Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Subject Terms: woman

1. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Mary Constable Reading

Creator:: John Constable, 1776–1837
Date:: 1812
Materials & Techniques:: Graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 3 5/8 inches (15.6 x 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Farmer's Wife and the Raven

Creator:: George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Etching with roulette and rocker work, first state
Dimensions:: Sheet: 20 1/2 x 27 3/8in. (52 x 69.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Deluge

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Tenth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. A Great Tree

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 15 1/4 inches (25.4 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 71, "And above Albions Land...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Poems of Thomas Gray, Design 23, "A Long Story."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Poems of Thomas Gray, Design 31, "A Long Story."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Poems of Thomas Gray, Design 77, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Poems of Thomas Gray, Design 101, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Poems of Thomas Gray, Design 99, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Poems of Thomas Gray, Design 93, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Poems of Thomas Gray, Design 97, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Songs of Innocence and of Experience

Creator:: William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827
Date:: ca. 1805
Materials & Techniques:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Bath of Bath-sheba

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 9 inches (27.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Seated Woman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 6 1/2 inches (20 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Studies of a Seated Woman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink and brown wash over graphite on medium slightly textured beige laid paper
Dimensions:: Sheet: 10 7/8 x 11 5/8 inches (27.6 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Studies for the Head of a Lady (Studies of a Woman's Head)

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 15 1/4 inches (25.7 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Pensive Lady

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and brown ink on medium slightly textured beige laid paper
Dimensions:: Sheet: 5 7/8 x 4 1/2 inches (14.9 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 19 1/2 x 16 inches (49.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: between 1779 and 1780
Materials & Techniques:: Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Barbara Palmer (née Villiers) Countess of Castlemaine

Creator:: Thomas Watson, 1743–1781
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 11/16 × 13 1/16 inches (42.4 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Miss-Ann-Thropy

Creator:: Print made by Henry Heath, active 1824–1835
Date:: undated
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 × 9 11/16 inches (35.3 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Mrs. Frances Abington (née Barton)

Creator:: James Wilson, c.1735–c.1786
Date:: between 1768 and 1786
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1791
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 5/8 × 7 9/16 inches (24.4 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Mrs. Frances Abington, (née Barton)

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 5 13/16 inches (23.2 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Study ot the Backside of a Nude Figure

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 15/16 × 3 5/16 inches (7.5 × 8.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Isabella Clara Eugenia

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Stipple engraving, line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 7/16 × 12 3/4 inches (41.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. A Long-Chinned Man Arm in Arm with a Bosomy Woman in Tall Hat

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/8 inches (16.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Design for a Ceiling Decoration

Creator:: Thomas Carwitham, active 1723
Date:: 1723
Materials & Techniques:: Gray wash, and pen and brown ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 × 5 inches (12.7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Illustration to Homer's Iliad

Creator:: Thomas Carwitham, active 1723
Date:: 1723
Materials & Techniques:: Pen and brown ink with brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. St Agnes (after Domenichino)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 8 5/8 inches (28.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. St. Catherine Reading

Creator:: Jacques Christophe Le Blon, 1667–1741
Date:: undated
Materials & Techniques:: Color mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 22 7/8 × 19 3/8 inches (58.1 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Study of a Seated Woman

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: undated
Materials & Techniques:: Pen and black ink with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 7 3/4 inches (26.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Line engraving, 1st published state on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Matlock

Creator:: Print made by J. Widnell, Active 1795
Date:: 1795
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Peterborough

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Chester

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Westminster Bridge

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Peterborough

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Etching and line engraving, with hand coloring in watercolor; 2nd. published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 5/8 × 11 3/4 inches (49.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Ely

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Chelsea Hospital

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1795
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 5 1/2 inches (8.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Oxford

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1795
Materials & Techniques:: Line engraving, published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 5 1/2 inches (8.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Guildford

Creator:: Print made by Thomas Rothwell, ca. 1742–1807
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/8 × 6 7/8 inches (11.1 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Northampton

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1796
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 5 1/2 inches (8.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Grantham Church

Creator:: Print made by Bartholomew Howlett, 1767–1827
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 3/8 inches (24.1 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Sleaford Church

Creator:: Print made by Bartholomew Howlett, 1767–1827
Date:: 1801
Materials & Techniques:: Line engraving, proof on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 3/8 inches (19.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. South View of Christ Church, etc. from the Meadows

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1799
Materials & Techniques:: Line engraving, engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. South View of Christ Church, etc., From the Meadows...

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1799
Materials & Techniques:: Line engraving , engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 7/8 inches (34.3 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Bath: The Crescent

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 14 7/8 inches (28.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Chalfont Lodge, Buckinghamshire

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, rough, gray-brown laid paper
Dimensions:: Sheet: 11 1/16 x 14 15/16 inches (28.1 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Mountain Lake

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Devoted Wife

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 x 8 5/16in. (28.9 x 21.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: 1822
Materials & Techniques:: Etching hand-colored with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 6 1/16 inches (24.9 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Cat Like Courtship

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Thatched Cottage

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/2 inches (19.4 × 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Mrs. Abington

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 11 3/4 inches (19.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Gate at Blenheim

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1787
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Wood Stream with Angler

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 8 1/2 inches (23.2 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Mrs. Ives of Catton

Creator:: John Downman, 1750–1824
Date:: 1780
Materials & Techniques:: Black chalk and red chalk with stumping on medium, smooth, beige wove paper
Dimensions:: Sheet: 9 x 7 1/4 inches (22.8 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Mrs. Wodhull

Creator:: Richard Houston, ca. 1721–1775
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 11 inches (38.7 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A Woman and Young Girl with Baskets

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on very thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 3/8 inches (22.9 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Woman Taking Coffee

Creator:: Print made by Louis Marin Bonnet, 1736–1793
Date:: ca. 1774
Materials & Techniques:: Crayon manner, colored, heightened with gold on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 9 13/16 inches (31.8 × 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Subject Terms woman

Search Results

1. The Morning of Life

2. The Homeward Star

3. The Homeward Star

4. The Homeward Star

5. The Homeward Star

6. Mary Constable Reading

7. The Farmer's Wife and the Raven

8. Study of a Female Nude

9. Apuleia in Search of Apuleius

10. Christ and the Woman of Samaria

11. Rispah: 2nd Book of Samuel, Chap. 21

12. Christ and the Woman of Samaria

13. The Deluge

14. Tenth Plague of Egypt

15. Procris and Cephalus

16. A Great Tree

17. Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

18. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

19. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

20. Jerusalem, Plate 71, "And above Albions Land...."

21. The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

22. The Poems of Thomas Gray, Design 23, "A Long Story."

23. The Poems of Thomas Gray, Design 31, "A Long Story."

24. The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

25. The Poems of Thomas Gray, Design 77, "The Descent of Odin."

26. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

27. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

28. The Poems of Thomas Gray, Design 101, "Ode for Music."

29. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

30. The Poems of Thomas Gray, Design 99, "Ode for Music."

31. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

32. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

33. The Poems of Thomas Gray, Design 93, "Ode for Music."

34. The Poems of Thomas Gray, Design 97, "Ode for Music."

35. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

36. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

37. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

38. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

39. Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

40. Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

41. Songs of Innocence and of Experience

42. Mary Magdalen at the Sepulchre

43. The Bath of Bath-sheba

44. A Seated Woman

45. Studies of a Seated Woman

46. Studies for the Head of a Lady (Studies of a Woman's Head)

47. A Pensive Lady

48. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

49. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

50. Barbara Palmer (née Villiers) Countess of Castlemaine

51. Miss-Ann-Thropy

52. Mrs. Frances Abington (née Barton)

53. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

54. Mrs. Frances Abington, (née Barton)

55. Study ot the Backside of a Nude Figure

56. Study For, Christ's Entry into Jerusalem

57. Lovelace in Prison

58. Isabella Clara Eugenia

59. A Long-Chinned Man Arm in Arm with a Bosomy Woman in Tall Hat

60. Design for a Ceiling Decoration

61. Illustration to Homer's Iliad

62. A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background

63. St Agnes (after Domenichino)

64. St. Catherine Reading

65. Study of a Seated Woman

66. Rochester

67. Rochester

68. Matlock

69. Peterborough

70. Chester

71. Westminster Bridge

72. Peterborough

73. Ely