Materials & Techniques: line engraving / Collection: Prints and Drawings

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater (1787-1801)

1800

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake, 1757–1827

The Complaint and The Consolation: or Night Thoughts

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

Print made by William Blake, 1757–1827

Fable VI. The Miser and Plutus

1793

Print made by William Blake, 1757–1827

Fable XIII. The Tame Stag

1793

Print made by William Blake, 1757–1827

Fable XXII. The Goat Without a Beard

1793

Print made by William Blake, 1757–1827

Fable XXIV. The Butterfly and the Snail

1793

Print made by William Blake, 1757–1827

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

Print made by William Blake, 1757–1827

Fable XII. Pan and Fortune

1793

Print made by William Blake, 1757–1827

Introduction to the Fables, The Shepherd and the Philosopher

1793

Print made by William Blake, 1757–1827

Fable XVI. The Pin and the Needle

1793

Print made by William Blake, 1757–1827

Fable XXX. The Setting-dog and the Partridge

1793

Print made by William Blake, 1757–1827

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793

Print made by William Blake, 1757–1827

Fable XLI. The Owl and the Farmer

1793

Print made by William Blake, 1757–1827

Fable I. The Dog and the Fox

1793

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by Francesco Bartolozzi, 1728–1815

Miss Eyre

1778

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

Print made by Francesco Bartolozzi, 1728–1815

Lady Gertrude, Marchioness of Halifax

undated

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by Amedeo Gabrielli, 1749–1817

Griselda Returning to her Father

after 1785

Print made by Francesco Bartolozzi, 1728–1815

The Watercress Girl

1796

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Madame Banti

1797

Francesco Bartolozzi, 1728–1815

The Graces Crowning the Bust of Raphael

1787

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Edward Francis Finden, 1791–1857

Yarmouth, Norfolk

1837

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

Print made by unknown artist

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Print made by Placido Columbani, born ca. 1744, active 1801

At the Minerva at Rome

undated

Placido Columbani, born ca. 1744, active 1801

At Rome

undated

Francesco Bartolozzi, 1728–1815

The Flight Into Egypt

1790

Print made by Edward Francis Finden, 1791–1857

Cologne

1832-1834

Print made by Edward Francis Finden, 1791–1857

St. Sophia, Constantinople

1833

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques line engraving

Collection Prints and Drawings

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques line engraving

Collection Prints and Drawings

Search Results