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Creator Rowlandson, Thomas, 1756–1827

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301. Fox-hunting [a pair]: 2. Four O'Clock in Town

Fox-hunting [a pair]: 2. Four O'Clock in Town
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 1/4 x 14 1/2in. (28.6 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Set of eight with title-page. 'Foreign and Domestick Animals.' 3. The Lioness

Set of eight with title-page. 'Foreign and Domestick Animals.' 3. The Lioness
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Set of eight with title-page. 'Foreign and Domestick Animals.' 7. The Persian Lynx

Set of eight with title-page. 'Foreign and Domestick Animals.' 7. The Persian Lynx
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion

Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf

Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. Fox-Hunting [set of six]: 6. The Dinner

Fox-Hunting [set of six]: 6. The Dinner
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1787 and 1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. Racing [set of four]: The High Mettled Racer. 4. The Cart-horse

Racing [set of four]: The High Mettled Racer. 4. The Cart-horse
Creator:
John Hassell, 1767–1825
Date:
1789
Materials & Techniques:
Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:
Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks

Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Aquatint, hand-colored including borders
Dimensions:
Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket

Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Aquatint, hand-colored including borders
Dimensions:
Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. Racing [set of six]: 4. Between Heats

Racing [set of six]: 4. Between Heats
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. Racing [set of six]: 6. Betting

Racing [set of six]: 6. Betting
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. Set of eight with title-page. 'Foreign and Domestick Animals.' 4. The Tiger

Set of eight with title-page. 'Foreign and Domestick Animals.' 4. The Tiger
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Set of eight with title-page. 'Foreign and Domestick Animals.' 8. The Antelope

Set of eight with title-page. 'Foreign and Domestick Animals.' 8. The Antelope
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. A View at Blackwall

A View at Blackwall
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 7 5/8 x 10 inches (19.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. The Doctor Overcame

The Doctor Overcame
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/16 x 5 13/16 inches (10.6 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. George Morland

George Morland
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1780 and 1799
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 6 3/16 inches (25.7 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. A Group of Five Bulls about to Fight

A Group of Five Bulls about to Fight
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1810
Materials & Techniques:
Gray wash and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 8 13/16 inches (14.6 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Southhampton, the Watergate and Globe Inn

Southhampton, the Watergate and Globe Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 9 inches (12.7 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. Female Dancer with a Tambourine

Female Dancer with a Tambourine
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, wove paper, mounted on thick, moderately textured, wove paper
Dimensions:
Sheet: 11 11/16 x 8 11/16 inches (29.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Horsemen Colliding

Horsemen Colliding
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and brown, black, and gray ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Mr. Drummond's Cottage, East Cowes, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. The Riding School

The Riding School
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 11/16 x 8 3/8 inches (14.4 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. The Preacher

The Preacher
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800 to 1810
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 3/16 inches (14.9 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. A Phaeton and Six

A Phaeton and Six
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 9/16 inches (13 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. 'Slender Billy' Taking Refreshment

'Slender Billy' Taking Refreshment
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/4 x 8 9/16 inches (27.3 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. Taunting with Smoke from a Pipe

Taunting with Smoke from a Pipe
Creator:
Thomas Rowlandson, 1756–1827
Date:
1823
Materials & Techniques:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 10 3/8 inches (22.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. A Maiden Aunt Smelling Fire

A Maiden Aunt Smelling Fire
Creator:
Thomas Rowlandson, 1756–1827
Date:
1804
Materials & Techniques:
Watercolor and graphite with pen and red-brown and pen and gray ink on medium, slightly textured, beige wove paper
Dimensions:
Mount: 14 5/16 x 11 1/2 inches (36.4 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. A Gibbet

A Gibbet
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 10 13/16 inches (36 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. Bradwell Lodge, Bradwell Quay, Essex

Bradwell Lodge, Bradwell Quay, Essex
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. George Moser

George Moser
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Pen and red-brown ink over graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 3/4 x 5 1/2 inches (14.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. The Undercliff, Steephill, Isle of Wight

The Undercliff, Steephill, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 x 17 1/8 inches (12.1 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. The Maniac

The Maniac
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 7 13/16 x 8 13/16 inches (19.8 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Reflections, or the Music Lesson

Reflections, or the Music Lesson
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured cream wove paper
Dimensions:
Sheet: 4 5/8 x 6 3/16 inches (11.7 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. Ladies at Tea

Ladies at Tea
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor with pen and red-brown and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 7 x 10 5/16 inches (17.8 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. The South Gate, Exeter

The South Gate, Exeter
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. Dr Syntax Meditating on the Tombstones

Dr Syntax Meditating on the Tombstones
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Loading a Stage-Coach

Loading a Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 15/16 inches (14.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. Ploughing

Ploughing
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/16 x 5 3/8 inches (17.9 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'

'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1809 and 1811
Materials & Techniques:
Watercolor with pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Soldiers in St. James Park

Soldiers in St. James Park
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Vauxhall Gardens

Vauxhall Gardens
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1784
Materials & Techniques:
Watercolor, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/16 x 20 11/16 inches (38.3 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. A Merchant's Office

A Merchant's Office
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Watercolor with pen and black, brown, and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 15/16 x 13 1/8 inches (27.8 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. Two Men on Horseback Seen from Behind

Two Men on Horseback Seen from Behind
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. Wapping Old Stairs

Wapping Old Stairs
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. Mother Bundle in a Rage or Too late for the Stage

Mother Bundle in a Rage or Too late for the Stage
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1809
Materials & Techniques:
Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. The Bookmaker and his Client outside the Ram Inn, Newmarket

The Bookmaker and his Client outside the Ram Inn, Newmarket
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 7 9/16 inches (24 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. Falls on the River Conwy, North Wales

Falls on the River Conwy, North Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and gray-blue ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 11/16 x 11 5/16 inches (19.5 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. Dr. Syntax with Kitty Cowslip

Dr. Syntax with Kitty Cowslip
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink and pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/16 x 8 7/16 inches (13.2 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. A Review of the Northapmton Militia at Brackley

A Review of the Northapmton Militia at Brackley
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. Bathers in a Landscape

Bathers in a Landscape
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink, over graphite; verso: graphite with watercolor stain on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 15/16 inches (15.2 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. Dr. Syntax Attends the Execution

Dr. Syntax Attends the Execution
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Alterations in the Ale Cellar at Bullstrode

Alterations in the Ale Cellar at Bullstrode
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/4 inches (14.6 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. The Mausoleum

The Mausoleum
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 x 8 11/16 inches (12.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. Dr. Syntax Soliloquising

Dr. Syntax Soliloquising
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1812 and 1820
Materials & Techniques:
Watercolor, pen and gray ink, and graphite; verso: graphite, traced and incised for transfer on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 x 8 inches (12.4 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. Dr. Syntax Copying the Wit of the Window

Dr. Syntax Copying the Wit of the Window
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1809 and 1812
Materials & Techniques:
Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/16 inches (13.7 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. A Fair in the Country

A Fair in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown, brown, and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 9 5/16 inches (13.7 x 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. A Man Buying Snuff

A Man Buying Snuff
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 5 5/8 inches (18.7 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. The Duchess of Gordon's Rout

The Duchess of Gordon's Rout
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite; verso: gray watercolor blot on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 9/16 x 8 3/4 inches (11.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. The Angling Party

The Angling Party
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, over graphite, border with pen and gray brown ink line on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 10 3/16 inches (17.5 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. River Scene (The Thames at Eton?)

River Scene (The Thames at Eton?)
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray brown ink, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/8 x 9 1/16 inches (15.6 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. A Gendarme and Another Man

A Gendarme and Another Man
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red-gray ink, and graphite; verso: graphite sketch on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 4 13/16 inches (15.9 x 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. The Hedger and Ditcher

The Hedger and Ditcher
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite; verso: blue watercolor blot on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 9/16 inches (16.5 x 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. Rogero

Rogero
Creator:
after Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 8 1/8 inches (28.4 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Henderson in the Character of Falstaff

Henderson in the Character of Falstaff
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/16 x 10 7/16 inches (30.6 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. A Water-Wheel Driving a Transporter

A Water-Wheel Driving a Transporter
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and black ink; verso: pen and black ink, gray ink, pastel, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 5/16 x 18 1/4 inches (28.7 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. The Vinery

The Vinery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink with pale brown and pale green wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 11/16 x 11 inches (19.5 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. The Club Room

The Club Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 15/16 x 8 13/16 inches (12.5 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Henry Angelo and Madame Cain Fencing

Henry Angelo and Madame Cain Fencing
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 9 11/16 x 13 3/16 inches (24.6 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Drawing Cover

Drawing Cover
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown, gray and red-brown ink, with pen and ink line and wash border on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 3 3/16 x 5 9/16 inches (8.1 x 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. The Flower Seller

The Flower Seller
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/8 x 3 inches (10.5 x 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Figures by a Ferry

Figures by a Ferry
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/4 inches (11.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. A Stag Hunt in the West Country

A Stag Hunt in the West Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 9 inches (13.7 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. The Visitors Being Shown the Baby

The Visitors Being Shown the Baby
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 x 6 1/16 inches (10.6 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. Covent Garden Market

Covent Garden Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. Riding and Driving Mishaps

Riding and Driving Mishaps
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 1/4 x 15 11/16 inches (13.3 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. Naval Officers and a Bowl of Punch

Naval Officers and a Bowl of Punch
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 6 inches (14.4 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. Forgiving Lovers

Forgiving Lovers
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Graphite, incised for transfer; verso: graphite shading and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 6 7/16 inches (23.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. The Exhibition Stare-Case, Somerset House

The Exhibition Stare-Case, Somerset House
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1800
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Lloyd's Subscription Room

Lloyd's Subscription Room
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

386. Dr. Syntax Made Free of the Cellar

Dr. Syntax Made Free of the Cellar
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. Loading Sacks into a Cart

Loading Sacks into a Cart
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. View on Exmoor

View on Exmoor
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. A Pier at Amsterdam (Version A)

A Pier at Amsterdam (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. The Undergraduate's Room

The Undergraduate's Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. The Recruiting Officer

The Recruiting Officer
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. Three Sportsmen Sleeping at the Table in Their Chairs

Three Sportsmen Sleeping at the Table in Their Chairs
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray-brown ink, and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 x 6 15/16 inches (10.2 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Rowlandson and Wigstead on Tour

Rowlandson and Wigstead on Tour
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 11 7/16 inches (18.6 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

395. Hospital, Middlesex

Hospital, Middlesex
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1808
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

396. Tattersall's Horse Repository

Tattersall's Horse Repository
Creator:
Thomas Sunderland, 1744–1828
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

397. Pass-Room Bridewell

Pass-Room Bridewell
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

398. Horse Armoury

Horse Armoury
Creator:
Thomas Sunderland, 1744–1828
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

399. Synagogue, Duke's Place, Houndsditch

Synagogue, Duke's Place, Houndsditch
Creator:
Thomas Sunderland, 1744–1828
Date:
1808
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

400. Excise Office, Broad Street

Excise Office, Broad Street
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1810
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker