Creator: Rowlandson, Thomas, 1756–1827 - YCBA Collections Search Search Results

301. Elegant Company Dancing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and pen and red-brown, red, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 7/8 inches (11.4 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Dr Syntax Alarmed by a Whale

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1812
Materials & Techniques:: Watercolor with pen and red-brown ink over graphite; verso, lower left: splotches of red, green and blue watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Rag Fair or Rosemary Lane

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and red-brown and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 5 inches (18.4 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Comforts of Bath: The Concert

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Comforts of Bath: Coaches Arriving

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Comforts of Bath: The Ball

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 11/16 x 8 1/4 inches (14.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Horses and a Cart at a Sandpit

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 13 7/16 inches (27.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Bradwell Lodge, Bradwell Quay, Essex

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. New Shoes

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on medium, smooth, wove paper
Dimensions:: Mount: 6 11/16 x 8 1/2 inches (17 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Dr. Syntax Visits a Boarding School for Young Ladies

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 x 8 5/16 inches (12.9 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Three Horses in Stalls

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 7 1/4 inches (11.1 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. The Toll-Gate

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 5/16 inches (11.7 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. A Waggoner

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium,slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 15/16 inches (12.1 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Studies of George III and Statesmen

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink, with graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/16 x 6 3/16 inches (20.5 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Dr. Syntax Visits a Boarding School for Young Ladies

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/16 inches (13.3 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Cottage in a Forest Clearing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 5 1/2 inches (12.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Gypsies Cooking on an Open Fire

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 x 4 13/16 inches (15.4 x 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Dr Syntax outside the Halfway House

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/4 inches (10.5 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Reflections, or the Music Lesson

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured cream wove paper
Dimensions:: Sheet: 4 5/8 x 6 3/16 inches (11.7 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. The Farmyard

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 13/16 inches (14.3 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Loading a Stage-Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 15/16 inches (14.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. The Gaming Table

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Watercolor with pen and brown and gray ink, over graphite on moderately thick, moderatedly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. The Billiard Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1801
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 x 7 3/4 inches (11.9 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. The Undercliff, Steephill, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 17 1/8 inches (12.1 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. The Opera Singers

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 4 11/16 inches (14 x 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. The Arrival of the Fire Engine

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red brown and brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 inches (11.3 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Two Gigs in Trouble

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 7 3/16 inches (11.3 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Two Sleeping Figures

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash with pen and gray ink and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 8 1/2 inches (16.7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Plymouth Dock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:: Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Labourers at Rest

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. The Cloisters of a Monastery

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and red ink and pen and gray ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/8 x 7 7/8 inches (12.4 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. An Artist's Studio

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1814
Materials & Techniques:: Watercolor with pen and red-brown, brown, and gray ink, over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 8 7/16 inches (26.7 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. A Livery Stable

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. A Village Scene with Girls Spinning

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen in gray and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 18 7/8 inches (34 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 7/16 inches (13.7 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Ladies at Tea

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and red-brown and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 7 x 10 5/16 inches (17.8 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. The South Gate, Exeter

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Scene outside the Half-Moon Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 5/16 inches (14.6 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Dr Syntax Meditating on the Tombstones

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1809 and 1811
Materials & Techniques:: Watercolor with pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. A Punch and Judy Show

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Checkmate

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. A Timber Waggon

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Gray wash and graphite with pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 9/16 x 7 5/16 inches (11.6 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Quakers' Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1810
Materials & Techniques:: Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 11 inches (20.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Norwich Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray-brown ink, and wash over graphite; verso: pen and gray brown ink and wash over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 6 7/8 inches (13.8 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. An Officer and his Servant

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 3 7/8 inches (15.6 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. George Morland

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1780 and 1799
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 6 3/16 inches (25.7 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. A Group of Five Bulls about to Fight

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1810
Materials & Techniques:: Gray wash and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 13/16 inches (14.6 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. The Riding School

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 11/16 x 8 3/8 inches (14.4 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Southhampton, the Watergate and Globe Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 9 inches (12.7 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. 'Slender Billy' Taking Refreshment

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 x 8 9/16 inches (27.3 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. A Maiden Aunt Smelling Fire

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1804
Materials & Techniques:: Watercolor and graphite with pen and red-brown and pen and gray ink on medium, slightly textured, beige wove paper
Dimensions:: Mount: 14 5/16 x 11 1/2 inches (36.4 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Horsemen Colliding

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and brown, black, and gray ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. River Landscape with a Waterfall

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink, pen and red-black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 11/16 x 8 3/8 inches (14.4 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Mother Bundle in a Rage or Too late for the Stage

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1809
Materials & Techniques:: Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Kitty Overcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor, gray wash, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 7 13/16 inches (13.8 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Taunting with Smoke from a Pipe

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1823
Materials & Techniques:: Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/4 x 10 3/8 inches (22.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. A Bit of Blood

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 4 7/16 x 4 7/16 inches (11.3 x 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Venus Crowned by Cupid

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor, with pen and brown, gray, red-brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. The Kill

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Mr. and Mrs. Jolly at their Country House

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and red brown ink on medium, lightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. The Vicar of Wakefield: Frontispiece

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. The Departure from Wakefield

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. The Welcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Concerto a la Catalani

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and gray ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Mad'elle du de l'Opera

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and red-brown, and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 5 5/8 inches (18.7 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. The Vicar Preaching to the Prisoners

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. The Fair Penitent

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. The Pottery Shop

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 13/16 x 6 1/4 inches (9.7 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. The Sailor's Return

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown, red-brown, and gray ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 11/16 x 6 15/16 inches (22.1 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. A Cavalry Barracks

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Comforts of Bath: The Music Master

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Comforts of Bath: Private Practice Previous to the Ball

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 15/16 x 8 1/4 inches (15.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. The Comforts of Bath: The Breakfast

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Butterfly Hunting

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1806
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 3/16 inches (13.3 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. The Enraged Vicar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. A Legal Wrangle

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 x 12 3/16 inches (16.2 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Women Drinking Punch

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 x 7 3/4 inches (12.1 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Chess Players

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 7 inches (11.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Sleeping Woman Watched by a Man

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 x 7 3/4 inches (14.1 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. The Preacher

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800 to 1810
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 3/16 inches (14.9 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Female Dancer with a Tambourine

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, wove paper, mounted on thick, moderately textured, wove paper
Dimensions:: Sheet: 11 11/16 x 8 11/16 inches (29.7 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. The Dying Sailor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 12 13/16 inches (27.5 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. The Doctor Overcame

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/16 x 5 13/16 inches (10.6 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. The Fall of Dagon - or Rare News for Leadenhall Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. The Parson and the Clarke, No. 76

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. The Departure

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. The Westminster Watchman

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. The Sacred page Displayed

Creator:: Print made by unknown artist
Date:: 1821
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1804
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. The Fall of Dagon or Rare News for Leadenhall Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. [ Caricature of two men and a woman, one of the men blowing smoke ]

Creator:: Print made by unknown artist
Date:: ca. 1823
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Melpomene in the Dumps; of, Child's Play Defended by Theatrical Monarchs

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1804
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Secret Influence directing the new Parliament

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. The Westminster Watchman

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. An Audience at Drury Lane Theatre

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on beige/brown, thick, moderately textured, laid paper, glued to mat
Dimensions:: Sheet: 8 1/2 x 17 3/16 inches (21.6 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Creator Rowlandson, Thomas, 1756–1827

Search Results

301. Elegant Company Dancing

302. Dr Syntax Alarmed by a Whale

303. Rag Fair or Rosemary Lane

304. Comforts of Bath: The Concert

305. Comforts of Bath: Coaches Arriving

306. Comforts of Bath: The Ball

307. Horses and a Cart at a Sandpit

308. Bradwell Lodge, Bradwell Quay, Essex

309. New Shoes

310. Dr. Syntax Visits a Boarding School for Young Ladies

311. Three Horses in Stalls

312. The Toll-Gate

313. A Waggoner

314. Studies of George III and Statesmen

315. Dr. Syntax Visits a Boarding School for Young Ladies

316. Cottage in a Forest Clearing

317. Gypsies Cooking on an Open Fire

318. Dr Syntax outside the Halfway House

319. Reflections, or the Music Lesson

320. The Farmyard

321. Loading a Stage-Coach

322. The Gaming Table

323. The Billiard Room

324. The Undercliff, Steephill, Isle of Wight

325. The Opera Singers

326. The Arrival of the Fire Engine

327. Two Gigs in Trouble

328. Two Sleeping Figures

329. Plymouth Dock

330. Labourers at Rest

331. The Cloisters of a Monastery

332. An Artist's Studio

333. A Livery Stable

334. A Village Scene with Girls Spinning

335. Church

336. Ladies at Tea

337. The South Gate, Exeter

338. Scene outside the Half-Moon Inn

339. Dr Syntax Meditating on the Tombstones

340. 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'

341. A Punch and Judy Show

342. Checkmate

343. A Timber Waggon

344. Quakers' Meeting

345. Norwich Market Place

346. An Officer and his Servant

347. George Morland

348. A Group of Five Bulls about to Fight

349. The Riding School

350. Southhampton, the Watergate and Globe Inn

351. 'Slender Billy' Taking Refreshment

352. A Maiden Aunt Smelling Fire

353. Horsemen Colliding

354. Mr. Drummond's Cottage, East Cowes, Isle of Wight

355. River Landscape with a Waterfall

356. Mother Bundle in a Rage or Too late for the Stage

357. Kitty Overcome

358. Taunting with Smoke from a Pipe

359. A Bit of Blood

360. Venus Crowned by Cupid

361. The Kill

362. Mr. and Mrs. Jolly at their Country House

363. The Vicar of Wakefield: Frontispiece

364. The Departure from Wakefield

365. The Welcome

366. Concerto a la Catalani

367. Mad'elle du de l'Opera

368. The Vicar Preaching to the Prisoners

369. The Fair Penitent

370. The Pottery Shop

371. The Sailor's Return

372. A Cavalry Barracks

373. Comforts of Bath: The Music Master

374. Comforts of Bath: Private Practice Previous to the Ball

375. The Comforts of Bath: The Breakfast