Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
2
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
3
James Lewis, 1751–1820
Design for a Country House
undated
4
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
5
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
6
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
7
Thomas Stothard, 1755–1834
Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
undated
8
William Collins, 1788–1847
Dartmouth
undated
9
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
10
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
11
Edward Francis Burney, 1760–1848
The Arts
undated
12
Edward Francis Burney, 1760–1848
Pastoral
undated
13
Edward Francis Burney, 1760–1848
Erato and Pan
undated
14
Edward Francis Burney, 1760–1848
Fools Planting a Tree
undated
15
Edward Francis Burney, 1760–1848
Theatrical Scene
undated
16
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
17
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
18
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
19
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
20
Edward Francis Burney, 1760–1848
Pamphilia
undated
21
Edward Francis Burney, 1760–1848
Bacchanalia
undated
22
Edward Francis Burney, 1760–1848
Vulcan and The Gods and Goddesses
undated
23
Edward Francis Burney, 1760–1848
Gross Study for St. Paul at Ephesus
undated
24
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
25
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
26
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of Indians
undated
27
Edward Francis Burney, 1760–1848
Venus and Cupid
undated
28
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
29
Charles Hamilton Smith, 1776–1859
Porch with Statuary, Easton Neston, Northants
undated
30
Charles Hamilton Smith, 1776–1859
Hall, Easton Neston, Northants
undated
31
Edward Francis Burney, 1760–1848
Horse Cart
undated
32
Edward Francis Burney, 1760–1848
Pastural
undated
33
Edward Francis Burney, 1760–1848
Country House
undated
34
Edward Francis Burney, 1760–1848
Chepstow Castle
undated
35
Edward Francis Burney, 1760–1848
The Boatman
undated
36
Edward Francis Burney, 1760–1848
Road in the Forest
undated
37
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
38
Edward Francis Burney, 1760–1848
Richmond
undated
39
Edward Francis Burney, 1760–1848
View at Margate
undated
40
Edward Francis Burney, 1760–1848
Thatched-roof Barn
undated
41
Edward Francis Burney, 1760–1848
View at Margate
undated
42
Edward Francis Burney, 1760–1848
Norbury Park
undated
43
Edward Francis Burney, 1760–1848
The Bridge
undated
44
Edward Francis Burney, 1760–1848
View near Bristol
undated
45
Edward Francis Burney, 1760–1848
Elevation of a House
undated
46
Edward Francis Burney, 1760–1848
View near Bristol
undated
47
Edward Francis Burney, 1760–1848
Watley
undated
48
Edward Francis Burney, 1760–1848
Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard
undated
49
Edward Francis Burney, 1760–1848
Musicians
undated
50
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
51
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
52
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
53
Peter La Cave, active 1769–1810
Mountain Landscape: with cows and goats foreground and figures, left
1801
54
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
55
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
56
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
57
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
58
Peter Casteels, 1684–1749
Feeding Ducks
undated
59
Thomas Stothard, 1755–1834
Tree Study
undated
60
Thomas Stothard, 1755–1834
Back of Naked Figure
undated
61
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
62
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
63
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
64
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
65
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
66
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
67
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
68
unknown artist
A Carriage
1825
69
Attributed to Leonard Raven-Hill, 1867–1942
A Riding Mishap—a gentleman is sitting on the ground after being thrown from his horse
undated
70
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
71
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
72
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
73
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
74
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
75
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
76
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
77
unknown artist
Peers' Entrance
undated
78
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
79
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
80
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
81
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
82
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
83
Philip William May, 1864–1903
The Dog Cart
undated
84
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
85
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
86
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
87
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
88
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
89
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
90
unknown artist
Survey view of a lobby, Palace of Westminster
undated
91
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
92
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
93
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
94
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
95
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
96
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
97
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
98
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
99
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
100
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard