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Collection Prints and Drawings

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Classification Drawing & Watercolors-Architectural

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701. Plans of Ancient Roman Baths: Terme Antoniane

Plans of Ancient Roman Baths: Terme Antoniane
Creator:
Giovanni Stern, 1734–1794
Date:
undated
Materials & Techniques:
Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:
Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

702. Queen's College, Oxford: Plan and Elevation of Hall and Chapel

Queen's College, Oxford: Plan and Elevation of Hall and Chapel
Creator:
William Townesend, 1676–1739
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 x 23 3/4 inches (45.1 x 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

703. Kings Weston, Bristol: Entrance Front Elevation

Kings Weston, Bristol: Entrance Front Elevation
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink with gray wash over graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 18 5/8 inches (36.8 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

704. Kings Weston, Bristol: Side Elevation

Kings Weston, Bristol: Side Elevation
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 x 18 9/16 inches (37 x 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

705. York House, London: Perspective View of the West Front

York House, London: Perspective View of the West Front
Creator:
Benjamin Dean Wyatt, 1775–1850
Date:
between 1825 and 1827
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, moderately thick, brown wove paper
Dimensions:
Sheet: 5 3/8 × 10 1/8 inches (13.7 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

706. Lowther House, Westmorland: Elevation of the Garden Front

Lowther House, Westmorland: Elevation of the Garden Front
Creator:
Colen Campbell, 1676–1729
Date:
between 1718 and 1729
Materials & Techniques:
Graphite, pen and wash within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

707. Lowther House, Westmorland: Principal and First Floor Plans

Lowther House, Westmorland: Principal and First Floor Plans
Creator:
Colen Campbell, 1676–1729
Date:
between 1718 and 1729
Materials & Techniques:
Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/16 x 11 1/4 inches (46.8 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

708. Whitton House, Middlesex: Elevation of the East Front

Whitton House, Middlesex: Elevation of the East Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 16 5/16 inches (30.5 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

709. Whitton Place, Middlesex: Elevation of the Garden Front

Whitton Place, Middlesex: Elevation of the Garden Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 inches (31.4 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

710. Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans

Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 1/8 inches (44.8 x 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

711. Whitton House, Middlesex: Mezzanine and Attic Floor Plans

Whitton House, Middlesex: Mezzanine and Attic Floor Plans
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 18 7/16 x 12 7/16 inches (46.8 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

712. Whitton House, Middlesex: Ground Floor Plan

Whitton House, Middlesex: Ground Floor Plan
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 18 3/16 inches (31.4 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

713. Whitton House, Middlesex: First Floor Plan

Whitton House, Middlesex: First Floor Plan
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

714. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor, gouache, verso; white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 11 × 12 1/4 inches (27.9 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

715. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, gouache and watercolor on cream card
Dimensions:
Sheet: 6 7/8 × 14 1/4 inches (17.5 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

716. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, watercolor, and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 15 5/8 × 12 1/8 inches (39.7 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

717. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on medium, smooth, brown laid paper
Dimensions:
Sheet: 12 1/2 × 5 1/4 inches (31.8 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

718. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor, gouache, verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 1/4 × 14 7/8 inches (33.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

719. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso: white gouache on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 10 3/8 × 4 1/2 inches (26.4 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

720. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: yellow and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 1/4 × 5 3/4 inches (33.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

721. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 1/8 × 6 1/2 inches (33.3 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

722. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: white gouache on medium, slighy textured, brown wove paper
Dimensions:
Sheet: 13 1/4 × 6 inches (33.7 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

723. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache, verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 11 1/2 × 5 inches (29.2 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

724. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, black ink, and brown ink; verso: white gouache on medium, slighy textured, brown laid paper
Dimensions:
Sheet: 10 1/8 × 5 1/8 inches (25.7 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

725. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black and brown ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 11 1/2 × 5 5/8 inches (29.2 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

726. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor, gouache on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 5 3/4 inches (29.2 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

727. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and gouache, verso: white gouache on thin, smooth, beige wove paper
Dimensions:
Sheet: 4 3/4 × 4 1/4 inches (12.1 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

728. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso; white gouache on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 1/4 × 5 inches (21 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

729. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, pen, watercolor and gouache on thin, smooth, brown wove paper
Dimensions:
Sheet: 11 1/4 × 6 3/8 inches (28.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

730. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor on thin, smooth, brown wove paper
Dimensions:
Sheet: 6 3/4 × 2 7/8 inches (17.1 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

731. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1877
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso: white and red gouache on thin, smooth, brown wove paper
Dimensions:
Sheet: 6 1/8 × 4 5/16 inches (15.6 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

732. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 1/4 × 2 3/4 inches (21 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

733. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 7 7/8 × 4 1/4 inches (20 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

734. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 1/8 × 3 5/8 inches (20.6 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

735. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 4 5/8 × 2 3/8 inches (11.7 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

736. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 16 7/8 × 6 3/8 inches (42.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

737. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1850
Materials & Techniques:
Black ink, graphite and watercolor on thin, smooth, beige wove paper
Dimensions:
Sheet: 17 5/8 × 25 3/4 inches (44.8 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

738. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, red ink, graphite, watercolor and gouache on medium, slightly textured, green wove paper
Dimensions:
Sheet: 7 7/8 × 7 inches (20 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

739. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, watercolor and gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 11 7/8 × 6 3/8 inches (30.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

740. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on moderately thick, smooth, green wove paper
Dimensions:
Sheet: 10 1/8 × 3 7/8 inches (25.7 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

741. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 1/2 × 4 3/8 inches (26.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

742. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 8 7/8 × 3 5/8 inches (22.5 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

743. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 3/8 × 6 1/8 inches (31.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

744. Plan of the Amphitheatre at El Djem with description

Plan of the Amphitheatre at El Djem with description
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 29 3/4 × 19 1/8 inches (75.6 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

745. Plan of one quarter of the amphitheatre at El Djem showing seating tiers

Plan of one quarter of the amphitheatre at El Djem showing seating tiers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

746. Section of Amphitheatre at El Djem showing arches, stairs and tiers of seats

Section of Amphitheatre at El Djem showing arches, stairs and tiers of seats
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 19 1/4 × 14 1/2 inches (48.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

747. Sketch of Amphitheatre at El Djem showing elevation and section of arches and tiers of seats with descriptive notes

Sketch of Amphitheatre at El Djem showing elevation and section of arches and tiers of seats with descriptive notes
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 7 1/4 inches (28.6 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

748. Elevation of Amphitheatre of El Djem entitled "Isrus"

Elevation of Amphitheatre of El Djem entitled "Isrus"
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 15 1/4 × 21 1/4 inches (38.7 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

749. Plan of one quarter of the Amphitheatre at El Djem showing outer corridors

Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

750. No. 1 Sketch of temple remains at Baalbec or Palmyra

No. 1 Sketch of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, roughly textured, cream laid paper
Dimensions:
Sheet: 22 × 31 inches (55.9 × 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

751. No. 2 sketch of plan of temple of Baalbec or Palmyra

No. 2 sketch of plan of temple of Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, roughly textured, cream laid paper
Dimensions:
Sheet: 20 × 30 7/8 inches (50.8 × 78.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

752. No. 3 sketch of temple remains at Baalbec

No. 3 sketch of temple remains at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 21 3/4 × 30 3/4 inches (55.2 × 78.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

753. No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra

No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

754. No. 7 sketch of temple remains at Baalbec or Palmyra

No. 7 sketch of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 31 7/8 inches (53 × 81 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

755. No. 14 sketch of temple remains at Palmyra or Baalbec

No. 14 sketch of temple remains at Palmyra or Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 31 inches (55.2 × 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

756. No. 9 sketch of temple remains at Baalbec or Palmyra

No. 9 sketch of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 7/8 × 31 1/2 inches (55.6 × 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

757. No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra

No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 21 1/2 inches (39.7 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

758. No. 22 sketch of temple at Baalbec and Palmyra

No. 22 sketch of temple at Baalbec and Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 × 15 1/4 inches (40.6 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

759. No. 28 drawings of ornamental details of columns arches etc.

No. 28 drawings of ornamental details of columns arches etc.
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 29 7/8 × 21 7/8 inches (75.9 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

760. No. 29 sketch of temple remains at Baalbec or Palmyra

No. 29 sketch of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured,cream laid paper
Dimensions:
Sheet: 15 7/8 × 22 inches (40.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

761. No. 26 drawings of temple remains at Baalbec or Palmyra

No. 26 drawings of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured,cream laid paper
Dimensions:
Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

762. No. 25 drawing of temple remains at Baalbec or Palmyra

No. 25 drawing of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 20 3/4 inches (40 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

763. View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals

View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, roughly textured, cream laid paper
Dimensions:
Sheet: 16 × 21 1/8 inches (40.6 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

764. Elevation of Front of most entire Temple at Baalbec

Elevation of Front of most entire Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink over graphite on slightly textured, medium thick, cream laid paper
Dimensions:
Sheet: 9 3/4 × 15 1/4 inches (24.8 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

765. Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec

Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink over graphite on slightly textured, medium thick, white laid paper
Dimensions:
Sheet: 15 1/4 × 9 7/8 inches (38.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

766. Quadrifrontal Arch, Tripoli

Quadrifrontal Arch, Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 19 1/2 × 14 7/8 inches (49.5 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

767. Details of Temple at Sheitla

Details of Temple at Sheitla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 15 3/4 inches (53.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

768. Right Corinthian Temple at Suttetula Modern Sheitla

Right Corinthian Temple at Suttetula Modern Sheitla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 22 inches (42.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

769. Lower Arch at Makther on Back

Lower Arch at Makther on Back
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

770. Arch of Trajan Mactar Modern Makther set in Landscape

Arch of Trajan Mactar Modern Makther set in Landscape
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite, gray wash, pen and black ink on moderately textured, thick, cream laid paper
Dimensions:
Sheet: 19 1/4 × 25 1/2 inches (48.9 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

771. Tucca Terebinthina; Title Page

Tucca Terebinthina; Title Page
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/8 × 19 inches (64.5 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

772. Tomb of Juba II near Algiers

Tomb of Juba II near Algiers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/4 × 15 inches (54 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

773. Tomb of Juba II near Algiers

Tomb of Juba II near Algiers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 18 1/4 inches (29.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

774. Gate at Medjez-el-bab

Gate at Medjez-el-bab
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 21 5/8 inches (39.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

775. Remains of Ancient Architecture in Africa; Title Page

Remains of Ancient Architecture in Africa; Title Page
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 18 3/4 inches (34.3 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

776. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/16 x 16 1/4 inches (53.8 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

777. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/16 x 22 1/2 inches (48.7 x 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

778. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 x 15 3/16 inches (55.6 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

779. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/16 x 16 1/16 inches (51.3 x 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

780. Vue: Constantinople

Vue: Constantinople
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 15/16 × 10 1/2 inches (17.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

781. Adrian Hope's House I: Plan of the Principal Floor

Adrian Hope's House I: Plan of the Principal Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 7 1/2 × 7 1/4 inches (19.1 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

782. Adrian Hope's House I: View from the Road

Adrian Hope's House I: View from the Road
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink on slightly texture, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 20 inches (40.6 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

783. Cobham Hall, Kent: Plan of Staircase

Cobham Hall, Kent: Plan of Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

784. Whitton House, Middlesex: Elevation of the Court Front

Whitton House, Middlesex: Elevation of the Court Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 18 3/16 inches (30.2 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

785. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 7 3/8 inches (32.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

786. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite, black ink, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

787. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 6 7/8 × 4 1/4 inches (17.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

788. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, slightly textured, green wove paper
Dimensions:
Sheet: 11 5/8 × 4 7/8 inches (29.5 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

789. Welgelegen: Vue de la Facade de Welgelegen

Welgelegen: Vue de la Facade de Welgelegen
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 1/2 × 23 1/4 inches (41.9 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

790. Femme Greque

Femme Greque
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 5 3/8 × 3 1/4 inches (13.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

791. Adrian Hope's House I: Plan of the Chamber Floor

Adrian Hope's House I: Plan of the Chamber Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 × 5 7/8 inches (20.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

792. Adrian Hope's House I: Plan of the Basement

Adrian Hope's House I: Plan of the Basement
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 11/16 × 7 7/8 inches (22.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

793. Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.

Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.
Creator:
John Buckler FSA, 1770–1851
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

794. Headfort House: Staircase Moldings

Headfort House: Staircase Moldings
Creator:
Robert Adam, 1728–1792
Date:
1772
Materials & Techniques:
Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 15/16 x 12 7/8 inches (53.2 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

795. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 9/16 x 16 3/4 inches (49.7 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

796. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 13/16 x 17 11/16 inches (58 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

797. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/2 x 14 5/16 inches (57.1 x 36.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

798. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/16 x 14 15/16 inches (50.9 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

799. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 11/16 x 16 5/16 inches (47.5 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

800. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 7/16 x 15 11/16 inches (46.9 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection