Materials & Techniques: brown ink / On-site Access: Accessible by appointment in the Study Room / Subject Terms: trees

501. Wooded Landscape with Figures, Donkeys and Cottage

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1767
Materials & Techniques:: Gray wash and pen with brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 5/8 inches (18.7 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

502. View of a Fort

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen, brown ink, gray ink, wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 13 5/8 inches (24.1 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

503. Group of Peasants with Musical Instruments

Creator:: Attributed to John Absolon, 1815–1895
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, pen, and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. Landscape with River and Figures

Creator:: James Adam, 1732–1794
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink on thick, rough, cream laid paper
Dimensions:: Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. The Devil's Bridge, Aberystwyth

Creator:: Rev. Charles Annesley, 1787–1863
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 inches (34.3 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. A Kaffir Village

Creator:: Samuel Daniell, 1775–1811
Date:: ca. 1801
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 17 3/4 inches (32.2 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. Thorncroft, near Leatherhead

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 7/8 inches (13 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

508. The House of a Chinese Merchant near Canton

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

509. A Fireman

Creator:: John Augustus Atkinson, 1775–1831
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 3 3/8 inches (12.1 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

510. Boxhill from Westhumble Lane

Creator:: Henry Edridge, 1769–1821
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 12 1/2 x 19 1/16in. (31.8 x 48.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

511. Castle with a Round Tower Above a River

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 6 1/2 inches (18.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. Trees and a Distant Castle

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 7 7/8 inches (25.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. A Mill by a Waterfall

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 7 3/4 inches (14.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

514. Trees with a Distant Church on the Right

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 6 3/4 inches (9.8 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

515. Matlock High Tor, Derbyshire

Creator:: John Emes, 1762–1810
Date:: ca. 1786
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 12 1/2 inches (37 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

516. A View of Chatham from the West

Creator:: Jacob Esselens, 1626–1687
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 × 12 1/4 inches (18.7 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

517. A Church at Stanstead

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream wove paper mounted to thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 1/4 × 8 7/8 inches (15.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. An Old Woman Carrying a Basket

Creator:: John Augustus Atkinson, 1775–1831
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 3 3/8 inches (12.4 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

519. Cookham on the Thames, Berkshire

Creator:: Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

520. Stepping Stones on the River Duddon, Lake District

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

521. Great Bookham, Surrey

Creator:: Henry Edridge, 1769–1821
Date:: 1814
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 18 1/16 inches (29.7 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

522. Windsor Castle from near Brocas Meadows

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Mount: 18 3/16 × 25 15/16 inches (46.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

523. Group Seated in Grounds of a Large House

Creator:: David Cox Jr., 1809–1885
Date:: between 1840 and 1849
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 15/16in. (26.7 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

524. Study of Two Willows

Creator:: Alexander Cozens, 1717–1786
Date:: ca. 1760
Materials & Techniques:: Brushed black ink, brushed brown ink, yellowish-brown ground and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 x 6 3/8 inches (10.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

525. The Arrival of a Company of Militia at an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray and pen and red-brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 5/8 inches (14.9 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

526. The Dance

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

527. The Departure from Wakefield

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. Fortune-Telling

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. The Fair Penitent

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

530. Embarkation at Southampton, June 20th 1794

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

531. The Enraged Vicar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

532. The Lower Lake from Lord Kenmare's Ground, Killarney, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

533. On the Road Between Aghadoe and Dunloh, Killarney, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

534. Lown Bridge Leading to the Gap of Dunloh

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

535. The Lower Lake from Lord Kenmare's, Killarney, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

536. Ash Valley Lake in the Gap of Dunloh, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

537. Ross Castle

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

538. On the Killarney Road Leading to Ross Castle, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

539. Innisfallen Island, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

540. Ross Castle, Mouse Island, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

541. The Rapids between the Upper and Lower Lakes of Killarney, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

542. Commencement of the Rapids Taken from the Bridge, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. O'Donoghue's Prison, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

544. Lower Lake Killarney, from Lord Kenmare's Grounds, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

545. Kenmare Road Tunnel, Killarney

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

546. Near the Tunnel on the Kenmare Road, Killarney, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

547. Part of the Killarney Lake between the Upper and Lower Lakes

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

548. Ross Castle, Killarney, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

549. Taken From the Dunloh Road, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

550. A High Waterfall

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown, gray and black ink over graphite; verso: watercolor splotches on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 12 5/16 inches (21.7 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. Hengar Wood, St. Tudy, Cornwall

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red brown and gray ink over graphite on thick, slightly textured, beige wove support paper
Dimensions:: Sheet: 6 3/4 x 10 5/16 inches (17.1 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

552. Soldiers on a March

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 3/16 x 14 1/2 inches (25.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

553. Landscape with a Man Washing His Feet at a Fountain, after Poussin

Creator:: David Cox, 1783–1859
Date:: ca. 1821
Materials & Techniques:: Watercolor, pen and brown ink, gum arabic, and scratching out on very thick, slightly textured, beige cardboard
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

554. The Esquire's Intrusion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

555. The Vicar's Family on the Road to Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

556. Bodmin Moor

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/16 x 16 15/16 inches (28.4 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. The Toll-Gate

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 5/16 inches (11.7 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

558. Dr. Syntax Bound to a Tree by Highwaymen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

559. Dr. Syntax Visits a Boarding School for Young Ladies

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/16 inches (13.3 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

560. Dr Syntax outside the Halfway House

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/4 inches (10.5 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

561. Gypsies Cooking on an Open Fire

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 x 4 13/16 inches (15.4 x 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

562. Visitors Inspecting Abbey Ruins

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink, and pen and red ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 7/8 inches (14 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

563. Kirkstall Abbey from the N.W.

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1792
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

564. Pluscardine Abbey, Elgin

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 6 5/8 inches (21.7 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

565. Melville Castle, Midlothian

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

566. Snowdon

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper prepared with yellow wash
Dimensions:: Sheet: 6 1/4 x 10 1/16in. (15.9 x 25.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

567. Mountainous Landscape with Two Figures overlooking a Lake

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1780 and 1790
Materials & Techniques:: Gray wash, pen and brown ink, graphite and yellow ground on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 13/16in. (18.7 x 27.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

568. Mountainous Landscape with Trees - High Crags to the Right

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper prepared with orange wash
Dimensions:: Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

569. Classical Landscape with Ruin on Left, Two Figures on Right

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown wash, gray wash, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:: Sheet: 5 5/16 x 7 1/2in. (13.5 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

570. Fir Trees in a Mountain Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper prepared with yellow wash
Dimensions:: Sheet: 6 3/8 x 9 7/8 inches (16.2 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

571. Classical Landscape with Two Figures on Horseback at Right

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:: Sheet: 5 3/8 x 7 3/8 inches (13.7 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

572. Castle above a Lake with Distant Mountain under Stormy Sky

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 7/16 inches (14.9 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

573. Two Figures on Shore with Mountain Rising Behind

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:: Sheet: 5 7/16 x 7 1/2in. (13.8 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

574. Landscape with Mountain in Center Distance

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:: Sheet: 5 1/4 x 7 1/2 inches (13.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

575. Landscape with Four Figures

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:: Sheet: 5 x 7 1/4in. (12.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

576. L'Institut de France, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1830
Materials & Techniques:: Watercolor, with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 x 10 7/16 inches (35.6 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

577. The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765

The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765

Creator:: Benjamin West, 1738–1820
Date:: between 1765 and 1766
Materials & Techniques:: Gray wash and black ink with scratching out on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.2 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

578. Mountain View

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 inches (20.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

579. The Young Shepherdess

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 3 5/8 inches (10.5 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

580. Study of Trees

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 7 5/8 inches (14.3 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

YCBA Collections Search

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Materials & Techniques brown ink

On-site Access Accessible by appointment in the Study Room

Subject Terms trees

Search Results

501. Wooded Landscape with Figures, Donkeys and Cottage

502. View of a Fort

503. Group of Peasants with Musical Instruments

504. Landscape with River and Figures

505. The Devil's Bridge, Aberystwyth

506. A Kaffir Village

507. Thorncroft, near Leatherhead

508. The House of a Chinese Merchant near Canton

509. A Fireman

510. Boxhill from Westhumble Lane

511. Castle with a Round Tower Above a River

512. Trees and a Distant Castle

513. A Mill by a Waterfall

514. Trees with a Distant Church on the Right

515. Matlock High Tor, Derbyshire

516. A View of Chatham from the West

517. A Church at Stanstead

518. An Old Woman Carrying a Basket

519. Cookham on the Thames, Berkshire

520. Stepping Stones on the River Duddon, Lake District

521. Great Bookham, Surrey

522. Windsor Castle from near Brocas Meadows

523. Group Seated in Grounds of a Large House

524. Study of Two Willows

525. The Arrival of a Company of Militia at an Inn

526. The Dance

527. The Departure from Wakefield

528. Fortune-Telling

529. The Fair Penitent

530. Embarkation at Southampton, June 20th 1794

531. The Enraged Vicar

532. The Lower Lake from Lord Kenmare's Ground, Killarney, 4 September 1841

533. On the Road Between Aghadoe and Dunloh, Killarney, September 1841

534. Lown Bridge Leading to the Gap of Dunloh

535. The Lower Lake from Lord Kenmare's, Killarney, September 1841

536. Ash Valley Lake in the Gap of Dunloh, September 1841

537. Ross Castle

538. On the Killarney Road Leading to Ross Castle, 4 September 1841

539. Innisfallen Island, 4 September 1841

540. Ross Castle, Mouse Island, 4 September 1841

541. The Rapids between the Upper and Lower Lakes of Killarney, September 1841

542. Commencement of the Rapids Taken from the Bridge, September 1841

543. O'Donoghue's Prison, 4 September 1841

544. Lower Lake Killarney, from Lord Kenmare's Grounds, September 1841

545. Kenmare Road Tunnel, Killarney

546. Near the Tunnel on the Kenmare Road, Killarney, 4 September 1841

547. Part of the Killarney Lake between the Upper and Lower Lakes

548. Ross Castle, Killarney, September 1841

549. Taken From the Dunloh Road, 6 September 1841

550. A High Waterfall

551. Hengar Wood, St. Tudy, Cornwall

552. Soldiers on a March

553. Landscape with a Man Washing His Feet at a Fountain, after Poussin

554. The Esquire's Intrusion

555. The Vicar's Family on the Road to Church

556. Bodmin Moor

557. The Toll-Gate

558. Dr. Syntax Bound to a Tree by Highwaymen

559. Dr. Syntax Visits a Boarding School for Young Ladies

560. Dr Syntax outside the Halfway House

561. Gypsies Cooking on an Open Fire

562. Visitors Inspecting Abbey Ruins

563. Kirkstall Abbey from the N.W.

564. Pluscardine Abbey, Elgin

565. Melville Castle, Midlothian

566. Snowdon

567. Mountainous Landscape with Two Figures overlooking a Lake

568. Mountainous Landscape with Trees - High Crags to the Right

569. Classical Landscape with Ruin on Left, Two Figures on Right

570. Fir Trees in a Mountain Landscape

571. Classical Landscape with Two Figures on Horseback at Right

572. Castle above a Lake with Distant Mountain under Stormy Sky

573. Two Figures on Shore with Mountain Rising Behind