<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Genre genre subject

Remove constraint Genre: genre subject

Image Use Free to Use

Remove constraint Image Use: Free to Use

Subject Terms labor

Remove constraint Subject Terms: labor

Classification Prints

Remove constraint Classification: Prints

Search Results

1. The Weary Ploughman

The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:
Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Harvest under a Crescent Moon

Harvest under a Crescent Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
ca. 1826
Materials & Techniques:
Wood engraving on thin, smooth, cream laid paper
Dimensions:
Sheet: 5 13/16 x 5 1/4 inches (14.8 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Sleeping Shepherd

The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Weary Ploughman

The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Marine Study No. 1

Marine Study No. 1
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1773
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 13 7/8 inches (31.2 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Marine Study No. 4

Marine Study No. 4
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1773
Materials & Techniques:
Line engraving and etching on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 13 15/16 inches (31.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Bath: The New Bridge

Bath: The New Bridge
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderatelty thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Clare Hall

Clare Hall
Creator:
Print made by John Bluck, active 1791–1831
Date:
1814
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Part of Waterloo Bridge with the Shot Tower, &c.

Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Quayside, Notre Dame in Distance

Quayside, Notre Dame in Distance
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/16 x 19 15/16 inches (34.2 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. An Old English Mill

An Old English Mill
Creator:
Myles Birket Foster, 1825–1899
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, beige card
Dimensions:
Sheet: 12 3/4 × 9 inches (32.4 × 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Moonlight

Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/8 inches (37.5 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Penzance, Cornwall

Penzance, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1833
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A Strong Case for Shortening the Hours of Labour

A Strong Case for Shortening the Hours of Labour
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by Day & Co., 1824–1913
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Crofton

Crofton
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 9/16 x 17 3/16 inches (29.4 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Young Male Shearing a Sheep

Young Male Shearing a Sheep
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Housewife's Employment

The Housewife's Employment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 10 3/16 inches (36.3 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The West India Washer-Women

The West India Washer-Women
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 13/16 x 13 1/8 inches (50.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Castles in England

Castles in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Front of the New Mills

Front of the New Mills
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Campos sur les bords du Rio das Velhas

Campos sur les bords du Rio das Velhas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Ruines de Château d'Arlay

Ruines de Château d'Arlay
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Rue du Gros Horloge

Rue du Gros Horloge
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Eight Rural Subjects

Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Clifton Spring and Woods near Maidenhead

Clifton Spring and Woods near Maidenhead
Creator:
Robert Havell, 1769–1832
Date:
1818
Materials & Techniques:
Aquatint, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 × 19 1/2 inches (35.6 × 49.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Domestick Employment Ironing

Domestick Employment Ironing
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
ca. 1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 11 1/8 inches (40 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Moonlight

Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 15 3/4 inches (30.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Evening

Evening
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Blacksmith's Shop

The Blacksmith's Shop
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1838
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Scytheman's Refreshment

The Scytheman's Refreshment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 10 1/4 inches (36.1 x 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Noon

Noon
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 21 1/4 inches (38.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. An Old Hanse Town

An Old Hanse Town
Creator:
Print made by Axel Herman Haig, 1835–1921
Date:
undated
Materials & Techniques:
Drypoint and etching on thick, smooth, beige wove paper
Dimensions:
Sheet: 12 7/16 × 9 1/16 inches (31.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Supposed Colloquy between a Top Sawyer and his Brother Labourer

Supposed Colloquy between a Top Sawyer and his Brother Labourer
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1843
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 11/16 x 11 13/16 inches (44.9 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Man Chopping Wood

Man Chopping Wood
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 9/16 x 8 3/4 inches (14.1 x 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Yarmouth, Norfolk

Yarmouth, Norfolk
Creator:
Edward Francis Finden, 1791–1857
Date:
1837
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Warwick Castle

Warwick Castle
Creator:
Print made by James Fittler, 1758–1835
Date:
1780
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 x 12 5/16 inches (24.6 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Baskerville House, the Residence of John Ryland, Esq.

Baskerville House, the Residence of John Ryland, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 10 3/8 inches (21.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Horseman Fording a Stream with Cattle

Horseman Fording a Stream with Cattle
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 13/16 x 8 13/16 inches (14.8 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The West India Flower Girl

The West India Flower Girl
Creator:
Print made by Louis Charles Ruotte, 1754–ca. 1806
Date:
undated
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/4 × 9 7/16 inches (31.1 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Cloisters of Worcester Cathedral

Cloisters of Worcester Cathedral
Creator:
John Greig, active 1803–1853
Date:
1807
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 13/16 inches (9.8 × 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Bedford from the North

Bedford from the North
Creator:
Print made by Henry Burn, active 1845
Date:
ca. 1840
Materials & Techniques:
Hand-colored lithograph on moderately thick cream card
Dimensions:
Sheet: 12 7/8 x 19 13/16 inches (32.7 x 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Hotel de Sens, Paris

Hotel de Sens, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1830
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/2 x 13 1/8 inches (49.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. A French Physician with His Retinue Going to Visit His Patients

A French Physician with His Retinue Going to Visit His Patients
Creator:
Print made by James Caldwall, 1739–1819
Date:
1771
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 1/16 x 13 3/4 inches (28.1 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Greyfriars Tower, Lynn, as it appeared 1801

The Greyfriars Tower, Lynn, as it appeared 1801
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Oyster Woman

The Oyster Woman
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 9 15/16 inches (36.9 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Brook

The Brook
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 3 7/16 x 4 7/16 inches (8.7 x 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Crofton

Crofton
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. New Steine and Rock Gardens

New Steine and Rock Gardens
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Weary Ploughman

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. July

No cover image available
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching, hand colored on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/4 x 13 1/4 inches (41.2 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Country Scenes

No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:
Image: 2 3/4 x 7/8 inches (7 x 2.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection