Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
5
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
6
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
7
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
8
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
9
William Collins, 1788–1847
Dartmouth
undated
10
Sir David Low, 1891–1963
Honor among Savages
undated
11
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
12
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
13
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
14
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
15
Edward Francis Burney, 1760–1848
J.B. Cramer
1804
16
Charles Hamilton Smith, 1776–1859
Hall, Easton Neston, Northants
undated
17
Charles Hamilton Smith, 1776–1859
Porch with Statuary, Easton Neston, Northants
undated
18
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
19
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
20
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
21
Edward Francis Burney, 1760–1848
Watley
undated
22
Edward Francis Burney, 1760–1848
Musicians
undated
23
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
24
Edward Francis Burney, 1760–1848
Study for the Figure of Grammateus
undated
25
Edward Francis Burney, 1760–1848
Norbury Park
undated
26
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
27
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
28
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
29
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
30
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
31
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
32
Edward Francis Burney, 1760–1848
Wedding of a God
undated
33
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
34
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
35
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
36
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
37
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
38
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
39
Peter Casteels, 1684–1749
Feeding Ducks
undated
40
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
41
Edward Francis Burney, 1760–1848
Elevation of a House
undated
42
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
43
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
44
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
45
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
46
Frederick Catherwood, 1799–1854
Mountain Road
undated
47
Thomas Crofton Croker, 1798–1854
Houses at Kilmallock
undated
48
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
49
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
50
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
51
James Lewis, 1751–1820
Design for a Country House
undated
52
Aubrey Vincent Beardsley, 1872–1898
Salome on Settle, The Conductor
between 1892 and 1898
53
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
54
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
55
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
56
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
58
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
61
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
62
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
63
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
64
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
65
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
66
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
67
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
68
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
69
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
70
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
71
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
72
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
73
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
74
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
75
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
76
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
77
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
78
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
79
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
80
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
81
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
82
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
83
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
84
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
85
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
86
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
87
Colin Sorensen, active 1964–2001
Two Studies of Clare College
1964
88
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
89
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
90
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
92
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
93
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
94
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
95
unknown artist
Grave of the Supposed William Lyndewode
1852
96
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
97
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
98
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords