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Credit Line Yale Center for British Art, Paul Mellon Fund

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Francis Danby Chepstow Castle on the Wye
Francis Danby, 1793–1861
Chepstow Castle on the Wye
undated
Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Francis Danby A Classical City
Francis Danby, 1793–1861
A Classical City
undated
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
Joseph Mallord William Turner Gloucester Cathedral
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
William Blake Rev. John Caspar Lavater (1787-1801)
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Copy of the Laocoön, for Rees's Cyclopædia
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
George Romney Figure Composition Study 3
George Romney, 1734–1802
Figure Composition Study 3
undated
George Romney Figure Composition Study 6
George Romney, 1734–1802
Figure Composition Study 6
undated
George Romney Figure Composition Study 7
George Romney, 1734–1802
Figure Composition Study 7
undated
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Figure Composition Study 5
George Romney, 1734–1802
Figure Composition Study 5
undated
George Romney Figure Composition Study 11
George Romney, 1734–1802
Figure Composition Study 11
undated
George Romney Figure Composition Study 21 with a Face
George Romney, 1734–1802
Figure Composition Study 21 with a Face
undated
George Romney Figure Composition Study 26
George Romney, 1734–1802
Figure Composition Study 26
undated
George Romney Figure Study 3
George Romney, 1734–1802
Figure Study 3
undated
George Romney Figure Composition Study 29
George Romney, 1734–1802
Figure Composition Study 29
undated
George Romney Figure Composition Study 31
George Romney, 1734–1802
Figure Composition Study 31
undated
George Romney Figure Composition Study 32
George Romney, 1734–1802
Figure Composition Study 32
undated
George Romney Figure Composition Study 33
George Romney, 1734–1802
Figure Composition Study 33
undated
George Romney Study of a Male Figure
George Romney, 1734–1802
Study of a Male Figure
undated
George Romney Figure Composition Study 35
George Romney, 1734–1802
Figure Composition Study 35
undated
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
undated
George Romney Figure Composition Study 47
George Romney, 1734–1802
Figure Composition Study 47
undated
George Romney Figure Composition Study 46
George Romney, 1734–1802
Figure Composition Study 46
undated
George Romney Figure Composition Study 40
George Romney, 1734–1802
Figure Composition Study 40
undated
George Romney Figure Composition Study 41
George Romney, 1734–1802
Figure Composition Study 41
undated
George Romney Figure Composition Study 42
George Romney, 1734–1802
Figure Composition Study 42
undated
George Romney Figure Composition Study 48
George Romney, 1734–1802
Figure Composition Study 48
1793
George Romney Figure Composition Study 1
George Romney, 1734–1802
Figure Composition Study 1
1794
George Romney Figure Composition Study 43
George Romney, 1734–1802
Figure Composition Study 43
undated
George Romney Figure Composition Study 44
George Romney, 1734–1802
Figure Composition Study 44
undated
George Romney Male Head 1
George Romney, 1734–1802
Male Head 1
undated
George Romney Figure Composition Study 12
George Romney, 1734–1802
Figure Composition Study 12
undated
George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
George Romney Figure Composition Study 22
George Romney, 1734–1802
Figure Composition Study 22
undated
George Romney Figure Composition Study 23
George Romney, 1734–1802
Figure Composition Study 23
undated
George Romney Figure Composition Study 24
George Romney, 1734–1802
Figure Composition Study 24
undated
George Romney Figure Composition Study 28
George Romney, 1734–1802
Figure Composition Study 28
undated
Spencer Frederick Gore Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
Spencer Frederick Gore Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
Spencer Frederick Gore Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
Spencer Frederick Gore Cave of the Golden Calf: Study for Deer Hunting Mural
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
Spencer Frederick Gore Cave of the Golden Calf: Study for Mural
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
John Robert Cozens Spruce Fir
Print made by John Robert Cozens, 1752–1797
Spruce Fir
1789
John Robert Cozens Palm
Print made by John Robert Cozens, 1752–1797
Palm
1789
John Robert Cozens Elm
John Robert Cozens, 1752–1797
Elm
1789
David Cox The Junction of the Severn and the Wye with Chepstow in the Distance
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
Barbara Bodichon Sketchbook
Barbara Bodichon, 1827–1891
Sketchbook
1861
unknown artist Study of an Antique Head
unknown artist
Study of an Antique Head
undated
John Robert Cozens Oak
Print made by John Robert Cozens, 1752–1797
Oak
1789
John Robert Cozens Willow
Print made by John Robert Cozens, 1752–1797
Willow
1789
James T. Willmore Byron's Dream
James T. Willmore, 1800–1863
Byron's Dream
1833
unknown artist Johnny MacCree in the Dumps
unknown artist
Johnny MacCree in the Dumps
undated
Hugh William "Grecian" Williams View of the Forum in Rome
Hugh William "Grecian" Williams, 1773–1829
View of the Forum in Rome
1828
George Fennell Robson St. Paul's from Southwark by Sunset
George Fennell Robson, 1788–1833
St. Paul's from Southwark by Sunset
ca. 1832
Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere
Dante Gabriel Rossetti, 1828–1882
Illustration to the Maids of Elfen-Mere
1854
John Le Capelain Figure Seated by a Stream at Sunset
John Le Capelain, 1812–1848
Figure Seated by a Stream at Sunset
undated
Edward Radclyffe Peat-Gatherers
Print made by Edward Radclyffe, 1809–1863
Peat-Gatherers
undated
Edward Radclyffe Lancaster Sands
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
Richard Westall Moses Striking the Rock (Numbers 20:11)
Richard Westall, 1765–1836
Moses Striking the Rock (Numbers 20:11)
before 1835
William Dickinson Mrs. Mathew
Print made by William Dickinson, 1746–1823
Mrs. Mathew
1780
Francesco Bartolozzi William Murray First Earl of Mansfield
Print made by Francesco Bartolozzi, 1728–1815
William Murray First Earl of Mansfield
1786
Valentine Green Sir Joshua Reynolds
Print made by Valentine Green, 1739–1813
Sir Joshua Reynolds
1780
William Dickinson Lady Charles Spencer
Print made by William Dickinson, 1746–1823
Lady Charles Spencer
1776
Francesco Bartolozzi Lavinia, Countess Spencer, Viscountess Althorp
Print made by Francesco Bartolozzi, 1728–1815
Lavinia, Countess Spencer, Viscountess Althorp
1787
Charles Turner Age of Innocence
Print made by Charles Turner, 1774–1857
Age of Innocence
1836
John Jones Caleb Whitefoord, F.R.S., F.S.A.
Print made by John Jones, ca. 1745–1797
Caleb Whitefoord, F.R.S., F.S.A
1793
John Dean Elizabeth, Countess of Derby
Print made by John Dean, 1754–1798
Elizabeth, Countess of Derby
1780
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
Henry Thomas Alken The Justice
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
Cornelis Apostool Here Nature List'ning Stood
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
unknown artist The Young Roscius
Print made by unknown artist
The Young Roscius
1804
John Doyle ('H.B.') A Great Actor between Tragedy and Comedy
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
William Bromley David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
James Faed Sr. Shakespeare in His Study
James Faed Sr., 1821–1911
Shakespeare in His Study
1859
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
George Cruikshank Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
John W. Gear Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
Print made by John W. Gear, 1806–1866
Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
undated
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
Francis Legat "King Lear", Act V, Scene III
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
Benjamin Smith "Tempest", Act I, Scene I
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
John Augustus Atkinson Costume of the Reign of King Henry III, 1250
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
John Augustus Atkinson Military Costumes of the Reign of King Henry VI, 1447
Print made by John Augustus Atkinson, 1775–1831
Military Costumes of the Reign of King Henry VI, 1447
1812
unknown artist S. Maria Magdalena
Print made by unknown artist
S. Maria Magdalena
undated
Charles Turner Branch of the Meuse, Liege
Print made by Charles Turner, 1774–1857
Branch of the Meuse, Liege
undated
Nathaniel Hone Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
Print made by Nathaniel Hone, 1718–1784
Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
1772