Materials & Techniques: line engraving / Subject Terms: river and landscape

Print made by William Faithorne, ca. 1620–1691

Henry More

1675

Charles Grignion, 1717–1810

A View of the Bridge at Walton-on-Thames in Surrey

1752

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Print made by Michael "Angelo" Rooker, 1746–1801

Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford

1775

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Morning

ca. 1797

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James S. Storer, 1771–1853

Chepstow

1794

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Print made by J. Widnell, Active 1795

Matlock

1795

Print made by Thomas Tagg, died 1809

Cambridge

1795

Print made by James Walker, 1748–1808

Nottingham

1795

Print made by George Murray, died 1822

Neath

1795

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by James Walker, 1748–1808

Flint, from Park-Gate

1797

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by James Basire the younger, 1769–1822

South View of Christ Church, etc. from the Meadows

1799

Print made by James Basire the younger, 1769–1822

South View of Christ Church, etc., From the Meadows..

1799

Print made by John Landseer, 1769–1852

Cowes

1799

Print made by James Basire the younger, 1769–1822

South View of Christ Church, etc., From the Meadows..

1799

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by Joseph Skelton, active 1820–1850

Christ Church from the Meadows

between 1820 and 1823

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by George Richmond, 1809–1896

The Shepherd

1827

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey

1828

Print made by W. J. Cook, active 1830s–1840s

Hurdwar, A Place of Hindoo Pilgrimage

1831

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by Robert Brandard, 1805–1862

Rietz near Saumur

1833

Print made by Robert Brandard, 1805–1862

Rietz near Saumur

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by Robert Brandard, 1805–1862

Rietz, near Saumur

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by Robert Brandard, 1805–1862

Rietz near Saumur

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by Robert Brandard, 1805–1862

Rietz, near Saumur

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by James Baylis Allen, 1803–1876

St. Germains

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by William Richardson, active 1842–1877

Ashestiel

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

Edward Francis Finden, 1791–1857

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

Print made by William Forrest, 1802–1889

Abbotsford, Large Vignette

1836

Print made by Thomas Higham, 1796–1844

Pilgrims at the Sacred Fair of Hurdwar

1836

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by Robert Sargent Austin, 1895–1973

Highbridge

1927

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Materials & Techniques line engraving

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