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Materials & Techniques etching (printing process)

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Materials & Techniques wove paper

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On-site Access Accessible by appointment in the Study Room

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Genre landscape

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Search Results

George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
Edward Radclyffe Lancaster Sands
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
William Byrne A View in the Villa Madama, near Rome, called II Teatro
William Byrne, 1743–1805
A View in the Villa Madama, near Rome, called II Teatro
1765
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
John Augustus Atkinson Military Costumes of the Reign of King Henry VI, 1447
Print made by John Augustus Atkinson, 1775–1831
Military Costumes of the Reign of King Henry VI, 1447
1812
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
Henry Dawe River Meuse
Print made by Henry Dawe, 1790–1848
River Meuse
undated
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
Thomas Higham Red-Scar, the Residence of William Cross, Esquire
Thomas Higham, 1796–1844
Red-Scar, the Residence of William Cross, Esquire
1832
Edward Radclyffe Calais Pier
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
William Hincks Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
James C. Allen Penzance, Cornwall
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
Matthew Dubourg Grouse Shooting
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
John Corner Sir Godfrey Kneller
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
John Crome Front of the New Mills
Print made by John Crome, 1768–1821
Front of the New Mills
1813
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Bradshaw & Blacklock Osborne House
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
George Baxter George Pritchard, Her Britannic Majesty's Consul
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
George Baxter The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Print made by George Baxter, 1804–1867
The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
1841
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Thomas Creswick Moonlight
Print made by Thomas Creswick, 1811–1869
Moonlight
1839
John Crome Back of the New Mills, Norwich
Print made by John Crome, 1768–1821
Back of the New Mills, Norwich
1812
Thomas Creswick The Blacksmith's Shop
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
Richard Earlom A Landscape, with the Story of Europa
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Europa
1802
John Burnet Buckingham House, St. James' Park
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
John Cousen Manse and Church of Cults, the Birthplace of Wilkie
John Cousen, 1804–1880
Manse and Church of Cults, the Birthplace of Wilkie
undated
William Angus Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.
Print made by William Angus, 1752–1821
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
undated
S. T. Davies Lincoln from the River Witham
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
William Angus Witley Court in Worcestershire, the Seat of Lord Foley
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
Benjamin Comte Tynemouth Castle and Priory, Northumberland
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
William Birch A View in Kew Gardens
William Birch, 1755–1834
A View in Kew Gardens
1789
William John Cooke Worcester
Print made by William John Cooke, 1797–1865
Worcester
undated
Agostino Brunias A Cudgelling Match between English and French Negroes in the Island of Dominica
Print made by Agostino Brunias, 1728–1796
A Cudgelling Match between English and French Negroes in the Island of Dominica
1779
Vincent Robert Alfred Brooks Ten Needle-Box Prints
Print made by Vincent Robert Alfred Brooks, 1814–1885
Ten Needle-Box Prints
undated
Charles Grignion A View from Richmond Hill Up the River
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
David Allan Patie Rebukes Roger
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808