Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
13
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
14
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
15
George Romney, 1734–1802
River God
undated
16
George Romney, 1734–1802
Borghese Gladiator
undated
17
George Romney, 1734–1802
Howard Visiting a Prison
undated
18
George Romney, 1734–1802
Prison Scene
undated
19
George Romney, 1734–1802
Howard Visiting a Prison
undated
20
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
21
George Romney, 1734–1802
John Henderson as Falstaff
1780
22
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
23
George Romney, 1734–1802
Howard Visiting a Prison
undated
24
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
25
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
26
Arthur Pond, ca. 1705–1758
The Arch of Titus from the Forum, Rome
ca. 1725
27
Edward Pierce, c.1630–1695
The Diana Fountain, Bushy Park: Original Design
undated
28
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
29
unknown artist
Two Trees
undated
30
unknown artist
Indian Statue
undated
31
John Maurer, active 1713–1761
The Mansion House
undated
32
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
33
unknown artist
Peter the Wild Boy
undated
34
unknown artist
S. Simon Petrus
undated
35
James Howe, 1780–1836
Scene with Horse and Rider
undated
36
William Green, 1760–1823
Landscape with River and a Bridge
undated
37
Thomas Hearne, 1744–1817
Farmhouse and Buildings by a Stream
undated
38
Attributed to James Miller, active 1773–1814
A Christening at the Vatican with Swiss Papal Guard, etc
undated
39
Peter Monamy, 1681–1749
Landing of William of Orange at Tor Bay
1688
40
Peter Oliver, 1589–1647
Venus and Adonis
1631
41
James Paine, 1717–1789
Design for a Temple on a Square Plan and with a Dome: Elevation
undated
42
James Paine, 1717–1789
Design for a Circular Domed Temple: Elevation
undated
43
Nicholas Pocock, 1740–1821
View of Revel, Capital of Esthonia
undated
44
Nicholas Pocock, 1740–1821
Bristol
ca. 1780
45
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
46
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
47
Thomas Manby, 1633(?)–1695
Ponte Lucano, Near Tivoli
between 1660 and 1690
48
unknown artist
Norton Hall, Cheshire: Ground Plan with Designs for a Canal
between 1760 and 1776
49
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
50
Robert Adam, 1728–1792
Headfort House, Ireland: Staircase Ceiling
between 1771 and 1775
51
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
52
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
53
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
54
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
55
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
56
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
57
John Thomas Smith, 1766–1833
The Reconcilation
1817
58
John Thomas Smith, 1766–1833
The Smock Exposed
1817
59
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
60
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
61
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
62
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
63
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
64
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
65
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
66
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
67
Charles Brooking, 1723–1759
Two Frigates before the Wind
undated
68
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
69
Captain T. Richbell, active 1792–1825
Man of War with Other Shipping
1791
70
Charlotte Warren, 18th century
Wooded Landscape with Cattle, Figures and a House
undated
71
Charles Brooking, 1723–1759
The Flagship of a Commander in Chief
undated
72
Robert Byng, 1666–1720
Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family
undated
73
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
74
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
75
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
76
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
77
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
78
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
79
Sir James Thornhill, 1675–1734
A Niche for Mr. Portman's House at Sherborne
ca. 1720
80
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
81
Coplestone Warre Bampfylde, 1719–1791
Crowcombe Court: a gentleman with his dog walking by the river
ca. 1775
82
Robert Adam, 1728–1792
Headfort House, Ireland: Ceiling of the Front Hall
1771
83
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
84
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
85
Robert Adam, 1728–1792
Headfort House, Ireland: Elevations of the Front Hall
between 1771 and 1775
86
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
87
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Great Room Ceiling
1765
88
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
1771 or 1772
89
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
90
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
91
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
92
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street
1765
93
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
1765
94
unknown artist
Lullingstone Castle
ca. 1670
95
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
96
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
97
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
98
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
99
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill