A Study for the Pilkington Crest, a mower with a scythe
undated
10
John James Barralet, 1747–1815
View of Lucan House
1782
11
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
12
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
13
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
14
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
15
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
16
Samuel Wale, 1721–1786
The Pursuit (Probably a Design for The Tyburn Chronicle)
undated
17
Peter La Cave, active 1769–1810
Haymakers
undated
18
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
19
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
20
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
21
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
22
John Thomas Smith, 1766–1833
The Reconcilation
1817
23
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
24
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
25
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
26
Samuel Prout, 1783–1852
Coast Scene near Plymouth
undated
27
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
28
James Pollard, 1792–1867
The Meat Market
undated
29
James Pollard, 1792–1867
The Greengrocer
ca. 1819
30
Thomas Rowlandson, 1756–1827
Women Drinking Punch
undated
31
Thomas Rowlandson, 1756–1827
A Legal Wrangle
undated
32
Thomas Rowlandson, 1756–1827
A Park Scene
undated
33
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
34
John Glover, 1767–1849
St. Davids Head, Pembrokeshire
ca. 1805
35
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
36
Thomas Rowlandson, 1756–1827
The Slaughterhouse
undated
37
Thomas Rowlandson, 1756–1827
Cottage in a Forest Clearing
undated
38
Joseph Nollekens, 1737–1823
Tomb: Cherub Weeping by an Urn
undated
39
William Hamilton, 1751–1801
Figures Harvesting
undated
40
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
41
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
42
John Thomas Smith, 1766–1833
The Smock Exposed
1817
43
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
44
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
45
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
46
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
47
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
48
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
49
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
50
Thomas Rowlandson, 1756–1827
A Punch and Judy Show
undated
51
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
52
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
53
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
54
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
55
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
56
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
undated
57
Charles B. Newhouse, fl. c.1820–1836
An Elopement by Moonlight
1834
58
Charles B. Newhouse, fl. c.1820–1836
The London-Dumphries Royal Mail
between 1830 and 1840
59
Charles B. Newhouse, fl. c.1820–1836
The London-Dover Royal Mail, c. 1830-1840
undated
60
Thomas Shotter Boys, 1803–1874
The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
1852
61
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
62
Thomas Rowlandson, 1756–1827
A Ball at Scarborough
ca. 1820
63
Samuel Howitt, 1756–1822
Going Home
undated
64
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
65
Thomas Rowlandson, 1756–1827
A Grub Street Poet
undated
66
Thomas Rowlandson, 1756–1827
A Merchant's Office
1789
67
John Augustus Atkinson, 1775–1831
Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter
undated
68
Samuel Prout, 1783–1852
The Thatched Cottage
undated
69
Thomas Rowlandson, 1756–1827
Evading the Toll
between 1805 and 1810
70
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
71
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
72
Thomas Shotter Boys, 1803–1874
Prague
ca. 1847
73
Thomas Rowlandson, 1756–1827
Drury Lane. The School for Scandal
undated
74
Thomas Rowlandson, 1756–1827
A Burial at Carisbrooke, Isle of Wight
between 1797 and 1800
75
Thomas Rowlandson, 1756–1827
The Paris Diligence
undated
76
Thomas Rowlandson, 1756–1827
The Market Place, Brackley, Northamptonshire
undated
77
Thomas Rowlandson, 1756–1827
The Connoisseurs
ca. 1790
78
Thomas Rowlandson, 1756–1827
Knives or Scissors to Grind
undated
79
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
80
Thomas Rowlandson, 1756–1827
Monks Carousing outside a Monastery
undated
81
Thomas Rowlandson, 1756–1827
Banditti
undated
82
Thomas Creswick, 1811–1869
Shrimpers on the Shore
undated
83
Henry Fuseli, 1741–1825
Figure Leaning over Stairs
1789
84
Hubert-François Gravelot, 1699–1773
Design for a Vignette: Seated Classical Figure
undated
85
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
undated
86
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
87
William Day, 1764–1807
A Scene in Derbyshire; Industrial Works spanning a River
undated
88
Hubert-François Gravelot, 1699–1773
A Picnic: Two Ladies and a Gentleman
ca. 1745
89
John White Abbott, 1763–1851
The Mouth of the Cavern at Castleton in the Peak of Derby
1791
90
Hubert-François Gravelot, 1699–1773
Drawing for a Frontispiece: "The Toast"
1735
91
Hubert-François Gravelot, 1699–1773
Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)