Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
3
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
4
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
5
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
6
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
7
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
8
George Romney, 1734–1802
John Henderson as Falstaff
1780
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
15
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
16
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
17
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
19
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
20
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
22
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
23
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
24
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
25
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
29
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
30
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
31
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
32
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
33
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
34
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
35
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
37
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
38
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
39
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
40
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
41
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
42
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
43
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
44
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
45
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
46
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
47
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
48
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
49
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
50
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
51
Robert Smirke, 1752–1845
Prospero and Ariel
1821
52
Robert Smirke, 1752–1845
Anne Page and Slender
1821
53
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
54
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
55
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
56
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
57
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
58
Theodor von Holst, 1810–1844
Faust and Margaret
undated
59
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
60
unknown artist
The Death of Cordelia
undated
61
George Augustus Sala, 1828–1895
Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
undated
62
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
63
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
64
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
65
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
66
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
67
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
68
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
69
Valentine Green, 1739–1813
Rinaldo and Armida
1775
70
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
71
Keith Vaughan, 1912–1977
Faim, Soif, Cris, Danse, Danse, Danse
1949
72
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
73
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
74
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
75
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
76
Giuseppe Marchi, ca. 1735–1808
Portrait of John Moody as Foigard
between 1769 and 1771
77
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
78
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
79
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
80
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
81
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
82
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
83
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
84
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
85
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
86
Print made by Robert Blyth, 1750–1784
The Captive
1781
87
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
88
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
89
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
90
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
91
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
92
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
93
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
94
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
95
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
96
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
ca. 1690
97
Print made by Bernard Lens II, 1659–1725
The Judgement of Paris
undated
98
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
99
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life