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1
- The Horse
- ca. 1805
- Not on view
2
- An Ancient Barn at Shoreham
- undated
3
- Cornfield and Church by Moonlight
- early 1830s
4
- A Cottage among Trees, Shoreham
- undated
5
- The Timber Wain
- between 1833 and 1834
6
- Horses Fighting
- undated
7
- Barnard Castle
- ca. 1825
8
- Andernach
- 1817
9
- Rome from Monte Mario
- ca. 1818
10
- Lake Geneva and Mount Blanc
- 1802 to 1805
11
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
12
- Villa d'Este
- ca. 1796
13
- Catania
- 1847
14
- Bavella, Corsica
- ca. 1868
15
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
16
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
17
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
18
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
19
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
20
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
21
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
22
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
23
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
24
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
25
- Spring, from Songs of Innocence
- ca. 1795
26
- The Shepherd, from Songs of Innocence
- ca. 1795
27
- Jerusalem, Plate 76
- 1804 to 1820
28
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
29
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
30
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
31
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
33
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
34
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
35
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
36
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
37
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
38
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
39
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
40
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
41
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
42
- The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
43
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
44
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
45
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
46
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
47
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
48
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
49
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
50
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
51
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
52
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
53
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
54
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
55
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
56
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
57
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
58
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
59
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
60
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
61
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
62
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
63
- The Entrance Front of Hayley's House at Eartham
- 1801
64
- View Near Arundel Castle
- 1823 and 1874
65
- The Village of Aldbury, Hertfordshire
- 1816
66
- Cedros Bay
- 1857
67
- The Bocas from the Old Fort, Macqueripe
- 1857
68
- St. James' Barracks from the Playground of the Model School
- 1857
69
- Riverside, St. Joseph
- 1857
70
- On the Cimaronero River
- 1857
71
- The Reservoir at Maraval
- 1857
72
- Garden Estate, Arouca
- 1857
73
- Avenue and Entrance to St. James Barracks
- 1857
74
- Rocks with Central Cavern Among Trees
- 1797
75
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
76
- Abbey Church at St. Albans
- 1781
77
- From the Beach near Fort Blanc, Oct. 4, 1819
- 1819
78
- Preparing to lay eel traps
- undated
79
- The Artist Sketching Mlle. de St. Legier as a Shepherdess
- 1787
80
- Cowes Castle, Isle of Wight
- undated
81
- Temple of Venus and Rome from the Colosseum
- 1781
82
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
83
- Cain and Abel
- undated
84
- The Rising of the Waters
- undated
85
- Christ with Three Figures
- undated
86
- Road Between Hills
- undated
87
- Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
- 1802
88
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
89
- High Street at Bushey, Hertfordshire
- 1812
90
- A Wooded Track
- 1813
91
- Landscape with Trees and two Figures
- undated
92
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
93
- Peasants Resting
- 1795
94
- Two Men Fighting Before a Woman
- 1771
95
- Three Soldiers in Armour Sitting on Stone Blocks
- undated
96
- Two Heads in a Roundel
- undated
97
- Gateway to Battle Abbey
- after 1819
98
- Old Buildings at Hastings
- after 1819
99
- View from Ashton Meadows, Bristol
- 1791
100
- The Spanish Pointer
- ca. 1799