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201. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black and brown ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 11 1/2 × 5 5/8 inches (29.2 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 3/8 × 6 inches (34 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on medium, smooth, brown laid paper
Dimensions:
Sheet: 12 1/2 × 5 1/4 inches (31.8 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, pen, watercolor and gouache on thin, smooth, brown wove paper
Dimensions:
Sheet: 11 1/4 × 6 3/8 inches (28.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and gouache, verso: white gouache on thin, smooth, beige wove paper
Dimensions:
Sheet: 4 3/4 × 4 1/4 inches (12.1 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1877
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso: white and red gouache on thin, smooth, brown wove paper
Dimensions:
Sheet: 6 1/8 × 4 5/16 inches (15.6 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 3 3/4 inches (18.7 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor, gouache on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 5 3/4 inches (29.2 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso; white gouache on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 1/4 × 5 inches (21 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 6 7/8 × 4 1/4 inches (17.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor on thin, smooth, brown wove paper
Dimensions:
Sheet: 6 3/4 × 2 7/8 inches (17.1 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 1/4 × 2 3/4 inches (21 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 4 5/8 × 2 3/8 inches (11.7 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, black ink, red ink, and graphite; verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 3/8 × 6 1/2 inches (34 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 7 7/8 × 4 1/4 inches (20 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Design for Stables: Plan and Elevation

Design for Stables: Plan and Elevation
Creator:
Henry Holland, 1745–1806
Date:
undated
Materials & Techniques:
Pen and black ink with brown wash on thin, smooth, beige wove paper
Dimensions:
Sheet: 20 15/16 x 12 3/4 inches (53.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. St. Laurent, Rouen

St. Laurent, Rouen
Creator:
James Holland, 1799–1870
Date:
1850
Materials & Techniques:
Graphite, washes and white gouache on slightly textured, medium, light brown wove paper
Dimensions:
Sheet: 17 1/16 × 11 3/4 inches (43.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. A Georgian House

A Georgian House
Creator:
John Gendall, 1790–1865
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 13/16 × 7 5/16 inches (12.2 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Unidentified Office or Stables: Front Elevation

Unidentified Office or Stables: Front Elevation
Creator:
James Gibbs, 1682–1754
Date:
ca. 1720
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 14 7/16 inches (21 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Design for an Unidentified Town House: Elevation and Plan

Design for an Unidentified Town House: Elevation and Plan
Creator:
James Gibbs, 1682–1754
Date:
ca. 1720
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 14 9/16 inches (47.6 x 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. Carlton House, Pall Mall, London: Section of the Portico, Hall and Tribune

Carlton House, Pall Mall, London: Section of the Portico, Hall and Tribune
Creator:
Henry Holland, 1745–1806
Date:
ca. 1787
Materials & Techniques:
Watercolor over pen and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 15/16 x 28 1/4 inches (35.4 x 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Variant Ceiling Plan for Clifton Castle

Variant Ceiling Plan for Clifton Castle
Creator:
Attributed to Thomas Harrison, 1744–1829
Date:
ca. 1780-1790
Materials & Techniques:
Watercolor, pen and black ink on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 21 5/8 × 14 7/8 inches (54.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Working Drawing for the Plasterwork of a Frieze for Clifton Castle

Working Drawing for the Plasterwork of a Frieze for Clifton Castle
Creator:
Attributed to Thomas Harrison, 1744–1829
Date:
ca. 1780-1790
Materials & Techniques:
Pen and brown ink, gray wash on textured, moderately thick, beige laid paper
Dimensions:
Sheet: 21 5/16 × 15 1/4 inches (54.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York

Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York
Creator:
Attributed to Thomas Harrison, 1744–1829
Date:
ca. 1780-1790
Materials & Techniques:
Pen and black ink, gray wash, and graphite on smooth, medium, cream laid paper
Dimensions:
Sheet: 13 11/16 × 9 5/8 inches (34.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Beaudesert, Staffordshire

Beaudesert, Staffordshire
Creator:
Moses Griffith, 1747–1819
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 x 18 1/2 inches (32.4 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Tivoli

Tivoli
Creator:
Thomas Jones, 1742–1803
Date:
ca. 1777
Materials & Techniques:
Watercolor and graphite with gum on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. The Seat of Stafford Briscoe

The Seat of Stafford Briscoe
Creator:
Samuel Lewis, ca. 1756–1822
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 12 7/8 × 18 13/16 inches (32.7 × 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Design for a Castellated Entrance

Design for a Castellated Entrance
Creator:
John Kempshead, active 1808
Date:
1808
Materials & Techniques:
Pen and black and brown ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 12 9/16 × 22 3/4 inches (31.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Plan for Entrance at Hinton St. George

Plan for Entrance at Hinton St. George
Creator:
John Kempshead, active 1808
Date:
1812
Materials & Techniques:
Graphite, pen and black ink, watercolor, pen and brown ink on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 22 13/16 × 18 3/8 inches (57.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration

Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration
Creator:
William Kent, ca.1686–1748
Date:
between 1728 and 1732
Materials & Techniques:
Graphite, pen and black and brown ink, brown and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 12 1/2 inches (38.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. The Cascade at Chiswick House, Middlesex: Elevation and Plan

The Cascade at Chiswick House, Middlesex: Elevation and Plan
Creator:
William Kent, ca.1686–1748
Date:
between 1720 and 1735
Materials & Techniques:
Pen and gray ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 10 5/8 inches (36.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Design for a Pavilion in a Deer Park

Design for a Pavilion in a Deer Park
Creator:
William Kent, ca.1686–1748
Date:
ca. 1735
Materials & Techniques:
Brown wash, graphite, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 11 7/8 inches (18.4 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. View of Prior Park

View of Prior Park
Creator:
Henry Edmund Goodridge, 1797–1864
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on moderately thick, slightly textured, beige wove paper mounted on canvas
Dimensions:
Sheet: 28 1/8 × 45 inches (71.4 × 114.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Ceiling Plan for Clifton Castle

Ceiling Plan for Clifton Castle
Creator:
Attributed to Thomas Harrison, 1744–1829
Date:
ca. 1780-1790
Materials & Techniques:
Watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 21 3/8 × 14 3/4 inches (54.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Design for Grosvenor Bridge, Chester

Design for Grosvenor Bridge, Chester
Creator:
Thomas Harrison, 1744–1829
Date:
ca. 1825
Materials & Techniques:
Pen and black ink, gray wash, and gouache on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 13 5/8 x 24 inches (34.6 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Half Timbered and Thatched Shack

Half Timbered and Thatched Shack
Creator:
Thomas Hearne, 1744–1817
Date:
1798
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Castle Acre Priory

Castle Acre Priory
Creator:
Thomas Hearne, 1744–1817
Date:
1771
Materials & Techniques:
Pen and black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/8 inches (18.1 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Design for Love's Labour's Lost

Design for Love's Labour's Lost
Creator:
Thomas Grieve, 1799–1882
Date:
1839
Materials & Techniques:
Watercolor, white gouache, graphite, pen and black ink, pen and brown ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Design for Covent Garden Drop Curtain

Design for Covent Garden Drop Curtain
Creator:
Thomas Grieve, 1799–1882
Date:
1823
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 10 1/8 inches (23.8 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Design for an Egyptian Column

Design for an Egyptian Column
Creator:
Thomas Grieve, 1799–1882
Date:
undated
Materials & Techniques:
Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 3 1/4in. (21.6 x 8.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Design for A Blue Grotto

Design for A Blue Grotto
Creator:
Thomas Grieve, 1799–1882
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and collage, squared and numbered for transfer on two layered sheets of medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 15 1/2 inches (26.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Design for an Egyptian Column

Design for an Egyptian Column
Creator:
Thomas Grieve, 1799–1882
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 2 7/16in. (16.5 x 6.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. The Interior of St. Pancras Church

The Interior of St. Pancras Church
Creator:
William Inwood, ca. 1771–1843
Date:
undated
Materials & Techniques:
Watercolor; (verso) graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 × 14 1/2 inches (25.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Heveningham Hall, Suffolk

Heveningham Hall, Suffolk
Creator:
unknown artist
Date:
between 1782 and 1790
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. The Chapel of the Foundling Hospital, London

The Chapel of the Foundling Hospital, London
Creator:
Attributed to Theodore Jacobsen, died 1772
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 13 1/16 inches (11.4 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. The Chapel of the Foundling Hospital, London

The Chapel of the Foundling Hospital, London
Creator:
Attributed to Theodore Jacobsen, died 1772
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 11/16 x 9 15/16 inches (6.8 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. The Chapel of the Foundling Hospital, London

The Chapel of the Foundling Hospital, London
Creator:
Attributed to Theodore Jacobsen, died 1772
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 13 3/16 inches (18.7 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Design for an Athenian Villa

Design for an Athenian Villa
Creator:
Edward Jones, active 1819–1835
Date:
1834
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Design for an Athenian Villa, Side Elevation

Design for an Athenian Villa, Side Elevation
Creator:
Edward Jones, active 1819–1835
Date:
1834
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Design for an Athenian Villa, Front Elevation

Design for an Athenian Villa, Front Elevation
Creator:
Edward Jones, active 1819–1835
Date:
1834
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 9/16 inches (29.2 × 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Design for an Athenian Villa

Design for an Athenian Villa
Creator:
Edward Jones, active 1819–1835
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 11/16 × 18 1/4 inches (29.7 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Design for an Athenian Villa, Transverse Section

Design for an Athenian Villa, Transverse Section
Creator:
Edward Jones, active 1819–1835
Date:
1834
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Design for the Rotunda, Ranelagh Gardens

Design for the Rotunda, Ranelagh Gardens
Creator:
Sir William John Newton, 1785–1869
Date:
undated
Materials & Techniques:
Pen and black ink, brown ink, and graphite; verso: graphite and brown wash on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 18 1/4 × 20 1/2 inches (46.4 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Design for a Country House

Design for a Country House
Creator:
James Lewis, 1751–1820
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, watercolor on smooth, thick, brown laid paper
Dimensions:
Sheet: 8 × 25 3/4 inches (20.3 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Design for a Country House

Design for a Country House
Creator:
James Lewis, 1751–1820
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, watercolor on smooth, thick, brown laid paper
Dimensions:
Sheet: 8 5/8 × 25 5/8 inches (21.9 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan

Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
Creator:
William Kent, ca.1686–1748
Date:
ca. 1733
Materials & Techniques:
Graphite, pen and black ink, brown wash, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. Cobham Hall, Kent: Plan of Dairy

Cobham Hall, Kent: Plan of Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 5/8 x 21 7/8 inches (34.6 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Cobham Hall, Kent: West Front Elevation of the Stables

Cobham Hall, Kent: West Front Elevation of the Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 21 1/2 inches (31.8 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. Cobham Hall, Kent: Plan of the Stables

Cobham Hall, Kent: Plan of the Stables
Creator:
James Wyatt, 1746–1813
Date:
1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 x 25 1/2 inches (54.3 x 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 3/4 x 25 1/4 inches (52.7 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Cobham Hall, Kent: Ground Plan

Cobham Hall, Kent: Ground Plan
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 5/8 x 21 3/4 inches (57.5 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Cobham Hall, Kent: North Elevation of Dairy

Cobham Hall, Kent: North Elevation of Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite, pen and black ink on medium, modterately textured, beige laid paper
Dimensions:
Sheet: 13 7/8 x 23 1/4 inches (35.2 x 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower

Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash and watercolor on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 7/8 inches (24.8 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Cobham Hall, Kent: Full Size Drawing of Cross

Cobham Hall, Kent: Full Size Drawing of Cross
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 27 7/8 x 23 inches (70.8 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Cobham Hall, Kent: Plan of the Ground Floor of the Offices

Cobham Hall, Kent: Plan of the Ground Floor of the Offices
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 20 5/8 inches (27.6 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. Cobham Hall, Kent: Elevation and Section of New Entrance and Offices

Cobham Hall, Kent: Elevation and Section of New Entrance and Offices
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black and brown ink and yellow wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 21 inches (35.2 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Cobham Hall, Kent: Plan of the chamber story of part of the offices

Cobham Hall, Kent: Plan of the chamber story of part of the offices
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black and brown ink and yellow wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 x 26 3/8 inches (54.6 x 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Cobham Hall, Kent: Unidentified Plan

Cobham Hall, Kent: Unidentified Plan
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 21 1/4 inches (33.7 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Cobham Hall, Kent: New Passage by Butler's Pantry

Cobham Hall, Kent: New Passage by Butler's Pantry
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 x 25 1/4 inches (54.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand

Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
Creator:
Decimus Burton, 1800–1881
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 9/16 x 32 1/2 inches (47.1 x 82.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Graphite, pen and black ink, watercolor on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 19 × 11 1/2 inches (48.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Design for the Plasterwork Decoration of a Circular Rotunda

Design for the Plasterwork Decoration of a Circular Rotunda
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 7/16 x 14 15/16 inches (54.5 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Graphite, pen and black ink, watercolor on textured, thin, beige laid paper
Dimensions:
Sheet: 19 × 25 inches (48.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Graphite, pen and black ink, watercolor on rough, moderately thick, beige wove paper
Dimensions:
Sheet: 18 7/8 × 24 7/8 inches (47.9 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. The Basilica at Pergamon

The Basilica at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. View of Ruins of the Asclepium at Pergamon

View of Ruins of the Asclepium at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Romanesque Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Romanesque Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Pen and black ink, watercolor, graphite on rough, moderately thick, beige wove paper
Dimensions:
Sheet: 19 1/4 × 23 3/4 inches (48.9 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Herstmonceux Castle, East Sussex: South East View

Herstmonceux Castle, East Sussex: South East View
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. Design for a blacksmith's shop

Design for a blacksmith's shop
Creator:
unknown artist
Date:
between 1780 and 1790
Materials & Techniques:
Graphite and black chalk; verso: pen and brown ink on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/4 x 12 3/16 inches (19.7 x 30.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. Herstmonceux Castle, East Sussex: The Chicken Court

Herstmonceux Castle, East Sussex: The Chicken Court
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. Herstmonceux Castle, East Sussex: The Chicken Court

Herstmonceux Castle, East Sussex: The Chicken Court
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. Herstmonceux Castle, East Sussex: The Chapel

Herstmonceux Castle, East Sussex: The Chapel
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 x 18 5/8 inches (64.1 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. Design for Clifton Castle, Yorkshire: Ground Floor Plan

Design for Clifton Castle, Yorkshire: Ground Floor Plan
Creator:
Thomas Harrison, 1744–1829
Date:
undated
Materials & Techniques:
Gray and green wash with pen and black ink over graphite; gray wash with pen and black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 7 × 8 inches (17.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. Herstmonceux Castle, East Sussex: The Pump Court

Herstmonceux Castle, East Sussex: The Pump Court
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 × 25 1/4 inches (47.3 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. Whitton House, Middlesex: Ground Floor Plan

Whitton House, Middlesex: Ground Floor Plan
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 18 3/16 inches (31.4 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, black ink, and brown ink; verso: white gouache on medium, slighy textured, brown laid paper
Dimensions:
Sheet: 10 1/8 × 5 1/8 inches (25.7 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache, verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 11 1/2 × 5 inches (29.2 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 1/8 × 6 1/2 inches (33.3 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 × 4 1/4 inches (21.6 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 × 3 3/4 inches (20.3 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 16 7/8 × 6 3/8 inches (42.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/4 × 5 3/8 inches (28.6 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1877
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 7 1/4 × 4 1/2 inches (18.4 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: yellow and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 1/4 × 5 3/4 inches (33.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, watercolor and gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 11 7/8 × 6 3/8 inches (30.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Vue: Constantinople

Vue: Constantinople
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 15/16 × 10 1/2 inches (17.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. Femme Greque

Femme Greque
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 5 3/8 × 3 1/4 inches (13.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. Adrian Hope's House I: Plan of the Basement

Adrian Hope's House I: Plan of the Basement
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 11/16 × 7 7/8 inches (22.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. Adrian Hope's House I: View from the Road

Adrian Hope's House I: View from the Road
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink on slightly texture, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 20 inches (40.6 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Cobham Hall, Kent: Drawing for Wall Decoration

Cobham Hall, Kent: Drawing for Wall Decoration
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/8 x 21 1/2 inches (38.5 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection