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Materials & Techniques graphite
Remove constraint Materials & Techniques: graphiteMaterials & Techniques gray wash
Remove constraint Materials & Techniques: gray washPeriod 19th century
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1
- A Harrow in the Orchard
- ca. 1896
2
- An Ancient Barn at Shoreham
- undated
3
- Cornfields with Barn, Shoreham
- ca. 1829
4
- Boxhill
- 1868
5
- Opening the Fold: Early Morning
- ca. 1880
6
- Study of Waves
- undated
7
- Shoreham, Kent
- between 1831 and 1832
8
- Study for "The Shearers"
- between 1833 and 1834
9
- Helmingham: The Silent Pool
- ca. 1800
10
- Mr. Hobson of Markfield and Family
- ca. 1806
11
- A Bridge near Salisbury Court, Perhaps Milford Bridge
- ca. 1829
12
- Cottage among Trees
- ca. 1795
13
- Mountainous Landscape with Town in Valley
- ca. 1840
14
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
15
- The Capo Sant' Angelo, Amalfi
- ca. 1885
16
- Cedros Bay
- 1857
17
- The Bocas from the Old Fort, Macqueripe
- 1857
18
- St. James' Barracks from the Playground of the Model School
- 1857
19
- Riverside, St. Joseph
- 1857
20
- The Reservoir at Maraval
- 1857
21
- Garden Estate, Arouca
- 1857
22
- Avenue and Entrance to St. James Barracks
- 1857
23
- Corbeaux Town, Port of Spain
- 1857
24
- Bridge over Stream, North Wales
- 1800
25
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
26
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
27
- Hogarth Declaring His Love to Miss Thornhill
- 1817
28
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
29
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
30
- Hogarth Drawing Sarah Malcolm
- 1817
31
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
32
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
33
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
34
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
35
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
36
- Hogarth Sitting to Roubiliac for His Bust
- 1817
37
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
38
- Miss Elizabeth Siddal
- between 1854 and 1855
39
- Goat Hill and Ships
- ca. 1820
40
- A View of Carlisle Bay, Barbados, with Cottages
- ca. 1820
41
- A Panoramic View of Carlisle Bay, Barbados, with Cottages and Ships
- ca. 1820
42
- Rusthill Common near Tunbridge Wells, Kent
- ca. 1840
43
- From the Window of the Inn at Lauterbraun
- ca. 1811
44
- Music: Composition in a Garden
- ca. 1832
45
- Tree Study
- undated
46
- Torrs
- undated
47
- Townhead and Drummore
- undated
48
- Culraven and Broadfield
- undated
49
- Mayfield
- undated
50
- Little Kirkland
- undated
51
- Kirkeoch, Nun Mill
- undated
52
- Farm of Highbanks
- 1813
53
- Balgreddan and Whinny Liggate
- undated
54
- North Nunton; South Nunton
- undated
55
- Bombie Mill, Bombie, Tongue of Bombie
- undated
56
- Whinny Liggate; Balgredan
- undated
57
- Hounds and Hunters Attacking Deer
- 1831
58
- Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
- 1802
59
- Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
- 1802
60
- Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
- 1802
61
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
62
- Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
- 1802
63
- Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
- 1802
64
- A Wooded Track
- 1813
65
- Capel Church, Near Dorking, Surrey
- undated
66
- Henry Fuseli
- undated
67
- Scene from Quentin Durward
- 1833
68
- Wood Cutters
- undated
69
- The Old Double Bridge, Bury St. Edmunds
- 1833
70
- The Nile, Looking towards Nabia
- ca. 1869
71
- Decorative Design with Heads of a Cat, Hare and Goose
- undated
72
- Siege at Badajoz
- ca. 1813
73
- Two Hunters and Two Dogs in Winter Scene
- undated
74
- Landscape with Figures in Field
- undated
75
- Capri
- ca. 1818
76
- Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
- 1817
77
- Sion (Switzerland)
- ca. 1817
78
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
79
- Grisons/ Looking to Glarnisch (Switzerland) Mountains
- 1817
80
- St. Stephen's Hall
- ca. 1820
81
- Conway (Castle, North Wales), Nov. 1809
- 1809
82
- Dolbadarn Castle (North Wales)
- 1809
83
- Village on a Lake
- ca. 1817
84
- St. Martyns Bruche
- ca. 1826
85
- Mountainous Landscape with a Bridge and House
- ca. 1816
86
- Costume at Procida-Naples
- 1818
87
- An Execution, Rome
- 1819
88
- A Life on the Ocean Wave
- undated
89
- Conway, North Wales: The Castle and the Old College House
- 1802
90
- Quay at Dartmouth
- 1823
91
- Totness
- 1823
92
- King's Wharf, and South Quay-Port of Spain
- 1851
93
- Custom House and St. Vincent's Wharf
- 1851
94
- The Governor's Residence, St. Anns
- 1851
95
- Village of Arima and Mount Tamana
- 1851
96
- The Cottage, Residence of the Governor
- 1857
97
- Forest Scenery near Tamana
- 1857
98
- The Pitch Lake
- 1857
99
- Los Gallos, Icacos Bay
- 1857
100
- The Reconcilation
- 1817