Materials & Techniques: wove paper / Subject Terms: genre subject and labor / Classification: Prints

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Print made by Philip Dawe, ca.1750–ca.1790

The Oyster Woman

1769

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by James Fittler, 1758–1835

Warwick Castle

1780

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by John Bluck, active 1791–1831

Water Engine, Cold-Bath-Field's Prison

1808

Print made by David Allan, 1744–1796

Glaud and Peggy

1808

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Robert Dixon, 1780–1815

The Greyfriars Tower, Lynn, as it appeared 1801

between 1810 and 1811

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Robert Havell, 1769–1832

Crofton

1813

Robert Havell, 1769–1832

Crofton

1813

John Hill, 1770–1850

St. Sepulchres, The Round Church

1814

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Print made by Thomas Shotter Boys, 1803–1874

Quayside, Notre Dame in Distance

undated

Robert Havell, 1769–1832

Clifton Spring and Woods near Maidenhead

1818

Print made by George Arnald, 1763–1841

Choquer

1821

William Gauci, active 1825–1854

Dundry Tower, Leigh Wood, Hotwell House, Clifton

undated

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by Richard Parkes Bonington, 1802–1828

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

Print made by Richard Parkes Bonington, 1802–1828

Rue du Gros Horloge

1824

Print made by Thomas Dale, active ca. 1921

Interior of the Chapel of the Holy Trinity

1825

Print made by Richard Parkes Bonington, 1802–1828

Campos sur les bords du Rio das Velhas

1827

Print made by Richard Parkes Bonington, 1802–1828

Ruines de Château d'Arlay

1827

Print made by Day & Co., 1824–1913

The High Street, Southampton

1828

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Edward Francis Finden, 1791–1857

Yarmouth, Norfolk

1837

Print made by Thomas Creswick, 1811–1869

The Blacksmith's Shop

1838

Print made by Day & Co., 1824–1913

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

1839

Print made by Day & Co., 1824–1913

New Steine and Rock Gardens

1839

Print made by John Doyle ('H.B.'), 1797–1868

Supposed Colloquy between a Top Sawyer and his Brother Labourer

1843

Print made by John Doyle ('H.B.'), 1797–1868

A Strong Case for Shortening the Hours of Labour

1848

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Axel Herman Haig, 1835–1921

An Old Hanse Town

undated

Print made by Bradshaw & Blacklock, active ca.1850

Country Scenes

after 1850