Illustration for The New Doll: The Doll brought Home
1825
22
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
23
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
24
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
25
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
26
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
27
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
28
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
29
Edward Francis Burney, 1760–1848
Study for the Figure of Grammateus
undated
30
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
31
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
32
Edward Francis Burney, 1760–1848
Wedding of a God
undated
33
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
34
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
35
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
36
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
37
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
38
Robert Mabon, died 1798
Retreat Beating at Poona
undated
39
Edward Francis Burney, 1760–1848
J.B. Cramer
1804
40
Edward Francis Burney, 1760–1848
Norbury Park
undated
41
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
42
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
43
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
44
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
45
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
46
Peter Casteels, 1684–1749
Feeding Ducks
undated
47
William Collins, 1788–1847
Dartmouth
undated
48
James Lewis, 1751–1820
Design for a Country House
undated
49
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
50
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
51
Sir David Low, 1891–1963
Honor among Savages
undated
52
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
53
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
54
Aubrey Vincent Beardsley, 1872–1898
Salome on Settle, The Conductor
between 1892 and 1898
55
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
56
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
57
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
58
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
59
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
60
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
61
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
62
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
63
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
64
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
65
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
66
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
67
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
68
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
69
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
70
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
71
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
72
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
73
unknown artist
Henry VII Chapel, Westminster Abbey
undated
74
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
75
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
76
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
77
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
78
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
79
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
80
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
81
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
82
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
83
unknown artist
Grave of the Supposed William Lyndewode
1852
84
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
85
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
86
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
87
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
88
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
89
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
92
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
93
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
94
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
95
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
96
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
97
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
98
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
99
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords