Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
2
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
3
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
4
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
5
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
6
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
7
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
8
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
9
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
10
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
11
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
12
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
13
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1794
14
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
15
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
16
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
17
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
18
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
19
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
20
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
21
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
22
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
23
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
24
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
25
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
29
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
30
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
31
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
32
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
33
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
34
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
35
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
37
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
38
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
39
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
40
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
41
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
42
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
43
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
44
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
45
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
46
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
47
John Hamilton Mortimer, 1740–1779
Two Men Fighting Before a Woman
1771
48
attributed to John Hamilton Mortimer, 1740–1779
Two Heads in a Roundel
undated
49
Samuel Hieronymus Grimm, 1733–1794
Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall
undated
50
Print made by Thomas Watson, 1743–1781
The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
1776
51
Print made by Gerhard Bockman, 1686–1773
The Guitar Player
undated
52
Michael "Angelo" Rooker, 1746–1801
Almshouses in St. Cuthbert's Churchyard, Wells
undated
53
John Henry Müntz, 1727–1798
Classical Composition
undated
54
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
55
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
56
unknown artist
Design for the Parterre at Hampton Court
early 18th century
57
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
58
unknown artist
Pile Driving on the Banks of the Thames
undated
59
Paul Sandby, 1731–1809
Romantic Landscape with Figures and a Dog
undated
60
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
61
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
62
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
63
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
64
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
65
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
66
John Hamilton Mortimer, 1740–1779
Reclining Female Figure in an Italian Landscape
undated
67
Samuel Hieronymus Grimm, 1733–1794
The Horse Guard's Parade, Whitehall
undated
68
Samuel Hieronymus Grimm, 1733–1794
The Bishop's Palace, Bromley (A Country House)
undated
69
Francis Wheatley, 1747–1801
Soldiers and Country Women
undated
70
Print made by Johann Elias Haid, 1739–1809
L'Enfant Prodigue reclamant la bonté de son Pere
undated
71
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
72
Charles Gore, 1729–1807
Gate Toward Bursit, Aix-la-Chappelle
1785
73
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
74
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
75
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
76
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
77
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
78
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
79
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
80
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
81
unknown artist
The Royal Palace of St. James's next the Park
82
Samuel Hieronymus Grimm, 1733–1794
Langworth
1785
83
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
84
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
85
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
86
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
87
Print made by unknown artist
A View of the Royal Palace at Naples
undated
88
Print made by unknown artist
Spanish Palace at Naples
undated
89
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
90
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
91
Samuel Scott, 1701/2–1772
A View of Edinburgh from the South Looking towards Dalkeith
undated
92
Print made by unknown artist
A View of Part of the Royal Gardens at Naples Towards the Sea
undated
93
unknown artist
Shakespeare Illustration: "Measure for Measure"
undated
94
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
95
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir