The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
11
Charles Grignion, 1717–1810
A Perspective View of the Foundling Hospital with Emblematic Figures
1749
12
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
13
William Beilby, 1740–1819
Syon House, London
undated
14
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
15
Wenceslaus Hollar, 1607–1677
Palatium Regis Prope Londinum, Vulgo Whitehall
ca. 1647
16
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
17
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
18
John Varley, 1778–1842
View of New Street, near London Bridge
undated
19
Claude Du Bosc, c.1711–1740
The Monument of King Edward III in Westminster Abbey
undated, ca. 1726-1740
20
George Vertue, 1684–1756
The Monument in Westminster Abbey of King Henry V
between 1699-1756
21
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
22
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
23
John Maurer, active 1713–1761
The Mansion House
undated
24
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
25
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
26
Thomas Sandby, 1721–1798
Receipt for a Set of Six London Views
ca. 1758
27
Samuel Wale, 1721–1786
Guys Hospital
undated
28
Samuel Wale, 1721–1786
London Bridge
undated
29
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
30
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
31
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
32
Print made by Thomas Bowles III, ca. 1712–1767
The Admiralty Office
1731
33
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
34
Samuel Hieronymus Grimm, 1733–1794
A View of the Fire in Covent Garden
1769
35
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
36
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
37
Sir Francis Seymour Haden, 1818–1910
Battersea Reach
1863
38
Print made by Sir Francis Seymour Haden, 1818–1910
Whistler's House at Old Chelsea
1863
39
Sir Francis Seymour Haden, 1818–1910
Battersea Reach
1863
40
Print made by unknown artist
The South Sea House
between 1720 and 1728
41
Print made by John Bogle, 1746–1804
Night Watchman
1776
42
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
43
William Beilby, 1740–1819
Syon House: Chapel
undated
44
William Augustus Barron, active 1777
Broom House, Fulham, London
1774
45
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
46
Canaletto, 1697–1768
View of Old Somerset House from the Thames
undated
47
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
48
William Beilby, 1740–1819
Syon House
undated
49
Charles Tomkins, 1757–1823
Painter-Stainers’ Hall
1799
50
Samuel Wale, 1721–1786
St. Bartholomews Hospital
undated
51
Samuel Wale, 1721–1786
Lambeth Palace
undated
52
Samuel Wale, 1721–1786
Old Somerset House
undated
53
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
54
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
55
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
56
James Miller, active 1773–1814
View of Isleworth Church
undated
57
James Miller, active 1773–1814
The Fulham End of Putney Bridge
undated
58
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
59
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
60
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
65
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
66
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
67
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
68
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
69
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
70
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
71
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
72
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
73
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
74
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
75
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
76
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
77
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
78
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
79
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
80
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
81
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
82
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
83
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
84
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
85
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
86
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
87
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
88
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
89
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
90
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
91
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
92
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
93
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
94
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
95
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
97
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
98
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West