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Edward Lear Santa Decca, Corfu, 28 May 1848 (126)

Edward Lear, 1812–1888

Santa Decca, Corfu, 28 May 1848 (126)

1848

Edward Lear Deir Ekhmim

Edward Lear, 1812–1888

Deir Ekhmim

1867

Edward Lear Zereeba, near Belbeis

Edward Lear, 1812–1888

Zereeba, near Belbeis

1867

Edward Lear Pettenasco, Lago d'Orta

Edward Lear, 1812–1888

Pettenasco, Lago d'Orta

1867

Edward Lear Pettenasco, Lago d'Orta

Edward Lear, 1812–1888

Pettenasco, Lago d'Orta

1867

Edward Lear Albenga

Edward Lear, 1812–1888

Albenga

1864

Edward Lear Mqabba, Qrendi

Edward Lear, 1812–1888

Mqabba, Qrendi

1866

Edward Lear Harb. Gozo

Edward Lear, 1812–1888

Harb. Gozo

1866

Edward Lear Below Rabat, Malta

Edward Lear, 1812–1888

Below Rabat, Malta

1866

Edward Lear Salonica, from my Room Window, 11 Sept. 1848, after Sunset

Edward Lear, 1812–1888

Salonica, from my Room Window, 11 Sept. 1848, after Sunset

1848

Edward Lear Nice from the Genoa Road

Edward Lear, 1812–1888

Nice from the Genoa Road

1865

Edward Lear Thebes

Edward Lear, 1812–1888

Thebes

1854

Edward Lear Corfu

Edward Lear, 1812–1888

Corfu

1857

Edward Lear Agios Prokopios, Corfu, 12 May 1862

Edward Lear, 1812–1888

Agios Prokopios, Corfu, 12 May 1862

1862

Edward Lear Near Katieh

Edward Lear, 1812–1888

Near Katieh

1867

Edward Lear Near Ekhmim

Edward Lear, 1812–1888

Near Ekhmim

1867

Edward Lear Near Gezir Sherg el Hian

Edward Lear, 1812–1888

Near Gezir Sherg el Hian

1867

Edward Lear Sunset along the Nile

Edward Lear, 1812–1888

Sunset along the Nile

1867

Edward Lear Kasr es Saiad

Edward Lear, 1812–1888

Kasr es Saiad

1867

Edward Lear Plains of Bengal, from above Siligoree

Edward Lear, 1812–1888

Plains of Bengal, from above Siligoree

1874

Edward Lear Albania

Edward Lear, 1812–1888

Albania

between 1848 and 1849

Edward Lear Bavella, Corsica

Edward Lear, 1812–1888

Bavella, Corsica

ca. 1868

Edward Lear The Gardens of the Villa Albani

Edward Lear, 1812–1888

The Gardens of the Villa Albani

1840

Edward Lear Catania

Edward Lear, 1812–1888

Catania

1847

Edward Lear Benares

Edward Lear, 1812–1888

Benares

1873

George Romney Landscape, Possibly Eartham

George Romney, 1734–1802

Landscape, Possibly Eartham

undated

George Romney Sketch of Trees

George Romney, 1734–1802

Sketch of Trees

undated

George Romney Landscape

George Romney, 1734–1802

Landscape

undated

George Romney Glade of Trees

George Romney, 1734–1802

Glade of Trees

undated

George Romney Eartham Wood

George Romney, 1734–1802

Eartham Wood

between 1749 and 1802

George Romney Glade in a Forest

George Romney, 1734–1802

Glade in a Forest

undated

George Romney Wooded Landscape

George Romney, 1734–1802

Wooded Landscape

undated

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

1794

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

1794

William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

1794

William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

1789

William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

1789

William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

1789

William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)

1794

William Blake Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

1794

William Blake Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)

William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)

1794

William Blake Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

1794

William Blake Alas!; Plate 9

Print made by William Blake, 1757–1827

Alas!; Plate 9

1793

William Blake My Son! My Son!; Plate 10

Print made by William Blake, 1757–1827

My Son! My Son!; Plate 10

1793

William Blake Water; Plate 4

Print made by William Blake, 1757–1827

Water; Plate 4

1793

William Blake Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

1789

William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

1789

William Blake I Found Him Beneath a Tree; Plate 3

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree; Plate 3

1793

William Blake Aged Ignorance; Plate 13

Print made by William Blake, 1757–1827

Aged Ignorance; Plate 13

1793

William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

1789

William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

1789

William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

1789

William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

William Blake Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)

1789

William Blake Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

1794

William Blake Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

1794

William Blake Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)

1794

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

1793

William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme

William Blake, 1757–1827

Illustrations of Eclogue I, Introductory, The Giant Polypheme

1821

William Blake Illustrations of Imitation of Eclogue I, Page 16

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 16

1821

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake Jerusalem, Plate 76

Print made by William Blake, 1757–1827

Jerusalem, Plate 76

1804 to 1820

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 53, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 53, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 55, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 55, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 57, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 57, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake Jerusalem, Plate 38, "His face and bosom...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 38, "His face and bosom...."

1804 to 1820

William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 49, "The secret coverts of Albion...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 27, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 27, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 3, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 97, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

1789