Genre: cityscape / Associated Places: Italy / Image Available: Available

1. Corso Sant'Anastasia, Verona

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1828
Materials & Techniques:: Oil on millboard
Dimensions:: 25 5/8 x 17 3/8 inches (65.1 x 44.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Temple of Venus and Rome, Rome

Creator:: Edward Lear, 1812–1888
Date:: 1840
Materials & Techniques:: Oil on paper laid on card
Dimensions:: 9 5/8 x 13 3/8 inches (24.4 x 34 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. The Colosseum

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/8 x 20 1/4 inches (39.1 x 51.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Ariccia, near Rome, Italy

Creator:: John William Inchbold, 1830–1888
Date:: 1860
Materials & Techniques:: Oil on panel
Dimensions:: 8 x 12 1/8 inches (20.3 x 30.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. A Panoramic View of Florence from Bellosguardo

Creator:: Thomas Patch, 1725–1782
Date:: 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 37 1/4 x 62 1/4 inches (94.6 x 158.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Castel Sant'Angelo, Rome

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/8 x 20 1/4 inches (39.1 x 51.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. A View of Tivoli

Creator:: Thomas Patch, 1725–1782
Date:: between 1750 and 1754
Materials & Techniques:: Oil on canvas
Dimensions:: 32 1/8 x 45 5/8 inches (81.6 x 115.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Giudecca, Venice

Creator:: David Roberts, 1796–1864
Date:: 1854
Materials & Techniques:: Oil on canvas
Dimensions:: 22 × 51 inches (55.9 × 129.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Souvenir of Florence

Creator:: Paul Nash, 1889–1946
Date:: 1929
Materials & Techniques:: Oil on canvas
Dimensions:: 27 x 17 1/4 inches (68.6 x 43.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

10. Venetian Canal

Creator:: Duncan Grant, 1885–1978
Date:: ca. 1920
Materials & Techniques:: Oil on canvas
Dimensions:: Sheet: 27 3/4 x 20in. (70.5 x 50.8cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:: Not on view

11. A View of Trajan's Forum, Rome

Creator:: Sir Charles Lock Eastlake, 1793–1865
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 24 3/8 x 20 1/8 inches (61.9 x 51.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

12. St. Mark's Facade, Venice

Creator:: Walter Richard Sickert, 1860–1942
Date:: 1901
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/16 x 15 inches (45.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
On View:: Not on view

13. Bologna

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Oil on paper, laid on canvas
Dimensions:: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Grand Canal, Venice

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Oil on millboard
Dimensions:: 9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Venice, the Rialto Bridge and the Palazzo dei Camerlenghi

Creator:: Walter Richard Sickert, 1860–1942
Date:: 1895 to 1896
Materials & Techniques:: Oil on panel
Dimensions:: 6 3/16 x 9 7/8 inches (15.7 x 25.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
On View:: Not on view

16. The Piazzetta, Venice

Creator:: Edward Pritchett, active ca. 1828–1864
Date:: mid-19th century
Materials & Techniques:: Oil on board
Dimensions:: 5 3/4 x 8 inches (14.6 x 20.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Rome from San Spirito

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown wash black chalk and graphite with white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 23 3/8 inches (35.9 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Venice, The Mouth of the Grand Canal

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1840
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Balgrate. 14. October. 1837

Creator:: Edward Lear, 1812–1888
Date:: 1837
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. Albenga

Creator:: Edward Lear, 1812–1888
Date:: 1864
Materials & Techniques:: Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 5/16 x 21 1/4 inches (18.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

22. Isola di Sora, 31 Mar. 1842

Creator:: Edward Lear, 1812–1888
Date:: 1842
Materials & Techniques:: Graphite with stumping on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 6 5/8 x 10 1/8 inches (16.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Reggio, 26 July 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 18 7/8 inches (28.6 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Genezzano, 17 May 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 9 15/16 x 14 inches (25.2 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. Venice, the Doge's Palace

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

26. Naples from the Strada Nouva, Nov.26, 1830

Creator:: James Duffield Harding, 1798–1863
Date:: 1830
Materials & Techniques:: Graphite, watercolor, and gouache on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of Dürrenstein

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 15 inches (18.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Florence Opposite the Cassines

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/8 x 11 3/4 inches (16.2 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A View of Several Palaces at Naples at Sun Rise

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. View of Verona

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/4 x 3 1/8 inches (12.1 x 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Thumbnail Sketch of Venice

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 1/2 x 2 3/16in. (3.8 x 5.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 9/16 inches (27.9 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Rome, Bridge and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Line engraving and etching, first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Rome; Bridge and Castle of St. Angelo on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:: Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Genoa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Roman Ruins

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 6 1/2 inches (16.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

37. The Bridge of Sighs, Venice

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 1/4 inches (37.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Colosseum, Rome

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and gouache, with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Italian Landscape with River Running Between High Wall at Left and High Bank at Right Towards a Small Town with Figures on the Banks

Creator:: Richard Wilson, 1713/4–1782
Date:: ca. 1753
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 15/16 x 11 9/16 inches (20.2 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A View of Rome Taken from the Pincio

Creator:: William Pars, 1742–1782
Date:: 1776
Materials & Techniques:: Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Ponte Lucano, Near Tivoli

Creator:: Thomas Manby, 1633(?)–1695
Date:: between 1660 and 1690
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 1/2in. (23.5 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A Street in Florence with the Duomo and Campanile in the Background

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 18 1/4 x 22 1/2 inches (46.3 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Santa Giustina at Padua

Creator:: Monro School
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Venice: The Grand Canal and Rialto

Creator:: John Frederick Lewis, 1804–1876
Date:: 1838
Materials & Techniques:: Watercolor, white gouache, pen and black ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 x 10 3/8 inches (19.4 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Santa Maria della Salute

Creator:: Cecil Eldred Hughes, 1875–
Date:: 1929
Materials & Techniques:: Watercolor, gouache and black chalk on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Venetian Fantasy

Creator:: John Henderson, 1764–1843
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 20 9/16 inches (31.4 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Venetian Scene

Creator:: John Henderson, 1764–1843
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Como From Across the Lake

Creator:: Attributed to John Henderson, 1764–1843
Date:: undated
Materials & Techniques:: Blue wash, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 14 3/4 inches (24.4 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Capriccio of a Venetian Courtyard

Creator:: Follower of Canaletto, 1697–1768
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash and graphite on thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Rialto

Creator:: William Callow, 1812–1908
Date:: 1846
Materials & Techniques:: Watercolor with pen in brown and black ink, with graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/2 inches (36.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Venetian Fantasy

Creator:: imitator of Canaletto, 1697–1768
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 8 3/8 inches (29.2 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving; 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving, and etching, engraver's proof on thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 9/16 inches (33.7 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Florence, from the Ponte alla Carria

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Open etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus

Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.

The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.

Creator:: Nathaniel Parr, active 1742–1751
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Quirinal, or Palace of the Pope on Mount Cavallo at Rome

Creator:: Remi Parr, active 1723–1750
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Court of the Magnificent Building of the Ducal Palace over the front are seen the Cupolo's of St. Mark's Church.

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

Creator:: Carington Bowles, 1724–1793
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

Creator:: Carington Bowles, 1724–1793
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. A View of Little St. Mark's Place at Venice to the Sea

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

Creator:: Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Creator:: Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side...

Creator:: Remi Parr, active 1723–1750
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A View of Florence from the Convent of Capuchins at Montugi

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Perspective View of the City of Naples

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Creator:: Remi Parr, active 1723–1750
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. San Giorgio Maggiore

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 12 7/8 x 18 5/16 inches (32.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

75. Six Venice Etchings, Title Page

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 12 7/8 x 9 1/16 inches (32.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

76. Ca d'Oro

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 12 7/8 x 18 5/16 inches (32.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

77. Rio Malibran

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 17 1/4 x 12 1/16 inches (43.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

78. The Rialto

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 18 1/4 x 12 7/8 inches (46.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

79. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1859
Materials & Techniques:: Steel engraving on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Venice from the Lagoon

Creator:: Print made by Wilfred Williams Ball, 1853–1917
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 12 11/16 inches (23.5 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Ancient Italy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 5/8 inches (23.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching; open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 3/8 × 28 inches (56.8 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof (c), touched on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 1/4 × 39 3/4 inches (66.7 × 101 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Temple of Venus and Rome from the Colosseum

Creator:: William Pars, 1742–1782
Date:: 1781
Materials & Techniques:: Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828 to 1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, Engraver's Proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Open etching on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828-1837
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Romans Polite to Strangers

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 22 5/16 inches (38.4 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:: Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving; earliest engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 25 1/8 inches (46.7 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; early engraver's proof, touched on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Scoglio di Silla nel Faro di Mesina

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 21 5/16 inches (38.2 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Horse Race at Rome During the Carnival

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Mount:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Opening of the Carnival at Rome

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 22 1/4 inches (38.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Genre cityscape

Associated Places Italy

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Search Results

1. Corso Sant'Anastasia, Verona

2. Temple of Venus and Rome, Rome

3. The Colosseum

4. Ariccia, near Rome, Italy

5. A Panoramic View of Florence from Bellosguardo

6. Castel Sant'Angelo, Rome

7. A View of Tivoli

8. The Giudecca, Venice

9. Souvenir of Florence

10. Venetian Canal

11. A View of Trajan's Forum, Rome

12. St. Mark's Facade, Venice

13. Bologna

14. Grand Canal, Venice

15. Venice, the Rialto Bridge and the Palazzo dei Camerlenghi

16. The Piazzetta, Venice

17. Rome from San Spirito

18. Venice, The Mouth of the Grand Canal

19. Rome from Monte Mario

20. Balgrate. 14. October. 1837

21. Albenga

22. Isola di Sora, 31 Mar. 1842

23. Reggio, 26 July 1847

24. Genezzano, 17 May 1838

25. Venice, the Doge's Palace

26. Naples from the Strada Nouva, Nov.26, 1830

27. View of Dürrenstein

28. Florence Opposite the Cassines

29. A View of Several Palaces at Naples at Sun Rise

30. View of Verona

31. Thumbnail Sketch of Venice

32. The Rialto, Venice

33. Rome, Bridge and Castle of St. Angelo, on the Tyber

34. Rome; Bridge and Castle of St. Angelo on the Tyber

35. Genoa

36. Roman Ruins

37. The Bridge of Sighs, Venice

38. The Colosseum, Rome

39. Italian Landscape with River Running Between High Wall at Left and High Bank at Right Towards a Small Town with Figures on the Banks

40. A View of Rome Taken from the Pincio

41. Ponte Lucano, Near Tivoli

42. A Street in Florence with the Duomo and Campanile in the Background

43. Santa Giustina at Padua

44. Venice: The Grand Canal and Rialto

45. Tivoli

46. Santa Maria della Salute

47. Venetian Fantasy

48. Venetian Scene

49. Como From Across the Lake

50. Capriccio of a Venetian Courtyard

51. The Rialto

52. Venetian Fantasy

53. The Rialto, Venice

54. The Rialto, Venice

55. The Rialto, Venice

56. Naples, from the Mole

57. Naples, from the Mole

58. Florence, from the Ponte alla Carria

59. The Rialto, Venice

60. Florence

61. Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus

62. The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.

63. The Quirinal, or Palace of the Pope on Mount Cavallo at Rome

64. The Court of the Magnificent Building of the Ducal Palace over the front are seen the Cupolo's of St. Mark's Church.

65. The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

66. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

67. A View of Little St. Mark's Place at Venice to the Sea

68. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

69. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

70. A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side...

71. A View of Florence from the Convent of Capuchins at Montugi

72. A Perspective View of the City of Naples

73. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice