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Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Edward Lear Val di Roppa, Corfu, 22 May 1868
Edward Lear, 1812–1888
Val di Roppa, Corfu, 22 May 1868
1868
William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake I Found Him Beneath a Tree; Plate 3
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
William Blake Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 38, "His face and bosom...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1794
William Blake Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
William Blake Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
Richard Dadd Landscape with Cottages, Broadmoor
Richard Dadd, 1817–1886
Landscape with Cottages, Broadmoor
1873
Richard Bridgens Planting the sugar cane (Trinidad)
Richard Bridgens, active 1838
Planting the sugar cane (Trinidad)
1838
Thomas Girtin The Village of Kirkstall, Yorkshire
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
Paul Sandby Bridgenorth, Shropshire
Paul Sandby, 1731–1809
Bridgenorth, Shropshire
ca. 1801
Samuel Hieronymus Grimm Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall
Samuel Hieronymus Grimm, 1733–1794
Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall
undated
Thomas Hearne Haymaking
Thomas Hearne, 1744–1817
Haymaking
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
Thomas Watson The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
Print made by Thomas Watson, 1743–1781
The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
1776
Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
John James Barralet The Road to East Grinstead
John James Barralet, 1747–1815
The Road to East Grinstead
Undated
Paul Sandby Woolwich Warren
Paul Sandby, 1731–1809
Woolwich Warren
undated
Francis Wheatley Soldiers and Country Women
Francis Wheatley, 1747–1801
Soldiers and Country Women
undated
Michael "Angelo" Rooker Almshouses in St. Cuthbert's Churchyard, Wells
Michael "Angelo" Rooker, 1746–1801
Almshouses in St. Cuthbert's Churchyard, Wells
undated
John Henry Müntz Classical Composition
John Henry Müntz, 1727–1798
Classical Composition
undated
Master of the Wire Line Country Scene: Cottage and Figures on a Winding Road
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
George Shepheard The Village of Aldbury, Hertfordshire
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
William Callow Madonna with a Rabbit
William Callow, 1812–1908
Madonna with a Rabbit
undated
Sir James Thornhill Design for a portrait of an architect or a painter
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
William Pars The Secundini Monument at Ighel in the Duchy of Luxembourg
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
Paul Sandby The Gunpowder Magazine, Hyde Park
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
unknown artist Pile Driving on the Banks of the Thames
unknown artist
Pile Driving on the Banks of the Thames
undated
unknown artist Battersea Bridge
unknown artist
Battersea Bridge
undated
Paul Sandby Romantic Landscape with Figures and a Dog
Paul Sandby, 1731–1809
Romantic Landscape with Figures and a Dog
undated
Francis Wheatley Lismore Castle, Ireland
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
Paul Sandby The Garden of Thomas Sandby's House at Englefield Green near Windsor
Paul Sandby, 1731–1809
The Garden of Thomas Sandby's House at Englefield Green near Windsor
ca. 1800
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
Samuel Hieronymus Grimm The Horse Guard's Parade, Whitehall
Samuel Hieronymus Grimm, 1733–1794
The Horse Guard's Parade, Whitehall
undated
Samuel Hieronymus Grimm The Bishop's Palace, Bromley (A Country House)
Samuel Hieronymus Grimm, 1733–1794
The Bishop's Palace, Bromley (A Country House)
undated
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
Abraham Blooteling Hercules before the Temple of Janus
Print made by Abraham Blooteling, 1640–1690
Hercules before the Temple of Janus
between 1680 and 1690
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
Gerhard Bockman The Guitar Player
Print made by Gerhard Bockman, 1686–1773
The Guitar Player
undated
William Alexander The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
Johann Ulrich Kraus A Bacchanian Scene
Print made by Johann Ulrich Kraus, 1655–1719
A Bacchanian Scene
undated
Bernard Lens II Nymphs Bathing
Print made by Bernard Lens II, 1659–1725
Nymphs Bathing
undated
Leonard Raven-Hill Vive la Politesse! Ladies First!
Leonard Raven-Hill, 1867–1942
Vive la Politesse! Ladies First!
undated