Illustration for The New Doll: The Doll brought Home
1825
15
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
16
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
17
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
18
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
19
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
20
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
21
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
22
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
23
Gangaram Chintaman Tambat, active 1790s
Drawing of a Column from Ekvera
undated
24
Robert Mabon, died 1798
Retreat Beating at Poona
undated
25
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
26
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
27
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
28
Frederick Catherwood, 1799–1854
Mountain Road
undated
29
Thomas Crofton Croker, 1798–1854
Houses at Kilmallock
undated
30
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
31
Edward Francis Burney, 1760–1848
J.B. Cramer
1804
32
Charles Hamilton Smith, 1776–1859
Porch with Statuary, Easton Neston, Northants
undated
33
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
34
Charles Hamilton Smith, 1776–1859
Hall, Easton Neston, Northants
undated
35
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
36
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
37
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
38
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
39
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
40
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
41
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
42
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
43
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
44
Peter Casteels, 1684–1749
Feeding Ducks
undated
45
James Lewis, 1751–1820
Design for a Country House
undated
46
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
47
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
48
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
49
William Collins, 1788–1847
Dartmouth
undated
50
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
51
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
53
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
54
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
58
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
59
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
60
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
61
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
62
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
65
Gangaram Chintaman Tambat, active 1790s
Interior View of the Temple at Ekvera (Karle)
ca. 1793
66
unknown artist
Grave of the Supposed William Lyndewode
1852
67
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
68
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
69
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
70
unknown artist
Peers' Entrance
undated
71
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
72
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
73
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
74
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
75
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
76
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
77
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
78
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
79
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
80
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
81
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
82
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
83
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
84
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
85
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
86
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
87
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
88
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
89
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
90
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
91
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
92
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
93
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
94
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
95
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
96
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
97
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
98
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard