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Materials & Techniques etching (printing process)

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Materials & Techniques wove paper

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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 19th century

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Genre literary theme

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Search Results

Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner Aesacus and Hesperie
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 7, "Fire"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
1826
William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 5, "Earth"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
Edward Francis Finden The Field of Waterloo from Hougoumont
Print made by Edward Francis Finden, 1791–1857
The Field of Waterloo from Hougoumont
1833
Edward Francis Finden Scio (Fontana de Melek, Mehmet Pasha)
Print made by Edward Francis Finden, 1791–1857
Scio (Fontana de Melek, Mehmet Pasha)
1833
Edward Francis Finden Parnassus and Castalian Spring
Print made by Edward Francis Finden, 1791–1857
Parnassus and Castalian Spring
1833
George Hollis St. Mark's Place, Venice - Juliet and her Nurse
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
George Hollis St. Mark's Place, Venice - Juliet and her Nurse
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
William Miller The Dead Eagle - Oran
Print made by William Miller, 1796–1882
The Dead Eagle - Oran
1837
William Finden Travelling Musicians
Print made by William Finden, 1787–1852
Travelling Musicians
1830
Daniel Allen Cristina
Print made by Daniel Allen, active 1830s
Cristina
1830
Edward Alfred Goodall A Tournament in St. Mark's Place
Print made by Edward Alfred Goodall, 1819–1908
A Tournament in St. Mark's Place
1830
Daniel Allen A Rural Entertainment
Print made by Daniel Allen, active 1830s
A Rural Entertainment
1830
Edward Alfred Goodall A Tomb
Edward Alfred Goodall, 1819–1908
A Tomb
1830
Edward Alfred Goodall Ginevra
Print made by Edward Alfred Goodall, 1819–1908
Ginevra
1830
Edward Alfred Goodall The Pilgrim
Print made by Edward Alfred Goodall, 1819–1908
The Pilgrim
1830
William Finden An Arrival
Print made by William Finden, 1787–1852
An Arrival
1830
John Henry Robinson The Death of Raphael
Print made by John Henry Robinson, 1796–1871
The Death of Raphael
1830
William Finden The Fountain
Print made by William Finden, 1787–1852
The Fountain
1830
Daniel Allen Travelling Monks
Print made by Daniel Allen, active 1830s
Travelling Monks
1830
John Henry Robinson The Tarentella
Print made by John Henry Robinson, 1796–1871
The Tarentella
1830
Samuel Davenport The Blind Harper
Print made by Samuel Davenport, 1783–1867
The Blind Harper
1830
John Henry Robinson Children on the Sea Shore
Print made by John Henry Robinson, 1796–1871
Children on the Sea Shore
1830
Robert Wallis Petrarch's Tomb
Print made by Robert Wallis, 1794–1878
Petrarch's Tomb
1830
Edward Goodall St. Anne's Hill, No. I
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. I
1834
Francesco Bartolozzi And Ah! Let Pity Turn Her Dewy Eyes...
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
William Finden Jorasse
Print made by William Finden, 1787–1852
Jorasse
1830
Charles Rolls The Brides of Venice
Print made by Charles Rolls, 1800–active 1830
The Brides of Venice
1830
Daniel Allen Buondelmonte
Print made by Daniel Allen, active 1830s
Buondelmonte
1830
William Finden The Pilgrim's Return
Print made by William Finden, 1787–1852
The Pilgrim's Return
1830
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
James T. Willmore Ancient Italy - Ovid Banished from Rome
Print made by James T. Willmore, 1800–1863
Ancient Italy - Ovid Banished from Rome
1842
James T. Willmore Ancient Italy - Ovid Banished from Rome
Print made by James T. Willmore, 1800–1863
Ancient Italy - Ovid Banished from Rome
1842
Robert Thew Shakespeare, Macbeth Act IV, Scene I
Robert Thew, 1758–1802
Shakespeare, Macbeth Act IV, Scene I
1802
Henry J. Townsend Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
Edward Goodall Johnnie Armstrong's Tower (Vignette)
Print made by Edward Goodall, 1795–1870
Johnnie Armstrong's Tower (Vignette)
1834
Edward Goodall Smailholm Tower (Vignette)
Print made by Edward Goodall, 1795–1870
Smailholm Tower (Vignette)
1834
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
James T. Willmore Dido and Aeneas
Print made by James T. Willmore, 1800–1863
Dido and Aeneas
between 1859 and 1861
James Baylis Allen Phryne going to the Bath as Venus
Print made by James Baylis Allen, 1803–1876
Phryne going to the Bath as Venus
between 1859 and 1861
William Miller The Dead Eagle - Oran (Vignette)
Print made by William Miller, 1796–1882
The Dead Eagle - Oran (Vignette)
1837
John Cousen Lake of Nemi (Vignette)
Print made by John Cousen, 1804–1880
Lake of Nemi (Vignette)
ca. 1844
W. R. Smith Petrarch's House at Arqua
Print made by W. R. Smith, active 1819–1851
Petrarch's House at Arqua
1830
John Cousen The Bright Stone of Honour - from LXV - 'The Turner Gallery'
Print made by John Cousen, 1804–1880
The Bright Stone of Honour - from LXV - 'The Turner Gallery'
between 1859 and 1879
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
Thomas Abiel Prior The Goddess of Discord in the Garden of Hesperides
Print made by Thomas Abiel Prior, 1809–1886
The Goddess of Discord in the Garden of Hesperides
between 1859 and 1861
John Cousen The Acropolis of Athens
Print made by John Cousen, 1804–1880
The Acropolis of Athens
1832
Edward Francis Finden Negropont
Print made by Edward Francis Finden, 1791–1857
Negropont
1834
Edward Francis Finden The Plain of Troy
Print made by Edward Francis Finden, 1791–1857
The Plain of Troy
1832
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
William Miller Edinburgh from Blackford Hill
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
Edward Francis Finden The School of Homer
Print made by Edward Francis Finden, 1791–1857
The School of Homer
1833