Family Gathered on a Porch, Opatow Kielecki, Poland
ca. 1907
4
Robert Polhill Bevan, 1865–1925
Street Scene: Opatow Kelecki, Poland
ca. 1907
5
attributed to Samuel Palmer, 1805–1881
Study of a Pilgrim
undated
6
Samuel Palmer, 1805–1881
A Pastoral Scene
1835
7
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
8
Samuel Palmer, 1805–1881
The Wayside Smithy
undated
9
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
10
Samuel Palmer, 1805–1881
Timber Wagon Crossing a Stream
undated
11
John Constable, 1776–1837
A Country Girl in the Lake District
1806
12
Joseph Mallord William Turner, 1775–1851
A View of Boppart, with Figures on the River Bank
1817
13
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
14
Joseph Mallord William Turner, 1775–1851
Cricket on the Goodwin Sands
undated
15
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
16
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
17
Joseph Mallord William Turner, 1775–1851
The Angler
1794
18
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
19
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
20
Joseph Mallord William Turner, 1775–1851
Steeton Manor House, Near Farnley
between 1815 and 1818
21
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
22
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
23
Joseph Mallord William Turner, 1775–1851
Newark - upon - Trent
ca. 1796
24
Joseph Mallord William Turner, 1775–1851
Leeds
1816
25
Joseph Mallord William Turner, 1775–1851
Saint Catherine's Hill, Guildford, Surrey
1830
26
Joseph Mallord William Turner, 1775–1851
High Street, Edinburgh
ca. 1818
27
Joseph Mallord William Turner, 1775–1851
Lulworth Castle, Dorset
ca. 1820
28
Joseph Mallord William Turner, 1775–1851
Ingleborough from Chapel-Le-Dale
between 1810 and 1815
29
Edward Lear, 1812–1888
Near Dishna
1867
30
Edward Lear, 1812–1888
Studies of Camels
January to April 1867
31
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
32
Edward Lear, 1812–1888
El Areesh
1867
33
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
34
Edward Lear, 1812–1888
Near Suez, 1 pm, 16 January 1849 (48)
1849
35
Edward Lear, 1812–1888
Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
36
Edward Lear, 1812–1888
Avenue of Trees
1867
37
Edward Lear, 1812–1888
Sketch studies of camels
January to April 1867
38
Edward Lear, 1812–1888
Study of an Egyptian Man on a Camel
1867
39
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
40
Edward Lear, 1812–1888
Study of figures and a camel
1867
41
Edward Lear, 1812–1888
Opposite Kom Ombos Abu Jer
1867
42
Edward Lear, 1812–1888
Near Belbeis
1867
43
Edward Lear, 1812–1888
Zereeba, near Belbeis
1867
44
Edward Lear, 1812–1888
Belbeis
1867
45
Edward Lear, 1812–1888
Salahiyeh
1867
46
Edward Lear, 1812–1888
Kurayim
1867
47
Edward Lear, 1812–1888
Between Bir El Abt
1867
48
Edward Lear, 1812–1888
Below Rabat, Malta
1866
49
Edward Lear, 1812–1888
Howatke
1867
50
Edward Lear, 1812–1888
Wady Halfeh
1867
51
Edward Lear, 1812–1888
Near Bajoura
1867
52
Edward Lear, 1812–1888
Boats on the Nile
1867
53
Edward Lear, 1812–1888
Boats
1867
54
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
55
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
56
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
57
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
58
Edward Lear, 1812–1888
Boats on the Nile
1867
59
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
60
Edward Lear, 1812–1888
Near Korosko
1867
61
Edward Lear, 1812–1888
Shelaal
1867
62
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
63
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
64
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
65
Edward Lear, 1812–1888
Qaw el Kebir
1867
66
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
67
Edward Lear, 1812–1888
El Ousta
1854
68
Edward Lear, 1812–1888
Harb. Gozo
1866
69
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
70
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
71
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
72
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
73
William Simpson, 1823–1899
The Village Well
1864
74
Peter La Cave, active 1769–1810
Rustic Scene: man fishing, left; cottage with water-mill and horses right
undated
75
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
76
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
77
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
78
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
79
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
80
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
81
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
82
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
83
Thomas Shotter Boys, 1803–1874
A Christening
undated
84
Thomas Shotter Boys, 1803–1874
Fountain in the Gardens, Paris: Evening
undated
85
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
86
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
87
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
88
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
89
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
90
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
91
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
92
Richard Westall, 1765–1836
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
undated
93
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
94
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
95
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
96
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
97
John Martin, 1789–1854
Landscape with Courting Couple
1839
98
John Martin, 1789–1854
Travelers on a Road above a River
1821
99
Angelica Kauffmann, 1741–1807
Design for a Fan
1775
100
William Marlow, 1740–1813
A Street in Florence with the Duomo and Campanile in the Background