Search Constraints
You searched for:
On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomWork Type watercolor
Remove constraint Work Type: watercolorSubject Terms water
Remove constraint Subject Terms: waterSearch Results
201
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
202
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
203
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
204
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
205
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
206
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
207
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
208
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
209
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
210
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
211
- Jerusalem, Plate 24, "What have I said?...."
- 1804 to 1820
212
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
213
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
214
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
215
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
216
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
217
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
218
- Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
- 1794
219
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
220
- The First Book of Urizen, Plate 7 (Bentley 12)
- 1794
221
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
222
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
223
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
224
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
225
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
226
- The First Book of Urizen, Plate 5 (Bentley 12)
- 1794
227
- Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
- ca. 1797
228
- The First Book of Urizen, Plate 22 (Bentley 24)
- 1794
229
- Men of War off Sheerness
- undated
230
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
231
- Hulks in the Medway
- undated
232
- Preparing to lay eel traps
- undated
233
- Plymouth Dockyard after the Fire
- 1840
234
- View of the Pont Royal
- ca. 1833
235
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
236
- Fishing Boats
- undated
237
- Cape Aia and Balaklava Bay, 1854
- 1854
238
- The Harbour of Sebastopol
- 1854
239
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
240
- Traveling Potter Outside a Cottage
- 1798
241
- View of Gibraltar
- undated
242
- The Ranger, Private Ship of War, with her Prizes
- 1780
243
- Coastal Landscape
- undated
244
- Aberdulais Mill, Glamorganshire
- undated
245
- Lismore Castle, Ireland
- 1783
246
- The Zattere, Sunset
- undated
247
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
248
- Drifting
- undated
249
- Helios
- undated
250
- Cliffs and a Cove
- 1813
251
- Fanali di Villa Franca
- ca. 1795
252
- Strand Gateway, Winchelsea
- undated
253
- Cattle Watering at Sunset
- undated
254
- Venice: The Grand Canal and Rialto
- 1838
255
- Sir William Norris Bungalow, Penang
- 1844
256
- The Grotto, Virginia Water
- ca. 1754
257
- Old Harry, Swanage Bay
- undated
258
- A Moated House
- undated
259
- Classical Study
- undated
260
- Family Group
- undated
261
- The South Barracks, Gibraltar
- 1844
262
- Barges on a Canal in Rotterdam
- 1845
263
- Naples from the Strada Nouva, Nov.26, 1830
- 1830
264
- The Grand Canal, Venice
- 1835
265
- Landscape with a Boatshed
- undated
266
- Design for Grosvenor Bridge, Chester
- ca. 1825
267
- Drifting
- undated
268
- A Creek at Wilmington, N.C
- undated
269
- Windmill on the Sea Coast Near Hastings
- undated
270
- Chatham
- 1923
271
- A Squall off a Mountainous Coast
- undated
272
- Ramsgate Harbour, Kent
- undated
273
- Bodiam Castle
- undated
274
- Torquay
- undated
275
- A Pier at Amsterdam (Version A)
- 1792
276
- A Goose
- undated
277
- Rou Water Holder
- undated
278
- A Waterman with his Ox or Bullock
- undated
279
- Battersea Fields, Painted for Charles Matthews, Esq
- undated
280
- Lord Hopetoun's Lead Mines
- 1751
281
- Price's Mill
- undated
282
- Drifting
- 1885
283
- Waterfall and Distant Mountains
- 1814
284
- Boats on Shore, Evening, Blakeney
- 1947
285
- Rock Bridge at the Scuola di Virgilio
- undated
286
- Man Drinking from a Spout
- undated
287
- Shanklin Church/ Isle of Wight
- undated
288
- The Village Well
- 1864
289
- View from Laventille Hill
- 1857
290
- Los Gallos, Icacos Bay
- 1857
291
- From the Beach near Fort Blanc, Oct. 4, 1819
- 1819
292
- Pale Melancholy
- ca. 1804
293
- The Artist Sketching Mlle. de St. Legier as a Shepherdess
- 1787
294
- Mill at Load Water
- undated
295
- The City and St. Paul's from the South Bank
- undated
296
- Composition: Marshland Landscape
- undated
297
- Composition: Recollection of J.R. Cozen's of Nemi
- between 1790 and 1820
298
- Bablock Hythe, Near Oxford
- 1881
299
- View at Caernarvon, Wales
- 1826
300
- Figures by a Ruined Arch
- undated