Credit Line: Yale Center for British Art, Paul Mellon Collection / Associated Places: London / Image Use: Free to Use

901. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1835
Materials & Techniques:: Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:: Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

902. South West view of St. Stephen's Chapel Westminster, Restored 1800

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 6 9/16 inches (11.7 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

903. The Lower Lobby, House of Commons

Creator:: Print made by James Sands, active 1813–1846
Date:: 1815
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

904. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

905. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

906. Details of the Screen of Entrance Porch, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

907. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

908. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

909. Front and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 20 1/4 inches (37.5 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

910. Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 10 13/16 inches (35.2 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

911. Springing of an Arch, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

912. New East Front, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1801
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

913. Capitals, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 4 1/8 inches (14.8 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

914. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

915. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

916. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

917. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

918. Plan of the Basement Story under the House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

919. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

920. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

921. Vol. 6, Plate XXXII: The Story of Hezekiah.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

922. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

923. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

924. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

925. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

926. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:: Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

927. Window Detail, Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 3 3/16 × 2 1/4 inches (8.1 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

928. Old Palace Yard

Creator:: Frederick Mackenzie, 1788–1854
Date:: 1809
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 5/8 × 9 3/4 inches (19.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

929. The Parliament House, from Old Palace Yard, Westminster

Creator:: Print made by William Deeble, active 1814–1849
Date:: 1829
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 4 15/16 × 7 inches (12.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

930. The Houses of Lords and Commons

Creator:: Print made by Miss Mary Byrne, 1776–1846
Date:: 1815
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

931. The King's Entrance to the House of Lords, From Poets Corner

Creator:: Print made by William Deeble, active 1814–1849
Date:: 1829
Materials & Techniques:: Line engraving on smooth, medium white wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/2 inches (13 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

932. Ceiling to Boudoir House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/8 × 9 5/16 inches (30.8 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

933. South Side of Princes Chamber West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

934. Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white wove paper
Dimensions:: Sheet: 10 1/2 × 9 3/8 inches (26.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

935. Ceiling of Front Parlor House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

936. Drawing Room Ceiling, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

937. Chance. The London Firemen's Dog

Creator:: Print made by unknown artist
Date:: 1834
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/4 × 11 1/4 inches (27.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

938. Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Creator:: Print made by R.C. Roffe, active in London 1806–1835
Date:: 1827
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 5 × 15 9/16 inches (12.7 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

939. The North Prospect of Westminster Abbey

Creator:: Print made by John Collins, active ca. 1682
Date:: between 1680 and 1710
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

940. The South-East Prospect of King Henry The VII's Chapel at Westminster

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Date:: 1739
Materials & Techniques:: Line engraving on moderately textured, medium, white laid paper
Dimensions:: Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

941. North East View of Henry VII Chapel Westminster

Creator:: John Coney, 1786–1833
Date:: 1813
Materials & Techniques:: Graphite on smooth, medium, white wove paper
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

942. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Creator:: Print made by Thomas Sutherland, ca. 1785–1838
Date:: 1811
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

943. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Creator:: Print made by Augustus Charles Pugin, 1762–1832
Date:: undated
Materials & Techniques:: Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

944. Henry the Seventh's Chapel

Creator:: Print made by Edward Rooker, 1724–1774
Date:: undated
Materials & Techniques:: Etching on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

945. Henry the Seventh's Chapel, North Side

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: undated
Materials & Techniques:: Lithograph on slightly textured, medium, white wove paper
Dimensions:: Sheet: 23 7/8 × 33 1/2 inches (60.6 × 85.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

946. Henry VII Chapel

Creator:: William Capon, 1757–1827
Date:: ca. 1793
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

947. Continuation of the Preceeding Ornaments

Creator:: Attributed to John Carter, 1748–1817
Date:: 1793
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

948. Henry VII Chapel (Exterior)

Creator:: Print made by unknown artist
Date:: ca. 1890
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/16 inches (25.7 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

949. Seats in Henry VII Chapel, Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

950. South East View of the Towers of the Abbey, &c. from College St. Westminster

Creator:: John Carter, 1748–1817
Date:: 1782
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 13 1/8 × 9 5/8 inches (33.3 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

951. Houses Adjacent to Westminster Abbey in the Process of Demolition

Creator:: John Phillipps Emslie, 1839–1913
Date:: 1896
Materials & Techniques:: Graphite and watercolor on smooth, medium, white wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/8 inches (17.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

952. View of Modern Gateway in South East Angle of Dean's Yard

Creator:: John Carter, 1748–1817
Date:: between 1780 and 1807
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

953. Doorway, Dean's Yard, Westminster

Creator:: Attributed to Sir Charles Barry, 1795–1860
Date:: 1837
Materials & Techniques:: Graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

954. Part of the Old Dormitory

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

955. Door-way in Wall of South Precints of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

956. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite on smooth, medium, white wove paper
Dimensions:: Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

957. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Creator:: Print made by John Carter, 1748–1817
Date:: 1791
Materials & Techniques:: Etching on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

958. Springing of groins

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

959. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1815
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

960. South View of the Abbey Church, Westminster, Taken from Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: 1785
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

961. Line of Buildings on East Side, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 31 1/8 inches (29.4 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

962. Buildings on East Side of Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

963. Continuation of Detail

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 3/4 inches (32.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

964. Figure study, Henry VII Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/16 × 2 1/16 inches (10.6 × 5.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

965. The London Citizen

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

966. The Exhibition Stare-Case, Somerset House

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

967. St. Paul's Cathedral, from St. Martin's-le-Grand, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

968. Christ Church, Blackfriars, London

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1794
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 13 3/16 inches (24.4 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

969. Richmond Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and red ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 x 11 inches (21.6 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

970. Vauxhall Gardens

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1784
Materials & Techniques:: Watercolor, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 1/16 x 20 11/16 inches (38.3 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

971. Soldiers in St. James Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

972. Covent Garden Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

973. Bridewell, The Pass Room, House of Correction

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11 1/16 inches (19.4 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

974. From London Bridge

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

975. Drury Lane. The School for Scandal

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

976. An Audience at Drury Lane Theatre

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on beige/brown, thick, moderately textured, laid paper, glued to mat
Dimensions:: Sheet: 8 1/2 x 17 3/16 inches (21.6 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

977. Somerset House, the Strand Vestibule

Creator:: Jean Louis Desprez, 1743–1804
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 31 inches (47.9 x 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

978. Panorama Old London Bridge

Creator:: David Cox, 1783–1859
Date:: 1820s
Materials & Techniques:: Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 30 1/8 inches (19.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

979. Westminster from Lambeth

Creator:: David Cox, 1783–1859
Date:: ca. 1813
Materials & Techniques:: Watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 11 1/4 inches (14.3 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

980. Millbank

Creator:: David Cox, 1783–1859
Date:: ca. 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, and scratching out on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 11 1/2 x 21 1/4 inches (29.2 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

981. View of Lambeth Palace on Thames

Creator:: David Cox, 1783–1859
Date:: between 1820 and 1829
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/8 x 13 inches (24.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

982. Design for Grosvenor House, London

Creator:: Thomas Cundy, 1790–1867
Date:: between 1825 and 1826
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 25 15/16 × 18 15/16 inches (65.9 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

983. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 13/16 × 11 5/8 inches (32.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

984. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1761
Materials & Techniques:: Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:: Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

985. Facade for a Temple of Peace, Kew Gardens, Surrey

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1763
Materials & Techniques:: Graphite, pen and black ink, watercolor and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

986. Stainborough Hall, Yorkshire: Front and Back Elevations

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/8 × 4 5/8 inches (23.8 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

987. Stainborough Hall, Yorkshire: Three Floor Plans

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 x 4 5/8 inches (24.1 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

988. Design for Approaches to London Bridge

Creator:: Charles Robert Cockerell, 1788–1863
Date:: ca. 1830
Materials & Techniques:: Graphite and pen with brown wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 17 3/4 inches (24.8 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

989. Manning the Navy

Creator:: Samuel Collings, active 1784–1795
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

990. London Bridge

Creator:: David Cox, 1783–1859
Date:: before 1831
Materials & Techniques:: Watercolor, gouache, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 x 11 7/8in. (20.3 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

991. The Opening of the New London Bridge

Creator:: David Cox, 1783–1859
Date:: 1831
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 3/4 inches (24.1 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

992. Fullham Church

Creator:: James Stark, 1794–1859
Date:: June 1804
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 9/16 × 6 5/16 inches (9 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

993. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

994. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1828
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, brown wove paper
Dimensions:: Sheet: 13 3/16 × 14 5/16 inches (33.5 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

995. Hyde Park

Creator:: Alexander Cozens, 1717–1786
Date:: between 1746 and 1750
Materials & Techniques:: Black chalk with white gouache and buff-gray ground on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 x 7 3/4 inches (16.8 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

996. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1829
Materials & Techniques:: Graphite, pen and red and brown and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 24 5/16 × 17 11/16 inches (61.8 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

997. Design for Grosvenor House, London

Creator:: Thomas Cundy, 1790–1867
Date:: 1829
Materials & Techniques:: Pen and brown ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 7/16 × 22 11/16 inches (44.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

998. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1829
Materials & Techniques:: Pen and brown ink, red ink, and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/16 × 25 1/2 inches (48.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

999. Design for Grosvenor House, London

Creator:: Thomas Cundy, 1790–1867
Date:: 1829
Materials & Techniques:: Graphite, pen and red and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 3/8 × 22 5/8 inches (44.1 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1000. Design for Grosvenor House, London: Chamber Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 5/8 × 24 inches (47.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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901. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

902. South West view of St. Stephen's Chapel Westminster, Restored 1800

903. The Lower Lobby, House of Commons

904. Entrance Doorway in the Tower, St Stephen's Chapel

905. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

906. Details of the Screen of Entrance Porch, St Stephen's Chapel

907. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

908. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

909. Front and Profile of the Work under the Window Sills, St Stephen's Chapel

910. Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

911. Springing of an Arch, St Stephen's Chapel

912. New East Front, St Stephen's Chapel

913. Capitals, St Stephen's Chapel

914. Plate X: St Stephen's Chapel

915. Plan of Moldings, St Stephen's Chapel

916. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

917. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

918. Plan of the Basement Story under the House of Lords

919. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

920. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

921. Vol. 6, Plate XXXII: The Story of Hezekiah.

922. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

923. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

924. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

925. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

926. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

927. Window Detail, Princes Chamber

928. Old Palace Yard

929. The Parliament House, from Old Palace Yard, Westminster

930. The Houses of Lords and Commons

931. The King's Entrance to the House of Lords, From Poets Corner

932. Ceiling to Boudoir House in Old Palace Yard

933. South Side of Princes Chamber West

934. Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

935. Ceiling of Front Parlor House in Old Palace Yard

936. Drawing Room Ceiling, No. 3 Old Palace Yard

937. Chance. The London Firemen's Dog

938. Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

939. The North Prospect of Westminster Abbey

940. The South-East Prospect of King Henry The VII's Chapel at Westminster

941. North East View of Henry VII Chapel Westminster

942. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

943. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

944. Henry the Seventh's Chapel

945. Henry the Seventh's Chapel, North Side

946. Henry VII Chapel

947. Continuation of the Preceeding Ornaments

948. Henry VII Chapel (Exterior)

949. Seats in Henry VII Chapel, Westminster Abbey

950. South East View of the Towers of the Abbey, &c. from College St. Westminster

951. Houses Adjacent to Westminster Abbey in the Process of Demolition

952. View of Modern Gateway in South East Angle of Dean's Yard

953. Doorway, Dean's Yard, Westminster

954. Part of the Old Dormitory

955. Door-way in Wall of South Precints of Westminster Abbey

956. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

957. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

958. Springing of groins

959. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

960. South View of the Abbey Church, Westminster, Taken from Dean's Yard

961. Line of Buildings on East Side, Dean's Yard

962. Buildings on East Side of Dean's Yard

963. Continuation of Detail

964. Figure study, Henry VII Chapel

965. The London Citizen

966. The Exhibition Stare-Case, Somerset House

967. St. Paul's Cathedral, from St. Martin's-le-Grand, London

968. Christ Church, Blackfriars, London

969. Richmond Park

970. Vauxhall Gardens

971. Soldiers in St. James Park

972. Covent Garden Market

973. Bridewell, The Pass Room, House of Correction