On-site Access: Accessible by appointment in the Study Room / Creator: Rowlandson, Thomas, 1756–1827

401. A Burial at Carisbrooke, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Francesco Bartolozzi

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 8 1/8 inches (26 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Dr Graham's Bathing Establishment

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 16 3/8 inches (26.5 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. The Long Room, Custom House

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

405. Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite on six sheets of paper mounted on blue wove paper
Dimensions:: Sheet: 2 13/16 x 3 7/8 inches (7.1 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Greenwich

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795 to 1800
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. The Gardener's Offering

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1803 and 1805
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 x 14 15/16 inches (27.6 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Picking Mulberries

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. Viewing at the Royal Academy

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. The Drunken Nurse

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 x 7 9/16 inches (14.4 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Fire in London

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. The Post Office

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. The Return from the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 8 1/16 x 11 7/8 inches (20.5 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. A Horse Sale at Hopkins's Repository (An outline)

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 15 11/16 inches (23.7 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. A Saddled Cavalry Horse

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, graphite, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 8 7/8 inches (18.1 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. A Race on the Knavesmire at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. A Horse Sale in Hopkins's Repository, Barbican

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1798 and 1800
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. The Old Castle Inn on Hampstead Heath

Creator:: unknown artist
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. The Light House Volunteers of London and Westminster

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. St. Margarets, Westminster

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 1/4 x 8 5/8in. (28.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. St. Paul's Cathedral

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. The Roman Catholic Chapel, Lincoln's Inn Fields

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Philanthropic Society, The Chapel

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Debating Society, Piccadilly

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. St. Luke's Hospital

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Westminster Hall

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. Entrance from Mile End or White Chapel Turnpike

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. The Detection

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. Fleet Prison

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Water Engine, Cold-Bath-Field's Prison

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Newgate Chapel

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Soldiers Carousing at an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown ink, gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 12 11/16 × 16 5/16 inches (32.2 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. A Village Street with Cattle and Sheep Being Driven Through

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink, and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Pidcock, Dealer in Birds and Beasts

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 × 10 7/16 inches (17.9 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Portrait of a Bearded Man

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown ink, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 8 1/16 inches (28.4 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Loading a Cart for Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 9 1/4 inches (16.4 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. The Shipwrecked Sailors

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 8 inches (26.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Dunmow

Creator:: Thomas Rowlandson, 1756–1827
Date:: Undated
Materials & Techniques:: Pan and brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 3 7/16 inches (14.6 × 8.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. The Glass Works

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 9 1/8 inches (14 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. Two Coaches - Travelling in France?

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, gray ink, blue ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 11 11/16 inches (19.2 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. An Elderly Buck walking with a Lady

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1810 and 1820
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 6 5/8 x 5 3/4 inches (16.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Mr. and Mrs. Jolly at their Country House

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and red brown ink on medium, lightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Valley of Stones, Lynton, Devon

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and red and gray-brown ink; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 3/8 x 12 3/16 inches (21.3 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Concerto a la Catalani

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and gray ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. The Welcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Fortune-Telling

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. The Dance

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. The Vicar Selling his Horse

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. The Scold, with News of Olivia

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. The Sailor's Return

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown, red-brown, and gray ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 11/16 x 6 15/16 inches (22.1 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Comforts of Bath: The Pump Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Comforts of Bath: Private Practice Previous to the Ball

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 15/16 x 8 1/4 inches (15.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Comforts of Bath: The Ball

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 11/16 x 8 1/4 inches (14.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Parisian Street Figures

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Materials & Techniques:: Gray wash and graphite with pen and brown ink; verso: watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 7/8 inches (15.9 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. George Morland

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1780 and 1799
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 6 3/16 inches (25.7 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. A Group of Five Bulls about to Fight

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1810
Materials & Techniques:: Gray wash and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 13/16 inches (14.6 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. The Riding School

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 11/16 x 8 3/8 inches (14.4 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Southhampton, the Watergate and Globe Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 9 inches (12.7 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. The Preacher

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800 to 1810
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 3/16 inches (14.9 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Horsemen Colliding

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and brown, black, and gray ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. The Dying Sailor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 12 13/16 inches (27.5 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. A Gibbet

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 10 13/16 inches (36 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. A Village Scene with Girls Spinning

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen in gray and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 18 7/8 inches (34 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. The Duchess of Devonshire and the Countess of Bessborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on cream laid paper
Dimensions:: Sheet: 19 11/16 x 16 3/4 inches (50 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Horses and a Cart at a Sandpit

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 13 7/16 inches (27.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. New Shoes

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on medium, smooth, wove paper
Dimensions:: Mount: 6 11/16 x 8 1/2 inches (17 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. George Moser

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Pen and red-brown ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 3/4 x 5 1/2 inches (14.6 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Studies of George III and Statesmen

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink, with graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/16 x 6 3/16 inches (20.5 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Dr. Syntax Bound to a Tree by Highwaymen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. Dr Syntax outside the Halfway House

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/4 inches (10.5 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. A Potter Going Out

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 3/8 inches (15.2 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Caernarfon Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on very thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/4 x 9 1/2 inches (26 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. River Scene with Small Boats

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 x 9 1/16 inches (14.1 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Cottage in a Forest Clearing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 5 1/2 inches (12.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. Limbourg, Belgium

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1791 and 1792
Materials & Techniques:: Watercolor with pen and brown ink and pen and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Visitors Inspecting Abbey Ruins

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink, and pen and red ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 7/8 inches (14 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Gypsies Cooking on an Open Fire

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 x 4 13/16 inches (15.4 x 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Reflections, or the Music Lesson

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured cream wove paper
Dimensions:: Sheet: 4 5/8 x 6 3/16 inches (11.7 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. The South Gate, Exeter

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. The Farmyard

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 13/16 inches (14.3 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Loading a Stage-Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 15/16 inches (14.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Netting a Salmon Pool

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 10 1/8 inches (16.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. The Gaming Table

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Watercolor with pen and brown and gray ink, over graphite on moderately thick, moderatedly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. Two Gigs in Trouble

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 7 3/16 inches (11.3 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Two Sleeping Figures

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash with pen and gray ink and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 8 1/2 inches (16.7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Labourers at Rest

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. The Cloisters of a Monastery

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and red ink and pen and gray ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/8 x 7 7/8 inches (12.4 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. An Artist's Studio

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1814
Materials & Techniques:: Watercolor with pen and red-brown, brown, and gray ink, over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 8 7/16 inches (26.7 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. Norwich Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray-brown ink, and wash over graphite; verso: pen and gray brown ink and wash over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 6 7/8 inches (13.8 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. A Timber Waggon

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Gray wash and graphite with pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 9/16 x 7 5/16 inches (11.6 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. Kitty Overcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor, gray wash, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 7 13/16 inches (13.8 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. An Officer and his Servant

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 3 7/8 inches (15.6 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Creator Rowlandson, Thomas, 1756–1827

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401. A Burial at Carisbrooke, Isle of Wight

402. Francesco Bartolozzi

403. Dr Graham's Bathing Establishment

404. The Long Room, Custom House

405. Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds

406. Greenwich

407. The Gardener's Offering

408. Picking Mulberries

409. Viewing at the Royal Academy

410. The Drunken Nurse

411. Fire in London

412. The Post Office

413. Travelling in France

414. The Return from the Hunt

415. How to Vault in the Saddle

416. A Horse Sale at Hopkins's Repository (An outline)

417. A Saddled Cavalry Horse

418. The Canterbury-Dover Coach Passing Vanbrugh Castle

419. A Race on the Knavesmire at York

420. A Horse Sale in Hopkins's Repository, Barbican

421. The Stable of an Inn

422. The Old Castle Inn on Hampstead Heath

423. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

424. The Light House Volunteers of London and Westminster

425. St. Margarets, Westminster

426. St. Paul's Cathedral

427. The Roman Catholic Chapel, Lincoln's Inn Fields

428. Philanthropic Society, The Chapel

429. Debating Society, Piccadilly

430. St. Luke's Hospital

431. Westminster Hall

432. Entrance from Mile End or White Chapel Turnpike

433. The Detection

434. Fleet Prison

435. Water Engine, Cold-Bath-Field's Prison

436. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

437. Newgate Chapel

438. Soldiers Carousing at an Inn

439. A Village Street with Cattle and Sheep Being Driven Through

440. Pidcock, Dealer in Birds and Beasts

441. Portrait of a Bearded Man

442. Loading a Cart for Market

443. The Shipwrecked Sailors

444. Dunmow

445. The Glass Works

446. Two Coaches - Travelling in France?

447. An Elderly Buck walking with a Lady

448. Mr. and Mrs. Jolly at their Country House

449. Valley of Stones, Lynton, Devon

450. Concerto a la Catalani

451. The Welcome

452. Fortune-Telling

453. The Dance

454. The Vicar Selling his Horse

455. The Scold, with News of Olivia

456. Attendance on a Nobleman

457. The Sailor's Return

458. Comforts of Bath: The Pump Room

459. Comforts of Bath: Private Practice Previous to the Ball

460. Comforts of Bath: The Ball

461. Parisian Street Figures

462. George Morland

463. A Group of Five Bulls about to Fight

464. The Riding School

465. Southhampton, the Watergate and Globe Inn

466. The Preacher

467. Horsemen Colliding

468. Mr. Drummond's Cottage, East Cowes, Isle of Wight

469. The Dying Sailor

470. A Gibbet

471. A Village Scene with Girls Spinning

472. The Duchess of Devonshire and the Countess of Bessborough

473. Horses and a Cart at a Sandpit

474. New Shoes