Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
206
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
207
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
208
Louis Philippe Boitard, active 1734–1760
Man Asleep with his Mouth Wide Open and Hands Crossed
undated
209
John Thomas Smith, 1766–1833
The Smock Exposed
1817
210
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
211
John Thomas Smith, 1766–1833
The Reconcilation
1817
212
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
213
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
214
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
215
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
216
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
217
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
218
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
219
Robert Byng, 1666–1720
Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family
undated
220
Sir James Thornhill, 1675–1734
Design for Ceiling Walls and Staircase
between 1712 and 1713
221
Willem van de Velde the Younger, 1633–1707
An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
222
Willem van de Velde the Younger, 1633–1707
An English Man-of-War, Port View from the Stern
ca. 1675
223
Samuel Davis, 1760–1819
View of Shershah's Tomb at Sasaram in Bihar
ca. 1779
224
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
225
James Wyatt, 1746–1813
Cobham Hall, Kent: North Elevation of South Wing
undated
226
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
227
James Wyatt, 1746–1813
Cobham Hall, Kent: Unidentified Plan
ca. 1790
228
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
229
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for a Lintel for One End of a Passage
ca. 1790
230
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
231
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevation of the Stables, Barn and Coach Houses
ca. 1790
232
George Shakespear, active 1752, died 1797
Cobham Hall, Kent: South Elevation of North Wing
ca. 1790
233
James Wyatt, 1746–1813
Design for Little Frogmore: Elevation
1791
234
Samuel Scott, 1701/2–1772
A Coastal Barge
undated
235
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
236
unknown artist
Le Havre and Le Manche: A Map of Le Havre
undated
237
unknown artist
Rouen: A Map of the City and Surrounding Areas
undated
238
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
239
Rev. William Gilpin, 1724–1804
Landscape with Fisherman
between 1762 and 1783
240
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
241
Sir Robert Smirke the younger, 1781–1867
Arch of Trajan, Ancona, Italy
1804
242
Joseph Cartwright, c.1789–1829
Side View of Battleship Surrounded by Several Others in Heavy Seas
undated
243
unknown artist
Two Frigates
undated
244
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
245
Captain John Bernard Gilpin, 1701–1776
Church in a Landscape
undated
246
Sawrey Gilpin, 1733–1807
Boats in a Rainstorm
undated
247
Sawrey Gilpin, 1733–1807
Sailboats on Calm Sea
undated
248
Rev. William Gilpin, 1724–1804
Landscape with Trees in Foreground
between 1762 and 1783
249
Rev. William Gilpin, 1724–1804
Pine Trees and Castle in a Landscape
between 1762 and 1783
250
Rev. William Gilpin, 1724–1804
View of Windermere
between 1762 and 1783
251
Sawrey Gilpin, 1733–1807
Windsor Castle
undated
252
Rev. William Gilpin, 1724–1804
Landscape with Castle in the Distance
between 1762 and 1783
253
Rev. William Gilpin, 1724–1804
View of Castle Ruin
between 1762 and 1783
254
James Jefferys, 1751–1784
The Body of Lucretia Exposed to the Romans
between 1777 and 1778
255
Capt. Thomas Hastings, 1778–1854
The Bowder Stone, Jaws of Borrowdale, Saturday 27 June 1835
1835
256
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
257
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
258
Sir Robert Smirke the younger, 1781–1867
Study of a Stone Mausoleum
1802-1804
259
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
260
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
261
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
262
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
263
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
264
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
265
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
266
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
267
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
268
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
269
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
270
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
271
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
272
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
273
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
274
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
275
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
276
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
277
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
278
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
279
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
280
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
281
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
282
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
283
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
284
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
285
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
286
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
287
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
288
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
289
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
290
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
291
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
292
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
293
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
294
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
295
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
296
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
297
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
298
Willem van de Velde the Elder, ca. 1611–1693
Celebration on the Thames near Whitehall
1685
299
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Stone Relief, Depicting a Bird of Prey