<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques graphite

Remove constraint Materials & Techniques: graphite

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Image Available Available

Remove constraint Image Available: Available

Work Type watercolor

Remove constraint Work Type: watercolor

Subject Terms men

Remove constraint Subject Terms: men

Search Results

William Hogarth Gabriel Hunt
William Hogarth, 1697–1764
Gabriel Hunt
undated
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Edward Lear Howatke
Edward Lear, 1812–1888
Howatke
1867
Edward Lear Near Suez, evening, 15 January 1849 (43)
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Silsilis
Edward Lear, 1812–1888
Silsilis
1854
Edward Lear Seated Men
Edward Lear, 1812–1888
Seated Men
1867
Edward Lear Studies of Camels and Egyptian Men
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 25, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
between 1790 and 1794
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney The Two Friends
George Romney, 1734–1802
The Two Friends
undated
John Baverstock Knight The Beach at Charmouth
John Baverstock Knight, 1785–1859
The Beach at Charmouth
undated
unknown artist Design for the Parterre at Hampton Court
unknown artist
Design for the Parterre at Hampton Court
early 18th century
John Martin The Stoning of Saint Stephen
Attributed to John Martin, 1789–1854
The Stoning of Saint Stephen
undated
John Martin Mountainous Landscape with Figures and a Rock Above a Lake
attributed to John Martin, 1789–1854
Mountainous Landscape with Figures and a Rock Above a Lake
undated
Ambrose Poynter Scenes from Life in Paris: Man Seated and Man Carrying Basket
Ambrose Poynter, 1796–1886
Scenes from Life in Paris: Man Seated and Man Carrying Basket
ca. 1835
Samuel Prout Mechanical Grinder with Figures
Samuel Prout, 1783–1852
Mechanical Grinder with Figures
undated
Philippe-Jacques de Loutherbourg The Encampment
Philippe-Jacques de Loutherbourg, 1740–1812
The Encampment
undated
unknown artist Portuguese, Madeira, Jan 30, '68
unknown artist
Portuguese, Madeira, Jan 30, '68
1868
unknown artist Church Interior
unknown artist
Church Interior
undated
unknown artist Moonlit Scene of Castle and Ships
unknown artist
Moonlit Scene of Castle and Ships
undated
unknown artist Harbor
unknown artist
Harbor
undated
unknown artist Boats and Men on Beach
unknown artist
Boats and Men on Beach
undated
unknown artist Three Men
unknown artist
Three Men
undated
unknown artist Three Men (Jan 31/68)
unknown artist
Three Men (Jan 31/68)
1868
Mary Mitford On the Seine
Mary Mitford, active 1770
On the Seine
1770
William Page Figures Seated Under a Stone Arch
William Page, 1794–1872
Figures Seated Under a Stone Arch
undated
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
William Payne On the River Tivy, near Cardigan, Wales
William Payne, active 1850s
On the River Tivy, near Cardigan, Wales
1826
Nicholas Pocock Two Men in a Boat Clinking Tankards (?)
Nicholas Pocock, 1740–1821
Two Men in a Boat Clinking Tankards (?)
undated
William Henry Pyne An Illustration to Rob Roy: Interior with a Party Drinking
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
John Nixon In Mr. Barnard's Boat, Kingston
John Nixon, ca. 1760–1818
In Mr. Barnard's Boat, Kingston
undated
Sir Richard Westmacott The Good Samaritan
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
Sir David Wilkie Grace Before Meat
Sir David Wilkie, 1785–1841
Grace Before Meat
1839
unknown artist Battersea Bridge
unknown artist
Battersea Bridge
undated
Hamlet Winstanley The Adoration
Hamlet Winstanley, 1698–1756
The Adoration
1723
George Belton Moore A Proposed plan for Trafalgar Square
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
Sir James Thornhill A Design for a Ceiling
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
Thomas Shotter Boys Le Château de Blois
attributed to Thomas Shotter Boys, 1803–1874
Le Château de Blois
undated
Samuel Scott Two Boats with Crews, Study for The Royal William at Sea
Samuel Scott, 1701/2–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
Richard Westall Conversation on a Country Road
Richard Westall, 1765–1836
Conversation on a Country Road
1799
Michael "Angelo" Rooker Illustration to Beaumont and Fletcher
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
Paul Sandby A Family in Hyde Park
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
Cornelius Varley A Horse pulling a Drag
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
Michael "Angelo" Rooker The Market Square, Bury St. Edmunds
Michael "Angelo" Rooker, 1746–1801
The Market Square, Bury St. Edmunds
undated
Peter Tillemans Figures in a Landscape by a River
Peter Tillemans, 1684–1734
Figures in a Landscape by a River
undated
J. Tobin Preparing to lay eel traps
J. Tobin, active 1776
Preparing to lay eel traps
undated
Sir James Thornhill The House of Commons
Sir James Thornhill, 1675–1734
The House of Commons
after 1731
John Henry Müntz Landscape with Sportsman and Guns
John Henry Müntz, 1727–1798
Landscape with Sportsman and Guns
1779
Andrew Wilson The Baths of Caracalla
Andrew Wilson, 1780–1848
The Baths of Caracalla
1810
Samuel Prout Hulks at Plymouth
Samuel Prout, 1783–1852
Hulks at Plymouth
undated
John Varley View of Chepstow Castle, Monmouthshire, from Under the Bridge
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
Lewis Vaslet The Spoiled Child, Scene VI
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
unknown artist Pile Driving on the Banks of the Thames
unknown artist
Pile Driving on the Banks of the Thames
undated
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767