A Study for the Pilkington Crest, a mower with a scythe
undated
16
unknown artist
Moonlit Scene of Castle and Ships
undated
17
unknown artist
St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710
undated
18
Charles Tomkins, 1757–1823
Ealing House, Middlesex
undated
19
unknown artist
Great Oakley Hall, Northamptonshire
ca. 1840
20
unknown artist
Battersea
undated
21
James Arthur O'Connor, 1792–1841
Bangor, Belfast Lough
undated
22
Sir William John Newton, 1785–1869
Design for the Rotunda, Ranelagh Gardens
undated
23
Peter Monamy, 1681–1749
Landing of William of Orange at Tor Bay
1688
24
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
25
Francis Nicholson, 1753–1844
Westminster from the South Bank
ca. 1790
26
unknown artist
Norton Hall, Cheshire: Ground Plan with Designs for a Canal
between 1760 and 1776
27
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
28
Thomas Shotter Boys, 1803–1874
View at Swiss Cottage, London
1836
29
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
30
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
31
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
32
John Thomas Smith, 1766–1833
The Reconcilation
1817
33
John Thomas Smith, 1766–1833
The Smock Exposed
1817
34
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
35
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
36
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
37
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
38
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
39
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
40
Benjamin West, 1738–1820
Parsonage House at Henstead
undated
41
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
42
Henry William Burgess, active 1809–1860
St. Jacques, Dieppe
1820
43
Robert Byng, 1666–1720
Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family
undated
44
Studio of Thomas Telford, 1757–1834
Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry
1819
45
Peter La Cave, active 1769–1810
Haymakers
undated
46
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
47
Sir James Thornhill, 1675–1734
A Niche for Mr. Portman's House at Sherborne
ca. 1720
48
Robert Adam, 1728–1792
Headfort House, Ireland: Ceiling of the Front Hall
1771
49
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
50
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1775
51
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
52
Robert Adam, 1728–1792
Headfort House, Ireland: Saloon Ceiling
1772
53
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
54
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street
1765
55
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
1765
56
William Paton Burton, 1828–1883
The Market Place, Tanta, Egypt
1874
57
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
58
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
59
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
60
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
61
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
62
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
63
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
64
William Callow, 1812–1908
The Rialto
1846
65
Robert Adam, 1728–1792
Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
66
Robert Adam, 1728–1792
Headfort House, Ireland: Detail of the Lady's Room Ceiling
1772
67
Robert Adam, 1728–1792
Headfort House, Ireland: Lady's Room Ceiling
1772
68
Thomas Shotter Boys, 1803–1874
View Near Arundel Castle
1823 and 1874
69
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
70
Edward Byng, c. 1676–1753
A Gentleman, wearing a Long Buttoned Coat with Large Cuffs
undated
71
Samuel Prout, 1783–1852
Beach Scene
undated
72
Sir James Thornhill, 1675–1734
The Sermon on the Mount
undated
73
unknown artist
Windsor Castle
undated
74
Follower of Henry Edridge, 1769–1821
View of Harrow Church
undated
75
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
76
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
77
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
78
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Ceiling of the Dairy
1795
79
James Pollard, 1792–1867
The Greengrocer
ca. 1819
80
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Ld. Darnely's Bedchamber as a Proposed to be Altered
1789
81
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
82
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevation of the Stables, Barn and Coach Houses
ca. 1790
83
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Earl of Darnley's Dressing Room
ca. 1790
84
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's
ca. 1790
85
George Shakespear, active 1752, died 1797
Cobham Hall, Kent: South Elevation of North Wing
ca. 1790
86
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase from Principal to the Chamber Floor
ca. 1790
87
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
88
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
89
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of Tower Staircase
ca. 1790
90
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
91
James Wyatt, 1746–1813
Cobham Hall, Kent: Mezzanine Floor Plan of Stables
1789
92
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1789
93
James Wyatt, 1746–1813
Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage
1798
94
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Section of New Entrance and Offices
1798
95
Roger Morris, 1695–1749
Whitton House, Middlesex: Mezzanine and Attic Floor Plans
between 1732 and 1739
96
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
97
David Cox Jr., 1809–1885
Welsh Mountain Stream
ca. 1850
98
James Wyatt, 1746–1813
Cobham Hall, Kent: North Elevation of South Wing
undated
99
James Wyatt, 1746–1813
Cobham Hall, Kent: Windows in Dairy
1795
100
James Wyatt, 1746–1813
Cobham Hall, Kent: Unidentified Plan for a Passage