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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperDate 1827
Remove constraint Date: 1827Period 19th century
Remove constraint Period: 19th centuryImage Use Free to Use
Remove constraint Image Use: Free to UseSearch Results
1
- Study for "The Golden Age"
- 1827
2
- Sky Study with Rainbow
- 1827
3
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
4
- Carlisle
- ca. 1832
5
- Entrance to the Port of Marseille
- undated
6
- Venice, the Doge's Palace
- undated
7
- English Country Town
- undated
8
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
9
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
10
- People on the Road Near Kalicut, Malabar
- undated
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
11
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
12
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
13
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
14
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
15
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
16
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
17
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
18
- The Bridge at Llangollen
- undated
19
- Music: Composition in a Garden
- ca. 1832
20
- The Bridge
- undated
21
- Sketch of Boatmen on the Shore, Ships in the Distance
- 1827
22
- Trees and a Cottage by a River
- 1827
23
- A Capriccio of Windsor Castle
- 1827
24
- Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
- 1827
25
- Shepherd and Shepherdess by Moonlight
- undated
26
- River Tamar, near Endsleigh, Devon
- ca. 1832
27
- The Via Mala
- 1827
28
- The Valley of Lutscheuen
- 1827
29
- Farm Buildings
- undated
30
- Study of a Rustic Interior Scene
- undated
31
- St. Goarhausen on the Rhine between Koblenz and Mainz
- 1827
32
- Tyrolese Hunters
- between 1827 and 1828
33
- Design for London Bridge Approach
- between 1827 and 1835
34
- Sketches of Towns People
- 1827
35
- Study of a Gentleman in 17th Century Costume
- between 1827 and 1828
36
- The Custom House
- 1827
37
- Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
- undated
38
- Chapel of the Archbishop's Palace, Croydon: View from the East End
- 1827
39
- Designs for a Baptismal Font and a Tabernacle
- undated
40
- Design for Inkstand for Westminster No. 1, End Elevation
- undated
41
- Designs for Gothic Hinges, Keyplates and Doorstraps
- undated
42
- St. Giles' Catholic Church: Elevation of the Steeple
- undated
43
- Design for Branch for the Speaker's Chair
- undated
44
- Designs for Gothic Tables
- undated
45
- Sketch of the Interior of a Gothic Church
- undated
46
- Interior of a Gothic Church
- undated
47
- Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
- undated
48
- Sketch of a Gothic Church
- undated
49
- Place Royale, Paris
- undated
50
- St. Paul's from Southwark by Sunset
- ca. 1832
51
- Florence
- 1827
52
- Square in the Village of Los Silos, Tenerife
- 1827
53
- Florence
- 1827
54
- The Custom House
- 1827
55
- Figures on a Beach
- after 1827
56
- Design for an Unidentified House: Elevations and Plans
- undated
57
- Designs for Gothic Ornamentation
- undated
58
- Designs for Gothic Candle Sticks and Branches
- undated
59
- Designs for Gothic Ornamentation
- undated
60
- Interior of a Gothic Church
- undated
61
- Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
- undated
62
- Sketch of a Gothic Church and Monastery
- undated
63
- Designs for Gothic Ornamentation
- undated
64
- Design for Gothic Ornamentation
- undated
65
- Sketch of a Gothic Church
- undated
66
- Design for a Stained Glass Window
- undated
67
- Unidentified Townhouse in a Gothic Style
- undated
68
- Design for a Coat of Arms
- undated
69
- Bishop's Chapel Bishop Eton (built c. 1845-1850)
- undated
70
- Self-Portrait of the Artist Reclining on a Gothic Couch Reading a Book
- 1827
71
- Design for London Bridge Approach
- between 1827 and 1835
72
- Advanced Guard - Sunrise
- ca. 1832
73
- Study of a Cottage by a lane
- undated
74
- A Mountain Torrent
- undated
75
- Old London Bridge and Vicinity
- 1827
76
- Walton Bridge on Thames, Surrey
- 1827-1838
77
- Temple of Minerva, Cape Colonna
- ca. 1832
78
- Buckfastleigh Abbey, Devonshire
- 1827
79
- A Sailing Barge being loaded with Hay, December 1827
- 1827
80
- View from the Round Tower, Windsor Castle
- 1827
81
- Extravaganza's of 1827
- 1827
82
- Raglan Castle, Monmouthshire, Wales: Plan of Hall
- undated
83
- Raglan Castle, Monmouthshire, Wales: Preliminary Plan of Dungeon
- undated
84
- Raglan Castle, Monmouthshire, Wales: Details
- undated
85
- Bishop's Palace, Wells, Somerset: Elevation of the Great Hall
- undated
86
- Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
- undated
87
- Title page for volume of drawings
- undated
88
- Miniyeh, (El Minya)
- undated
89
- Young Fisherman
- undated
90
- Campos sur les bords du Rio das Velhas
- 1827
91
- Croix de Moulin les Planches
- 1827
92
- Pierre de Vaivre
- 1827
93
- Hare in a Landscape
- 1827
94
- Vue Generale des Ruines du Château d'Arlay
- 1827
95
- Ruines de Château d'Arlay
- 1827
96
- Joshua Commanding the Sun to Stand Still
- 1827
97
- Aldborough, Suffolk
- 1827
98
- Orford, Suffolk
- 1827
99
- Tooting Church
- 1827
100
- York House: Plan of Principle Floor
- 1827