"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
202
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
203
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
204
Archibald Thorburn, 1860–1935
Hounds: "Seagull"
1878
205
Archibald Thorburn, 1860–1935
Hounds: "Fleur" and "Frogmore"
1878
206
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
207
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
208
William Haydon Fuge, active ca. 1849–1866
Archdeacon Forster
1853
209
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
210
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
211
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
212
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
213
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
214
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
215
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
216
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
217
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
218
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
219
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
220
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
221
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
222
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
223
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
224
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
225
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
226
unknown artist
Studies of a Sleeping Lion
undated
227
unknown artist
Head of a Male Lion
undated
228
unknown artist
Head of a Leopard
undated
229
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
230
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
231
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
232
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
233
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
234
James Seymour, 1702–1752
Coursing - After the Kill
undated
235
James Ward, 1769–1859
Head of a Tiger
undated
236
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
237
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
238
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
239
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
240
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
241
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
242
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
243
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
244
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
245
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
246
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
247
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
248
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
249
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
250
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
251
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
252
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
253
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
254
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
255
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
256
unknown artist
Study of a Lion, Resting
undated
257
James Ward, 1769–1859
A Young Boy with Dogs
ca. 1798
258
Jan Wyck, ca. 1645–1700
Hare Hunting: The Kill
undated
259
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
260
Giles Hussey, 1710–1788
Album of 36 Drawings Selected by Benjamin West, P.R.A
between 1730 and 1768
261
Marcellus Laroon the Younger, 1679–1772
A Youth Carrying a Basket
undated
262
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
263
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
264
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
265
unknown artist
Study of a Female Bust
ca. 1769
266
John Downman, 1750–1824
Portrait of a Lady
undated
267
Sir Thomas Lawrence, 1769–1830
A Life Drawing
ca. 1789
268
Richard Cosway, 1742–1821
Christ Blessing Little Children
undated
269
Richard Cosway, 1742–1821
Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood
undated
270
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
271
Sawrey Gilpin, 1733–1807
Study of a tiger
undated
272
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
273
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
274
William Daniell, 1769–1837
John Singleton Copley
between 1804 and 1814
275
Philippe Mercier, 1689 or 1691–1760
Seated Woman with a Book
1725
276
Sir Thomas Lawrence, 1769–1830
Sir Francis Burdett
After 1808
277
John Robert Cozens, 1752–1797
Isola Borromea, Lago Maggiore
ca. 1783
278
Johan Joseph Zoffany, 1733–1810
Elephants Fighting
between 1784 and 1788
279
Richard Cosway, 1742–1821
Mrs. Cosway as the Milkmaid
undated
280
Richard Cosway, 1742–1821
Flight into Egypt
undated
281
John Downman, 1750–1824
Miss Nott
1789
282
John Downman, 1750–1824
Miss Campbell
1803
283
John Downman, 1750–1824
Portrait of a Lady, Facing Left
undated
284
attributed to John Downman, 1750–1824
Portrait of a Girl Holding a Garland
undated
285
unknown artist
Portrait of a Young Woman
between 1680 and 1685
286
Sir Peter Lely, 1618–1680
Drawing of Hands
1650s-1660s
287
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
288
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
289
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
290
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
291
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
292
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
293
Attributed to Augustin Heckel, 1690–1770
Two Columns with a Head of a Woman and a Grotesque Head