.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

516. A Maiden Aunt Smelling Fire

A Maiden Aunt Smelling Fire
Creator:
Thomas Rowlandson, 1756–1827
Date:
1804
Materials & Techniques:
Watercolor and graphite with pen and red-brown and pen and gray ink on medium, slightly textured, beige wove paper
Dimensions:
Mount: 14 5/16 x 11 1/2 inches (36.4 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

517. Horsemen Colliding

Horsemen Colliding
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and brown, black, and gray ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

518. The Dying Sailor

The Dying Sailor
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 12 13/16 inches (27.5 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

519. A Village Scene with Girls Spinning

A Village Scene with Girls Spinning
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen in gray and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 18 7/8 inches (34 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

520. The Ivory Coast, West Africa

The Ivory Coast, West Africa
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 9/16 inches (37.5 x 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

521. Bradwell Lodge, Bradwell Quay, Essex

Bradwell Lodge, Bradwell Quay, Essex
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

522. Bodmin Cornwall: French Prisoners on Parole

Bodmin Cornwall: French Prisoners on Parole
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

523. The Duchess of Devonshire and the Countess of Bessborough

The Duchess of Devonshire and the Countess of Bessborough
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on cream laid paper
Dimensions:
Sheet: 19 11/16 x 16 3/4 inches (50 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

524. New Shoes

New Shoes
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink over graphite on medium, smooth, wove paper
Dimensions:
Mount: 6 11/16 x 8 1/2 inches (17 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

525. Horses and a Cart at a Sandpit

Horses and a Cart at a Sandpit
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 13 7/16 inches (27.8 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

526. The Maniac

The Maniac
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 7 13/16 x 8 13/16 inches (19.8 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

527. George Moser

George Moser
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Pen and red-brown ink over graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 3/4 x 5 1/2 inches (14.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

528. Rogero

Rogero
Creator:
after Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 8 1/8 inches (28.4 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

529. Lyson's Cottage, Cowes, Isle of Wight

Lyson's Cottage, Cowes, Isle of Wight
Creator:
attributed to Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 x 18 7/16 inches (12.1 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

530. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

531. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

532. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

533. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

534. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

535. An Officer and his Servant

An Officer and his Servant
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 3 7/8 inches (15.6 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

536. A Gendarme and Another Man

A Gendarme and Another Man
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red-gray ink, and graphite; verso: graphite sketch on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 4 13/16 inches (15.9 x 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

537. The Hedger and Ditcher

The Hedger and Ditcher
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite; verso: blue watercolor blot on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 9/16 inches (16.5 x 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

538. Henderson in the Character of Falstaff

Henderson in the Character of Falstaff
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/16 x 10 7/16 inches (30.6 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

539. Britannia's Protection, or Loyalty Triumphant

Britannia's Protection, or Loyalty Triumphant
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 11/16 x 15 5/8 inches (32.2 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

540. Banditti

Banditti
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown, black and gray ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 x 12 3/8 inches (21.3 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

541. Henry Angelo and Madame Cain Fencing

Henry Angelo and Madame Cain Fencing
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 9 11/16 x 13 3/16 inches (24.6 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

542. Drawing Cover

Drawing Cover
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown, gray and red-brown ink, with pen and ink line and wash border on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 3 3/16 x 5 9/16 inches (8.1 x 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

543. The Flower Seller

The Flower Seller
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/8 x 3 inches (10.5 x 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

544. Figures by a Ferry

Figures by a Ferry
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/4 inches (11.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

545. A Stag Hunt in the West Country

A Stag Hunt in the West Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 9 inches (13.7 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

546. The Visitors Being Shown the Baby

The Visitors Being Shown the Baby
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 x 6 1/16 inches (10.6 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

547. A Gentleman's Art Gallery

A Gentleman's Art Gallery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 9 inches (14.4 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

548. A Waggoner

A Waggoner
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium,slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 15/16 inches (12.1 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

549. Three Horses in Stalls

Three Horses in Stalls
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 7 1/4 inches (11.1 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

550. Dr. Syntax Sketching the Lake

Dr. Syntax Sketching the Lake
Creator:
Thomas Rowlandson, 1756–1827
Date:
1812
Materials & Techniques:
Watercolor with pen and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 7 5/16 inches (13.7 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

551. The Toll-Gate

The Toll-Gate
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 5/16 inches (11.7 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

552. River Scene with Small Boats

River Scene with Small Boats
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 x 9 1/16 inches (14.1 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

553. Caernarfon Castle

Caernarfon Castle
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on very thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/4 x 9 1/2 inches (26 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

554. Limbourg, Belgium

Limbourg, Belgium
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1791 and 1792
Materials & Techniques:
Watercolor with pen and brown ink and pen and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

555. Gypsies Cooking on an Open Fire

Gypsies Cooking on an Open Fire
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 x 4 13/16 inches (15.4 x 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

556. A Potter Going Out

A Potter Going Out
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 3/8 inches (15.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

557. Reflections, or the Music Lesson

Reflections, or the Music Lesson
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured cream wove paper
Dimensions:
Sheet: 4 5/8 x 6 3/16 inches (11.7 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

558. Ladies at Tea

Ladies at Tea
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor with pen and red-brown and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 7 x 10 5/16 inches (17.8 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

559. The South Gate, Exeter

The South Gate, Exeter
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

560. The Farmyard

The Farmyard
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 13/16 inches (14.3 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

561. Dr Syntax Meditating on the Tombstones

Dr Syntax Meditating on the Tombstones
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

562. Ploughing

Ploughing
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/16 x 5 3/8 inches (17.9 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

563. Netting a Salmon Pool

Netting a Salmon Pool
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 10 1/8 inches (16.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

564. The Gaming Table

The Gaming Table
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Watercolor with pen and brown and gray ink, over graphite on moderately thick, moderatedly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

565. A Book Auction

A Book Auction
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 13/16 inches (15.2 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

566. A Punch and Judy Show

A Punch and Judy Show
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

567. The Billiard Room

The Billiard Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1801
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 x 7 3/4 inches (11.9 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

568. Checkmate

Checkmate
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

569. Bodmin Cornwall: The Arrival of the Stage-Coach

Bodmin Cornwall: The Arrival of the Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

570. Dr. Syntax Visits a Boarding School for Young Ladies

Dr. Syntax Visits a Boarding School for Young Ladies
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 x 8 5/16 inches (12.9 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

571. Church

Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 7/16 inches (13.7 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

572. Dr. Syntax Visits a Boarding School for Young Ladies

Dr. Syntax Visits a Boarding School for Young Ladies
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 8 3/16 inches (13.3 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

573. Studies of George III and Statesmen

Studies of George III and Statesmen
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink, with graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/16 x 6 3/16 inches (20.5 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

574. Visitors Inspecting Abbey Ruins

Visitors Inspecting Abbey Ruins
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink, and pen and red ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 9 7/8 inches (14 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

575. Dr Syntax outside the Halfway House

Dr Syntax outside the Halfway House
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 6 3/4 inches (10.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

576. Scene outside the Half-Moon Inn

Scene outside the Half-Moon Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 5/16 inches (14.6 x 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

577. 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'

'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1809 and 1811
Materials & Techniques:
Watercolor with pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

578. Soldiers in St. James Park

Soldiers in St. James Park
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

579. Mr. Michell's Picture Gallery, Grove House, Enfield 1817

Mr. Michell's Picture Gallery, Grove House, Enfield 1817
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 7/16 inches (14.9 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

580. The Opera Singers

The Opera Singers
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 4 11/16 inches (14 x 11.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

581. Sandown Fort

Sandown Fort
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 x 17 1/4 inches (12.1 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

582. The Undercliff, Steephill, Isle of Wight

The Undercliff, Steephill, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 x 17 1/8 inches (12.1 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

583. Vauxhall Gardens

Vauxhall Gardens
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1784
Materials & Techniques:
Watercolor, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/16 x 20 11/16 inches (38.3 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

584. Two Gigs in Trouble

Two Gigs in Trouble
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 7 3/16 inches (11.3 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

585. The Arrival of the Fire Engine

The Arrival of the Fire Engine
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red brown and brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 inches (11.3 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

586. Going to Market

Going to Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red-brown ink, gray ink, gray wash, and graphite; verso: watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 9/16 inches (14 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

587. River Landscape with a Waterfall

River Landscape with a Waterfall
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1800
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink, pen and red-black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 11/16 x 8 3/8 inches (14.4 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

588. Two Sleeping Figures

Two Sleeping Figures
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash with pen and gray ink and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 8 1/2 inches (16.7 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

589. Plymouth Dock

Plymouth Dock
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:
Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

590. Mother Bundle in a Rage or Too late for the Stage

Mother Bundle in a Rage or Too late for the Stage
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1809
Materials & Techniques:
Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

591. Wapping Old Stairs

Wapping Old Stairs
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

592. Labourers at Rest

Labourers at Rest
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

593. An Old Coquette Outstood her Market

An Old Coquette Outstood her Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown and red-brown ink, over graphite, with pen and gray ink wash line on border; verso: graphite and watercolor blots on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 5 1/8 inches (16.8 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

594. Two Men on Horseback Seen from Behind

Two Men on Horseback Seen from Behind
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

595. Reform Advised - Reform Begun - Reform Compleat (Complete)

Reform Advised - Reform Begun - Reform Compleat (Complete)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 16 x 9 3/4in. (40.6 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

596. Quae Genus on his Journey to London

Quae Genus on his Journey to London
Creator:
Print made by unknown artist
Date:
1822
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 9 1/2 x 6in. (24.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

597. Flying Breakfast, or the Contents of a Night Coach

Flying Breakfast, or the Contents of a Night Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 11/16 x 12 9/16in. (19.5 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

598. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 16 1/8in. (24.8 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

599. A Peep into the Retreat at Tinnehinch

A Peep into the Retreat at Tinnehinch
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 9 15/16in. (18.4 x 25.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

600. The Parody, - or Mother Cole and Leader

The Parody, - or Mother Cole and Leader
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 12 7/8in. (22.5 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection