Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
21
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
22
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
23
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
24
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
25
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
26
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
29
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
30
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
31
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
32
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
33
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
34
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
35
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
36
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
38
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
40
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
41
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
42
George Romney, 1734–1802
Seated Nude Woman (Hygeia at Doctor Graham's)
undated
43
George Romney, 1734–1802
The Bath of Bath-sheba
undated
44
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
45
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
46
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
47
George Romney, 1734–1802
Charity
undated
48
George Romney, 1734–1802
Samson Overpowered
undated
49
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
undated
50
Henry Pierce Bone, 1779–1855
Incantation Scene
undated
51
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
52
unknown artist
Ariadne
undated
53
William Hamilton, 1751–1801
Hero and Leander
1801
54
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
undated
55
George Henry Harlow, 1787–1819
Hecate
1815
56
Print made by Johan Joseph Zoffany, 1733–1810
Samson Overcome by the Philistines
ca. 1758
57
Print made by Arthur Burgess, 1844–1886
Venus, after Masters of Tarrochi
undated
58
Edward Francis Burney, 1760–1848
Charity
undated
59
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
60
Print made by John Smith, 1652–1743
The Triumph of Galatea
1701
61
Print made by Valentine Green, 1739–1813
Cupid and Psyche
1784
62
Print made by Jacob Gole, 1660–1737
King Lyncus Turned Into a Lynx by Ceres
between 1675 and 1700
63
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Temperance
1782
64
Joseph Grozer, ca. 1755–1798
The Death of Dido
1796
65
Print made by Richard Purcell, active 1746–1766
Mary Hale (née Chaloner), as Euphrosyne in 'L'Allegro'
undated
66
unknown artist
Angel
undated
67
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
68
Print made by George Cooke, 1781–1834
Florence, from Chiesa al Monte
1820
69
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
70
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
71
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
72
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
73
Print made by Prince Rupert, 1619–1682
The Magdalen
1659
74
Print made by Abraham Blooteling, 1640–1690
The Temptation of Saint Anthony
undated
75
Print made by Richard Earlom, 1743–1822
Alope
1787
76
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis
undated
77
Print made by Alexander van Haecken, 1701–1758
Juno
undated
78
Thomas Watson, 1743–1781
Barbara Palmer (née Villiers) Countess of Castlemaine
undated
79
Print made by George Cooke, 1781–1834
Florence, from Chiesa al Monte
1820
80
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
81
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
82
Print made by Richard Earlom, 1743–1822
Sensibility
1789
83
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
84
Print made by Richard Earlom, 1743–1822
Sensibility
1789
85
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
86
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
87
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
88
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
89
Edward Burne-Jones, 1833–1898
Flora
undated
90
Print made by Thomas Chambars, ca. 1724–1789
Mrs. Quarrington as St. Agnes
ca. 1787
91
circle of John Linnell, 1792–1882
The Messengers Tell Job of the Misfortunes that Have Befallen Him