One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
208
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
209
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
210
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
211
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
212
John Henry Mole, 1814–1886
View from Craig-y-Barns, Dunkeld, Looking South
1855
213
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
214
unknown artist
The Nile, Looking towards Nabia
ca. 1869
215
William Henry Bartlett, 1809–1854
Richmond
undated
216
Elizabeth Pringle, active ca. 1800
A Prowling Tiger
ca. 1800
217
George Richmond, 1809–1896
Margate, Great Cloud
1853
218
Edward Swinburne, 1765–1847
Ash Tree
1842
219
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
220
Edna Kaulbach, active 1874
At Oxford
1874
221
Thomas Girtin, 1775–1802
The Abbey Mill, Knaresborough
1801
222
John Ruskin, 1819–1900
Champagnole
1846
223
Richard Parkes Bonington, 1802–1828
The Use of Tears
1827
224
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
225
Henry Thomas Alken, 1785–1851
Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
undated
226
Henry Thomas Alken, 1785–1851
Head and Neck of a Frightened Horse, Left Profile
undated
227
Henry Thomas Alken, 1785–1851
Heads and Necks of Two Horses Wearing Bridles, Right Profiles
undated
228
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
229
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
230
Thomas Weaver, 1774–1843
Coursing
1800
231
George Jones, 1786–1869
A Camel, Facing Left, Sept. 1856
1856
232
George Jones, 1786–1869
A Male Lion, Lying Down and Half Facing Right
ca. 1856
233
George Jones, 1786–1869
A Polar Bear, Asleep, Front View
ca. 1856
234
George Jones, 1786–1869
A Camel Resting, Side View to the Right
ca. 1856
235
George Jones, 1786–1869
A Camel Resting
undated
236
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
237
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
238
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
239
Sir George Hayter, 1792–1871
Netting Deer in Richmond Park
undated
240
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
241
Possibly Anthony Vandyke Copley Fielding, 1787–1855
Landscape Near Newmarket, Suffolk
1812
242
Emily Calmady, 19th century
Sir Thomas Lawrence's Painting Room in 1824
1824
243
William Mulready, 1786–1863
Drawing for The First Voyage
ca. 1833
244
John Ruskin, 1819–1900
The Rocky Bank of a River
ca. 1853
245
John Ruskin, 1819–1900
Doorhead of the Palazzo Contarini della Porta di Ferro
undated
246
John Ruskin, 1819–1900
The Great Square at Torcello
1850
247
John Ruskin, 1819–1900
Mountainous Landscape
undated
248
William Daniell, 1769–1837
Windsor Castle from the South
1827
249
George Jones, 1786–1869
Magdalen Tower and Bridge, Oxford
undated
250
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
251
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Boxer Dog, Profile Right
undated
252
Henry Thomas Alken, 1785–1851
Poachers Surprised
undated
253
George Jones, 1786–1869
A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right
ca. 1850
254
George Jones, 1786–1869
A Camel, Facing Left, Sept. 3, 1850
1850
255
George Jones, 1786–1869
An Elephant
ca. 1856
256
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
257
Hablot Knight Browne, 1815–1882
The Buxom Hostess
1879
258
unknown artist
Two Greyhounds Chasing a Hare
undated
259
Florence Claxton, active 1855–1889
Conversazione
undated
260
Charles Hamilton Smith, 1776–1859
The Sea Otter
ca. 1837
261
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
262
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
263
Richard Principle Leitch, 1844–1875
Two Studies of Buildings
1849
264
Sir David Wilkie, 1785–1841
King Charles Spaniel
1835
265
Anthony Vandyke Copley Fielding, 1787–1855
Landscape with Limekiln
1809
266
Henry Fuseli, 1741–1825
Ariadne Watching the Struggle of Theseus with the Minotaur
1815 to 1820
267
unknown artist
The Viaduct
undated
268
Thomas Allom, 1804–1872
Dinner Party at a Mandarin's House
undated
269
Thomas Allom, 1804–1872
Thorncroft, near Leatherhead
undated
270
Thomas Allom, 1804–1872
The Terrace of a Mandarin's House in Peking
undated
271
Thomas Allom, 1804–1872
The House of a Chinese Merchant near Canton
undated
272
Thomas Allom, 1804–1872
The Theater at Tien-Sin
undated
273
George Arnald, 1763–1841
The Demolition of Old London Bridge
1832
274
John Wilson Ewbank, 1779–1847
Harbor Scene
1832
275
Gustave Doré, 1832–1883
Study for a Block on the Road
between 1869 and 1872
276
Edward Duncan, 1803–1882
Study of Fishermen and Gear
undated
277
Joseph Farington, 1747–1821
Castleton - The Peak
1801
278
Mary Darby, active mid 19th century
Kells Priory
between 1848 and 1850
279
Michel Jean Cazabon, 1813–1888
Catholic Church, Port of Spain
1851
280
Lionel Constable, 1828–1887
A Large Tree in a Summer Landscape, a Horse Standing at the Base