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Materials & Techniques pen
Remove constraint Materials & Techniques: penCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionClassification Drawings & Watercolors
Remove constraint Classification: Drawings & WatercolorsSearch Results
1
- Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
- 1972
2
- Arab Horsemen, Two Grey Horses
- 1965
3
- Huntsman and Hounds
- ca. 1896
4
- Over the Bank, Exmoor
- ca. 1895
5
- The Primitive Cottage, Shoreham
- undated
6
- Landscape Sketch
- undated
7
- A Cow Lodge with a Mossy Roof
- ca. 1829
8
- Conway Castle
- 1836
9
- Opening the Fold: Early Morning
- ca. 1880
10
- Tintern Abbey
- 1835
11
- A Cottage among Trees, Shoreham
- undated
12
- An Ancient Barn at Shoreham
- undated
13
- Mount Siabod from Tyn-y-Coed near Capel Curig
- undated
14
- A Barn with a Mossy Roof, Shoreham
- undated
15
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
16
- Cornfields with Barn, Shoreham
- ca. 1829
17
- The Valley of Dolwyddelan
- undated
18
- The Crescent Moon
- undated
19
- View from Rook's Hill, Kent
- 1843
20
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
21
- A Recollection of the New R.A
- 1837
22
- Brighton Beach Looking West
- undated
23
- A View on the Orwell
- undated
24
- Dawn
- between 1831 and 1832
25
- Trees and Deer
- 1825
26
- Stoke Poges Church
- 1834
27
- Horses Fighting
- undated
28
- Human Skeleton, Anterior View
- 1795 to 1806
29
- Human Skeleton, Lateral View
- 1795 to 1806
30
- Fowl Skeleton, Lateral View (Study for the key figure to Table V)
- 1795 to 1806
31
- Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
- 1795 to 1806
32
- Human Skeleton, Anterior View (Final study)
- 1795 to 1806
33
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
34
- Tiger Body, Lateral View (Probably made as the basis for a key figure)
- 1795 to 1806
35
- Tiger Body, Lateral View (Outline drawing for a key figure)
- 1795 to 1806
36
- Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
- 1795 to 1806
37
- Leopard Body, Lateral View
- 1795 to 1806
38
- Fowl Body, Lateral View (Study for key figure to Table X)
- 1795 to 1806
39
- Fowl Head and Neck, Lateral View
- 1795 to 1806
40
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
41
- Monkey Standing, Anterior View
- 1795 to 1806
42
- Dorking Hen Body, Lateral View (Outline drawing of the muscles)
- 1795 to 1806
43
- Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
- between 1795 and 1806
44
- Human Skeleton, Posterior View
- 1795 to 1806
45
- Human Skeleton, Lateral View
- 1795 to 1806
46
- Human Skeleton, Lateral View
- 1795 to 1806
47
- Tiger Skeleton, Lateral View
- 1795 to 1806
48
- Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
- 1795 to 1806
49
- Tiger Body, Lateral View
- 1795 to 1806
50
- Grotesque Female Head
- undated
51
- Grotesque Male Head
- undated
52
- Grotesque Female Head
- undated
53
- Grotesque Female Head
- undated
54
- Grotesque Male Head
- undated
55
- Grotesque Male Head
- undated
56
- Grotesque Male Head
- undated
57
- Grotesque Male Head
- undated
58
- Grotesque Male Head
- undated
59
- Grotesque Female Head
- undated
60
- Grotesque Male Head
- undated
61
- Grotesque Male Head
- undated
62
- Grotesque Male Head
- undated
63
- Grotesque Female Head
- undated
64
- Grotesque Male Head
- undated
65
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
66
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
67
- Study for the Foundlings
- ca. 1739
68
- Rome from Monte Mario
- ca. 1818
69
- Tours: Sunset: Looking Backwards
- between 1826 and 1830
70
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
71
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
72
- Wied Zurrik (Malta)
- 1848
73
- A Weasel
- 1832
74
- Gozo, near Malta
- 1866
75
- The Capo Sant' Angelo, Amalfi
- ca. 1885
76
- View near Palermo
- 1847
77
- The Pontine Marshes above Terracina
- ca. 1880
78
- Bavella, Corsica
- ca. 1868
79
- Albania
- between 1848 and 1849
80
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
81
- Amada, 9:30 am, 12 February 1867
- 1867
82
- Catania
- 1847
83
- Turin, Italy
- after 1872
84
- Jericho, 7 May 1858
- 1858
85
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
86
- New Harbour, Malta
- 1866
87
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
88
- Siracusa, 12. June 1847
- 1847
89
- Oasis Village
- 1854
90
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
92
- Abraham and Isaac
- 1799 to 1800
93
- The Parable of the Wise and Foolish Virgins
- ca. 1825
94
- The Entrance Front of Hayley's House at Eartham
- 1801
95
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
96
- Moses Receiving the Law
- ca. 1780
97
- Joseph and Potiphar's Wife
- 1803 to 1805
98
- Seated Woman Feeding an Animal
- undated
99
- Mythological Group of Women and Children
- undated
100
- The Bath of Bath-sheba
- undated