The East Front of the Library of Trinity College in the University of Cambridge
1800
5
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
6
Thomas Malton the Younger, 1748–1804
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
7
Richard Earlom, 1743–1822
Embassy of Hyderbeck to Calcutta
1800
8
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
9
Thomas Malton, 1726–1801
Lleweney Bleach Works
1798
10
unknown artist
A View of St. Katharine's Dock in the Month of January, 1828
1828
11
Henry Cave, 1780–1836
York, the Old Bridge and St. William's Chapel
1820
12
James Godby, 1767–1849
The Drinking Well in Hyde Park
1802
13
Print made by Joseph Wood, 1720–1763 or 1764
The View from One Tree Hill in Greenwich Park
1744
14
Robert Adam, 1728–1792
Headfort House: Lady's Room Ceiling
1772
15
Print made by Samuel William Reynolds, 1773–1835
Death of Captain Alexander Hood
1798
16
Richard Woodman, 1784–1859
Hare Hunting and Coursing: His Majesty's Harriers
1815
17
William Bernard Cooke, 1778–1855
[Racing] Hap-Hazard. The Property of the Rt. Hon. the Earl of Darlington
1805
18
unknown artist
Deepdene, South West Front Elevation
1841
19
Samuel Davis, 1760–1819
Tassisudon
1783
20
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
21
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
22
Print made by John Murphy, ca. 1748–1820
The Encampment at Brighton
1796
23
Print made by James Ward, 1769–1859
John Dunning, 1st Baron Ashburton, with Colonel Isaac Barre and William Petty, 2nd Earl of Shelburne, Marquis of Lansdowne
1847
24
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
25
Print made by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1811
26
Willem van de Velde the Younger, 1633–1707
An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
27
Richard Earlom, 1743–1822
Labourers
1790
28
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
29
Print made by James T. Willmore, 1800–1863
Ancient Italy - Ovid Banished from Rome
1842
30
Print made by Daniel Wilson, 1816–1892
Ancient Carthage - The Embarcation of Regulus
1840
31
Lawrence Josset, 1910–1995
The Drummond Family
1960
32
unknown artist
Pile Driving on the Banks of the Thames
undated
33
Lawrence Josset, 1910–1995
The Drummond Family
1960
34
Lawrence Josset, 1910–1995
The Drummond Family
1960
35
Print made by John Copley, 1875–1950
Recruits
1915
36
John Copley, 1875–1950
The Ambulance
1918
37
Abraham Raimbach, 1784–1868
Distraining for Rent
1828
38
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon
1931 or 1932
39
Print made by Gerard van der Gucht, 1696–1776
The Cape of Good Hope
1736
40
William Ward, 1766–1826
Selling Rabbits
1796
41
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon, 1931 or 1932
undated
42
Robert Adam, 1728–1792
Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
43
Print made by Andrew Lawrence, 1708–1747
The Death of the Stag
1753
44
Wenceslaus Hollar, 1607–1677
(i) A True and Exact Prospect of the Famous Citty of London, . . . (ii) Another Prospect of the Sayd Citty taken from the Same Place . .
1666
45
Print made by William Sharp, 1749–1824
Niobe
1792
46
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
47
Samuel Howitt, 1756–1822
The Kill
undated
48
Thomas Daniell, 1749–1840
Tremal Naig's Choultry, Madura
1792
49
Sir Eduardo Paolozzi, 1924–2005
As is When Title page
1965
50
Sir Eduardo Paolozzi, 1924–2005
Futurism at Lenabo
1965
51
Sir Eduardo Paolozzi, 1924–2005
Parrot
1965
52
Sir Eduardo Paolozzi, 1924–2005
He Must, So To Speak, Throw Away the Ladder
1965
53
Sir Eduardo Paolozzi, 1924–2005
As Is When
1965
54
Sir Eduardo Paolozzi, 1924–2005
Wittgenstein in New York
1965
55
Sir Eduardo Paolozzi, 1924–2005
Experience
1965
56
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
57
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
58
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
59
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
60
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
61
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
62
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
63
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
64
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
65
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
66
Victor Pasmore, 1908–1998
Points of Contact No. 24
1974
67
Charles Knight, 1743–c.1826
Fox Hunting
1808
68
Print made by Axel Herman Haig, 1835–1921
Gefaler Cathedral
1901
69
Print made by Joseph Constantine Stadler, active 1780–1812
Rosehill
ca. 1810
70
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
71
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
72
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
73
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
74
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
75
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
76
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
77
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
78
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
79
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
80
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
81
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
82
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
83
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
84
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
85
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
86
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
87
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
88
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
89
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
90
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
91
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
92
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
93
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
94
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
95
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton