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Subject Terms literary theme

Abraham van Diepenbeeck Doctor Ass (A Satire on the Law)

Abraham van Diepenbeeck, 1596–1675

Doctor Ass (A Satire on the Law)

undated

Francis Barlow Illustration to Aesop's Fables: The Fox & the Crane

Follower of Francis Barlow, 1622–1704

Illustration to Aesop's Fables: The Fox & the Crane

undated

unknown artist Fluellen Forcing Pistol to Eat His Leek

unknown artist

Fluellen Forcing Pistol to Eat His Leek

undated

unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

unknown artist

A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

undated

unknown artist When Swift They Saw John Gilpin Ride, Bare-Headed as Before

unknown artist

When Swift They Saw John Gilpin Ride, Bare-Headed as Before

undated

unknown artist Illustration to Tonson's Ovid Metamorphosis (three of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (three of four)

ca. 1710

unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (one of four)

ca. 1710

unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (two of four)

ca. 1710

Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Thomas Carwitham, active 1723

Jupiter and Callisto: Ovid, Metamorphoses, Book 2

ca. 1723

Thomas Carwitham The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

Thomas Carwitham, active 1723

The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

1723

Isaac Taylor Unidentified Periodical / Play Illustration

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Joseph Slater Robin Hood and Clarinda Hunting Deer

Joseph Slater, c. 1750– died after 1789

Robin Hood and Clarinda Hunting Deer

undated

Sawrey Gilpin Study for "Gulliver's Travels"

Sawrey Gilpin, 1733–1807

Study for "Gulliver's Travels"

undated

George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"

George Romney, 1734–1802

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated

George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"

George Romney, 1734–1802

The Abandonment and Rescue of Perdita from "The Winter's Tale"

undated

George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth

George Romney, 1734–1802

Three Studies of a Standing Woman, Possibly Lady MacBeth

undated

George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"

George Romney, 1734–1802

The Abandonment and Rescue of Perdita from "The Winter's Tale"

undated

George Romney Witches' Cavern: MacBeth's Second Visit

George Romney, 1734–1802

Witches' Cavern: MacBeth's Second Visit

undated

George Romney Titania's Attendants Chasing Bats

George Romney, 1734–1802

Titania's Attendants Chasing Bats

undated

George Romney Birth of Man

George Romney, 1734–1802

Birth of Man

undated

George Romney Witches' Cavern: MacBeth's Second Visit

George Romney, 1734–1802

Witches' Cavern: MacBeth's Second Visit

undated

George Romney MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark

George Romney, 1734–1802

MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark

undated

George Romney MacBeth: Banquet Scene

George Romney, 1734–1802

MacBeth: Banquet Scene

undated

George Romney MacBeth: Banquet Scene

George Romney, 1734–1802

MacBeth: Banquet Scene

undated

George Romney MacBeth at the Witches' Cave: Second Visit

George Romney, 1734–1802

MacBeth at the Witches' Cave: Second Visit

undated

George Romney MacBeth: Banquet Scene

George Romney, 1734–1802

MacBeth: Banquet Scene

undated

George Romney The Banquet Scene

George Romney, 1734–1802

The Banquet Scene

ca. 1792

George Romney MacBeth: Banquet Scene

George Romney, 1734–1802

MacBeth: Banquet Scene

undated

George Romney MacBeth: Banquet Scene

George Romney, 1734–1802

MacBeth: Banquet Scene

undated

George Romney Unidentified Subjects

George Romney, 1734–1802

Unidentified Subjects

undated

George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"

George Romney, 1734–1802

The Abandonment and Rescue of Perdita from "The Winter's Tale"

undated

George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"

George Romney, 1734–1802

The Abandonment and Rescue of Perdita from "The Winter's Tale"

undated

George Romney Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"

George Romney, 1734–1802

Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"

undated

Henry William Bunbury Launce Teaching His Dog Crab

Henry William Bunbury, 1750–1811

Launce Teaching His Dog Crab

undated

Henry William Bunbury Falstaff Carrying Dead Hotspur

Henry William Bunbury, 1750–1811

Falstaff Carrying Dead Hotspur

undated

John Boyne Malvolio: Possibly a Self-Portrait in the Role

John Boyne, ca. 1750–1810

Malvolio: Possibly a Self-Portrait in the Role

undated

William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

William Hamilton, 1751–1801

Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

undated

William Woollett Celadon and Amelia

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

Robert Smirke Illustration for Don Quixote, Two Figures at a Table

Robert Smirke, 1752–1845

Illustration for Don Quixote, Two Figures at a Table

undated

Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)

undated

Robert Smirke Scenes from an Eastern Romance [Arabian Nights]

Robert Smirke, 1752–1845

Scenes from an Eastern Romance [Arabian Nights]

undated

Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

undated

Robert Smirke Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

Robert Smirke, 1752–1845

Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

undated

Robert Smirke Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

undated

Thomas Stothard Illustration to the Virtuous Orphan

Thomas Stothard, 1755–1834

Illustration to the Virtuous Orphan

undated

John Flaxman To Phoebus at His Birth, From Aeschylus, Furies

John Flaxman, 1755–1826

To Phoebus at His Birth, From Aeschylus, Furies

undated

John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

John Flaxman, 1755–1826

Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

undated

John Flaxman The Morn, All Beauteous to Behold, from Aeschylus, The Persians

after John Flaxman, 1755–1826

The Morn, All Beauteous to Behold, from Aeschylus, The Persians

undated

unknown artist Mrs. Yates in the Character of Medea

unknown artist

Mrs. Yates in the Character of Medea

after 1771

Henry William Bunbury The Damnation of Obadiah

Print made by Henry William Bunbury, 1750–1811

The Damnation of Obadiah

between 1773 and 1817

Henry William Bunbury Overthrow of Dr. Slop

Print made by Henry William Bunbury, 1750–1811

Overthrow of Dr. Slop

between 1773 and 1817

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

Henry William Bunbury The Battle of the Cataplasm

Print made by Henry William Bunbury, 1750–1811

The Battle of the Cataplasm

between 1773 and 1817

Julius Caesar Ibbetson Title page for "The Guardian"

Julius Caesar Ibbetson, 1759–1817

Title page for "The Guardian"

undated

Edward Francis Burney MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

Edward Francis Burney, 1760–1848

MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

undated

Edward Francis Burney Designs for Illustrations to Mozart's Operas

Edward Francis Burney, 1760–1848

Designs for Illustrations to Mozart's Operas

undated

John Hamilton Mortimer Caliban, from The Tempest

John Hamilton Mortimer, 1740–1779

Caliban, from The Tempest

1775

Edward Francis Burney Designs for Illustrations to Beethoven's Works

Edward Francis Burney, 1760–1848

Designs for Illustrations to Beethoven's Works

undated

Edward Francis Burney Study for the Figures of Demitrius and Two Workmen

Edward Francis Burney, 1760–1848

Study for the Figures of Demitrius and Two Workmen

undated

unknown artist The Death of Juliet

Print made by unknown artist

The Death of Juliet

unknown

Mary Hoare Ferdinand and Ariel

Mary Hoare, 1744–1820

Ferdinand and Ariel

ca. 1781

Mary Hoare The Apparition of the Armed Head: Macbeth

Mary Hoare, 1744–1820

The Apparition of the Armed Head: Macbeth

ca. 1781

Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

Thomas Stothard, 1755–1834

One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

ca. 1784

Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

Thomas Stothard, 1755–1834

One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

ca. 1784

Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

Thomas Stothard, 1755–1834

One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

ca. 1784

Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

Thomas Stothard, 1755–1834

One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

ca. 1784

Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

Thomas Stothard, 1755–1834

One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

ca. 1784

Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

Thomas Stothard, 1755–1834

One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

ca. 1784

Richard Westall Greatheart's Battle with Grim

Richard Westall, 1765–1836

Greatheart's Battle with Grim

undated

unknown artist Alcibiades and Timon

unknown artist

Alcibiades and Timon

undated

Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

Andreas Geiger, 1765–1856

Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

undated

Richard Westall Theatrical Figures About a Throne

Richard Westall, 1765–1836

Theatrical Figures About a Throne

undated

Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Mary Hoare, 1744–1820

Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

1780

Mary Hoare Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Mary Hoare, 1744–1820

Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

1781

Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble

Mary Hoare, 1744–1820

The Three Witches from Macbeth: Double, Double, Toil and Trouble

1781

Mary Hoare Lady Macbeth, Sleepwalking

Mary Hoare, 1744–1820

Lady Macbeth, Sleepwalking

1781

Mary Hoare Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Mary Hoare, 1744–1820

Imogen in the Cave, 'Cymbeline', Act III, Scene VI

1782

William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

ca. 1788

William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

ca. 1788

William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

William Henry Pyne An Illustration to Rob Roy: Interior with a Party Drinking

William Henry Pyne, 1769–1843

An Illustration to Rob Roy: Interior with a Party Drinking

undated

Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There's Rue for You, and Here's Some for Me

1784

Henry William Bunbury The Duel: 'Twelfth Night,' Act III, Scene IV

Henry William Bunbury, 1750–1811

The Duel: 'Twelfth Night,' Act III, Scene IV

ca. 1790

Francesco Bartolozzi Miss Anna Brunton

Print made by Francesco Bartolozzi, 1728–1815

Miss Anna Brunton

1785

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793