Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
2
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
3
Thomas Stothard, 1755–1834
Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
undated
4
William Collins, 1788–1847
Dartmouth
undated
5
Edward Francis Burney, 1760–1848
View near Bristol
undated
6
Edward Francis Burney, 1760–1848
Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard
undated
7
Edward Francis Burney, 1760–1848
Musicians
undated
8
Edward Francis Burney, 1760–1848
Labyrinth at Walworth, Surrey
undated
9
Edward Francis Burney, 1760–1848
Pastoral
undated
10
Edward Francis Burney, 1760–1848
Erato and Pan
undated
11
Edward Francis Burney, 1760–1848
Fools Planting a Tree
undated
12
Edward Francis Burney, 1760–1848
Gross Study for St. Paul at Ephesus
undated
13
Edward Francis Burney, 1760–1848
The Arts
undated
14
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
15
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
16
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
17
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
18
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
19
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
20
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of Indians
undated
21
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
22
Peter La Cave, active 1769–1810
Mountain Landscape: with cows and goats foreground and figures, left
1801
23
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
24
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
25
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
26
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
27
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
28
Thomas Stothard, 1755–1834
Back of Naked Figure
undated
29
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
30
Thomas Stothard, 1755–1834
Tree Study
undated
31
Henry Courtney Selous, 1811–1890
Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
undated
32
James Lewis, 1751–1820
Design for a Country House
undated
33
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
34
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
35
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
36
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
37
Peter Casteels, 1684–1749
Feeding Ducks
undated
38
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
39
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
40
Charles Hamilton Smith, 1776–1859
Hall, Easton Neston, Northants
undated
41
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
42
Edward Francis Burney, 1760–1848
Hilly Landscape with House
undated
43
Edward Francis Burney, 1760–1848
Chepstow Castle
undated
44
Edward Francis Burney, 1760–1848
Richmond
undated
45
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
46
Edward Francis Burney, 1760–1848
Road in the Forest
undated
47
Edward Francis Burney, 1760–1848
Thatched-roof Barn
undated
48
Edward Francis Burney, 1760–1848
View at Margate
undated
49
Edward Francis Burney, 1760–1848
The Boatman
undated
50
Edward Francis Burney, 1760–1848
View at Margate
undated
51
Edward Francis Burney, 1760–1848
View near Bristol
undated
52
Edward Francis Burney, 1760–1848
The Bridge
undated
53
Edward Francis Burney, 1760–1848
Elevation of a House
undated
54
Edward Francis Burney, 1760–1848
Watley
undated
55
Edward Francis Burney, 1760–1848
Norbury Park
undated
56
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
57
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
58
Edward Francis Burney, 1760–1848
Theatrical Scene
undated
59
Edward Francis Burney, 1760–1848
Venus and Cupid
undated
60
Edward Francis Burney, 1760–1848
Bacchanalia
undated
61
Edward Francis Burney, 1760–1848
Pamphilia
undated
62
Thomas Crofton Croker, 1798–1854
Houses at Kilmallock
undated
63
Edward Francis Burney, 1760–1848
View in Surrey
undated
64
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
65
Edward Francis Burney, 1760–1848
Mowbray Park
undated
66
Charles Hamilton Smith, 1776–1859
Porch with Statuary, Easton Neston, Northants
undated
67
Edward Francis Burney, 1760–1848
River Landscape with Bridge
undated
68
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
69
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
70
Edward Francis Burney, 1760–1848
Country House
undated
71
Edward Francis Burney, 1760–1848
Horse Cart
undated
72
Edward Francis Burney, 1760–1848
Pastural
undated
73
Edward Francis Burney, 1760–1848
Pamphilia
undated
74
Edward Francis Burney, 1760–1848
Bacchanalia
undated
75
Edward Francis Burney, 1760–1848
Vulcan and The Gods and Goddesses
undated
76
Edward Francis Burney, 1760–1848
Design for Commemorative Medallion for Simon Bolivar
undated
77
Edward Francis Burney, 1760–1848
Design for Monument to Dyde and Scribe
undated
78
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
79
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
80
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
81
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
82
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
83
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
84
unknown artist
Henry VII Chapel, Westminster Abbey
undated
85
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
86
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
87
Philip William May, 1864–1903
The Dog Cart
undated
88
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
89
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
90
Attributed to Leonard Raven-Hill, 1867–1942
A Riding Mishap—a gentleman is sitting on the ground after being thrown from his horse
undated
91
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
92
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
93
unknown artist
A Carriage
1825
94
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
95
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
96
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
97
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
98
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
99
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
100
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West