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Materials & Techniques brown wash
Remove constraint Materials & Techniques: brown washPeriod 19th century
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1
- The Haunted Wood
- undated
2
- A Classical City
- undated
3
- Subterranean Pool with Sculptural Torchere
- undated
4
- A Lake in Norway
- ca. 1825
5
- Study of Waves
- undated
6
- Landscape Sketch
- undated
7
- A Pastoral Scene
- 1835
8
- Rome from San Spirito
- undated
9
- A Moonlit Scene with a Winding River
- ca. 1827
10
- An Ancient Barn at Shoreham
- undated
11
- Study of Old Buildings
- undated
12
- Boxhill
- 1868
13
- Study of a Pilgrim
- undated
14
- Study for Cottage in Cornfield, East Bergholt
- ca. 1833
15
- Dawn
- between 1831 and 1832
16
- Trees and Deer
- 1825
17
- The Straw Yard
- 1808
18
- Shipping Scene, with Fishermen
- between 1815 and 1820
19
- A Country House
- ca. 1834
20
- Manor (Knowsley Lane?)
- undated
21
- Albania
- between 1848 and 1849
22
- Bavella, Corsica
- ca. 1868
23
- Reggio, 26 July 1847
- 1847
24
- S. Pietro Degli Agostiniani. Leonessa
- 1844
25
- The Pontine Marshes above Terracina
- ca. 1880
26
- Turin, Italy
- after 1872
27
- Memphis
- 1867
28
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
29
- Wayfarers
- undated
30
- Nemi
- 1824
31
- The Villa Adrianna, Rome
- 1824
32
- Totnes from the Seymour Hotel
- 1838
33
- A Sheet of Sketches - Theatrical Studies
- undated
34
- Fish Market, Hastings
- 1824
35
- Cheyne Walk, Old Chelsea
- 1861
36
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
37
- Mount Soratte from Civita Castellana
- 1816
38
- Crater of Vesuvius
- 1816
39
- Wreck and the Merchant Vessel, St. George, at Deal, Kent
- 1807
40
- Landscape with a Ruined Tower
- 1811
41
- Helios
- undated
42
- Hinton St. George, Somerset: Plan of the Dressing Room
- 1801
43
- Hartwell, Buckinghamshire
- 1833
44
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
45
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
46
- Miss Elizabeth Siddal
- between 1854 and 1855
47
- Bamboo Arches, St. Anns
- 1851
48
- Thatched Roof and Tree
- undated
49
- Harbor
- undated
50
- Nocturnal View of Mountainous Landscape with River
- undated
51
- Ram and Two Sheep
- undated
52
- Ruined Abbey
- undated
53
- Illustration for The New Doll: Untitled
- 1825
54
- Illustration for The New Doll: Untitled
- 1825
55
- Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
- undated
56
- Chowringhee Road from No. XI Esplanade
- undated
57
- Malvolio Dancing
- 1827
58
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
59
- Waterloo Bridge from the Garden of M. A. Taylor, Esq
- undated
60
- Landscape with Trees and Church Spire
- undated
61
- The Fish Ponds
- undated
62
- St. Thomas' Church, Winchelsea
- undated
63
- Margate Hoy
- 1807
64
- Music: Composition in a Garden
- ca. 1832
65
- Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"
- 1833
66
- Crossing the Bridge
- early 19th century
67
- Rusthill Common near Tunbridge Wells, Kent
- ca. 1840
68
- Falstaff Instructing Bardolph
- 1825
69
- Prospero and Ariel
- 1821
70
- Wood Cutters
- undated
71
- Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
- 1821
72
- Falstaff Dragging the Body of Hotspur
- 1825
73
- Anne Page and Slender
- 1821
74
- Lysander Awakening to See Helena
- 1825
75
- Designs for Gothic Ornamentation
- undated
76
- Government House from St. Andrew's Library - Calcutta
- undated
77
- Entrance to the Hudson Highlands
- undated
78
- Houses at Kilmallock
- undated
79
- Illustration for The New Doll: The Doll brought Home
- 1825
80
- Ilustration for The New Doll: Untitled
- 1825
81
- Illustration for The New Doll: Sewing Clothes for the Doll
- 1825
82
- Castello Malespina Appennines
- 1819
83
- "After Pinnelli" (Group of Peasants Outside a House)
- 1817
84
- An Execution, Rome
- 1819
85
- Running Woman
- ca. 1818
86
- Archers Stalking a Stag
- 1821
87
- Port of Spain, from the Harbour
- 1851
88
- Trinity Church, Port of Spain
- 1851
89
- St. James Barracks
- 1851
90
- Cedar Point, Mount Tamana
- 1851
91
- The Cottage, Mount Tamana
- 1851
92
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
93
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
94
- Hogarth Declaring His Love to Miss Thornhill
- 1817
95
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
96
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
97
- The Reconcilation
- 1817
98
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
99
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
100
- Hogarth Sitting to Roubiliac for His Bust
- 1817