Materials & Techniques: etching (printing process) and laid paper / On-site Access: Accessible by appointment in the Study Room / Subject Terms: literary theme

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

Print made by Lydia Bates, active 1784

Literary Characters Assembled around the Medallion of Shakespeare

ca. 1777

Peltro W. Tomkins, 1760–1840

The Three Witches

1786

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene II

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene IV

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene III

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene IV

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene IV

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act III, Scene III

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene IV

undated

Print made by Philip Dawe, ca.1750–ca.1790

Juliet

1779

William Nutter, 1754–1802

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by James Gillray, 1756–1815

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

1791

Print made by James Gillray, 1756–1815

Shakespeare Sacrificed; or, The Offering to Avarice

1789

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Print made by unknown artist

Grandpapa's Story or The Witches Frolick

1838

Print made by Francis Haward, 1759–1797

Mrs. Siddons, in the Character of the Tragic Muse

1787

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There Is Rue for You and Here's Some for Me

1784

Print made by Daniel Berger, 1744–1824

Die Maussalle.... - "Hamlet," Act III, Scene II

between 1778 and 1780

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

1778

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

1778

Print made by Robert Dighton, 1752–1814

Hamlet in Scotland

1794

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act III, Scene III

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act IV, Scene II

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene II

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act V, Scene IV

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act V, Scene I

undated

Print made by John Hall, 1739–1797

Comedies

ca. 1776

Robert Smirke, 1752–1845

Taming of the Shrew

1821

Print made by William Skelton, 1763–1848

Richard III: Act IV, Scene III, Tower of London

1795

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

Print made by Robert Blyth, 1750–1784

The Captive

1781

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

Print made by Francesco Bartolozzi, 1728–1815

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Print made by Robert Thew, 1758–1802

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

Print made by Jean B. Michel, active 1803

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

1791

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Print made by Samuel Palmer, 1805–1881

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881

Opening the Fold

plate etched in 1880; impression printed in 1926