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Collection Prints and Drawings
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1
- A Sussex Barn
- 1908
2
- Rome from San Spirito
- undated
3
- Death of the Doe
- 1817
4
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
5
- A Rake's Progress, Plate V: He Marries
- 1735
6
- The Enraged Musician
- 1741
7
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
8
- Analysis of Beauty, Plate II: A Country Dance
- 1753
9
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
10
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
11
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
12
- The Enraged Musician
13
- The Deluge
- between 1813 and 1823
14
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
15
- Corpo di Cava, 28 June 1838
- 1838
16
- Val di Roppa, Corfu, 22 May 1868
- 1868
17
- Santa Decca, Corfu, 28 May 1848 (126)
- 1848
18
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
19
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
20
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
21
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
22
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
23
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
24
- "Visions of the Daughters of Albion", London, by William Blake
- 1793
25
- Joseph and Potiphar's Wife
- 1803 to 1805
26
- Prison Scene
- undated
27
- Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
- undated
28
- Howard Visiting a Prison
- between 1749 and 1802
29
- Howard Visiting a Prison
- undated
30
- Tom Hayley and William Meyer
- between 1749 and 1802
31
- Notes at an Irish Election
- undated
32
- The Amphitheater at Nimes
- undated
33
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
34
- View of Westminster Hall and Abbey from the Bridge
- 1818
35
- Mount Palatine
- 1783
36
- Head of a Woman (The Artist's First Wife?)
- undated
37
- Deposition
- 1910
38
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
39
- Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
- ca. 1690
40
- Peep Show / 42 Street
- undated
41
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- between 1720 and 1735
42
- Cottage
- undated
43
- Drifting
- undated
44
- Study of a Lioness
- ca. 1824
45
- Self-Portrait
- ca. 1730
46
- The Acacia Tree - Figures in a Park
- undated
47
- Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
- ca. 1775
48
- Mrs. William Wilberforce and Child
- 1824
49
- Design for an Unidentified Gothic Structure
- undated
50
- Apollo and Daphne
- between 1770 and 1799
51
- Old Church and House
- undated
52
- Classical Landscape
- undated
53
- A Sportsman Loading His Gun
- undated
54
- Landscape with Cottage and Figures on Horseback
- 1793
55
- Ruskin's Residence, "Brandtwood", from Lake Coniston
- undated
56
- A Regency House
- undated
57
- The Picnic
- undated
58
- Unidentified Country House
- between 1700 and 1715
59
- High Cliff Castle (Hants)
- undated
60
- The Wreck of the Apollo Frigate, 1803
- undated
61
- Rocky Landscape
- undated
62
- The Keep and Gate, Ludlow Castle, Shropshire
- undated
63
- Unidentified Country House: Ground Floor Plan
- undated
64
- Hartwell, Buckinghamshire
- 1833
65
- The Dilkoosha, Lucknow in the Distance
- 1866
66
- Study for the View of Cambridge from Castle Hill
- undated
67
- Dust Storm Coming On, near Jeypore, Rajpootana
- 1863
68
- Memorial to Lady Caroline Adair, her two children, Caroline and Amelia and her husband Robert Adair form Acton Church
- between 1796 and 1811
69
- Epitaph to Richard Candish from Hornsey Church
- between 1796 and 1811
70
- Font and Memorial to John Carter from Hornsey Church
- between 1796 and 1811
71
- Brass Plate for George Ray from Hornsey Church
- between 1796 and 1811
72
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
73
- Margate
- 1767
74
- Interior at Dalmally, Scotland
- 1850
75
- Katherine Mansfield
- between 1910 and 1915
76
- Le Port de Rochefort: Vu Du Point A Marque sur le Plan
- undated
77
- Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
- 1789
78
- Portrait of a Man in a Full Bottomed Wig and Yellow Brocade Coat
- ca. 1680
79
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
80
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
81
- Illustration to Tonson's Ovid Metamorphis (four of four)
- ca. 1710
82
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
83
- Samuel Palmer
- 1830
84
- Caricature of George Bubb Dodington and Sir Thomas Robinson
- ca. 1761
85
- View from Craig-y-Barns, Dunkeld, Looking South
- 1855
86
- General Joseph Sabine
- undated
87
- Memorial to Henry Dixon and Barbara, his Wife from Enfield Church
- between 1796 and 1811
88
- Memorial to Anthony and Katherine Nourse from Fulham Church
- between 1796 and 1811
89
- Memorial to Thomas Bonde from Fulham Church
- between 1796 and 1811
90
- Brass Plate for William and Jane Smith from Enfield Church
- between 1796 and 1811
91
- Memorial to Samuel Buckley, also to Burrage and Elizabeth Angler
- between 1796 and 1811
92
- Memorial to Hannah Towers, Samuel Towers and Five of their Children
- between 1796 and 1811
93
- Ullswater, Cumberland
- 1835
94
- The Monument of Thomas Fiennes
- undated
95
- Warwick: The Town and Castle from the Priory Gardens
- undated
96
- L'Orient 1776: Map of the Port of Orient
- 1776
97
- Le Havre and Le Manche: A Map of Le Havre
- undated
98
- Rochefort 1776
- 1776
99
- Dieppe
- undated
100
- He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
- ca. 1780