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Materials & Techniques colored ink

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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

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Subject Terms men

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Search Results

Robert Isaac Cruikshank Dandies Having a Treat
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
George Cruikshank Specimens of Waltzing
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
George Cruikshank Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
Print made by George Cruikshank, 1792–1878
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
1835
Robert Isaac Cruikshank A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
Print made by Robert Isaac Cruikshank, 1789–1856
A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
1824
George Cruikshank Monstrosities of 1822 - Pt. 5
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
Robert Isaac Cruikshank Monstrosities of 1827
Print made by Robert Isaac Cruikshank, 1789–1856
Monstrosities of 1827
1835
George Cruikshank Traveling in France -or, -Le départ de la diligence
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
George Cruikshank Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!
Print made by George Cruikshank, 1792–1878
Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!
1835
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
Bradshaw & Blacklock Double Hairpin Set
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
Bradshaw & Blacklock Eight colour prints
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
Bradshaw & Blacklock Hampton Court
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
Bradshaw & Blacklock Eaton Hall
Print made by Bradshaw & Blacklock, active ca.1850
Eaton Hall
after 1850
Bradshaw & Blacklock Newstead Abbey
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
Bradshaw & Blacklock Oriental Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Oriental Scenes
after 1850
Bradshaw & Blacklock Rural Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Rural Scenes
after 1850
Bradshaw & Blacklock Osborne House
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Chepstow Castle
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
George Baxter The Death of Ananias
after George Baxter, 1804–1867
The Death of Ananias
after 1855
George Baxter The Conversion of the Proconsul
Print made by George Baxter, 1804–1867
The Conversion of the Proconsul
after 1855
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
George Cruikshank Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
Robert Havell View of the Front of the New Public Buildings, Guildford
Print made by Robert Havell, 1769–1832
View of the Front of the New Public Buildings, Guildford
1819
James Gillray Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
James Gillray Presages of the Millenium
James Gillray, 1756–1815
Presages of the Millenium
1795
James Gillray Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
John Hassell Clapham Manor-House, Surry
John Hassell, 1767–1825
Clapham Manor-House, Surry
between 1804 and 1822
James Gillray Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
Robert Havell View of the Old Corn Market and Tuns Inn, Guildford
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
Henry William Bunbury The Battle of the Cataplasm
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
Henry William Bunbury The Damnation of Obadiah
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
George Cruikshank Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
George Cruikshank Frontispiece: The Progress of a Midshipman
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
Francesco Bartolozzi Evening
Print made by Francesco Bartolozzi, 1728–1815
Evening
undated
Bradshaw & Blacklock Ben Nevis
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
Bradshaw & Blacklock Turkish Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Turkish Scenes
after 1850
Bradshaw & Blacklock Country Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Country Scenes
after 1850
Bradshaw & Blacklock Greek set
Bradshaw & Blacklock, active ca.1850
Greek set
after 1850
Francesco Bartolozzi March
Print made by Francesco Bartolozzi, 1728–1815
March
1793
Francesco Bartolozzi February
Print made by Francesco Bartolozzi, 1728–1815
February
1793
Francesco Bartolozzi June
Print made by Francesco Bartolozzi, 1728–1815
June
1789
Isaac Cruikshank An Abyssinian Breakfast
Print made by Isaac Cruikshank, 1764–1811
An Abyssinian Breakfast
1791