The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
31
Maria Spilsbury, 1777–1820
A Sunday School
1803
Not on view
32
William Linton, 1791–1876
Cottages by a River
ca. 1845
Not on view
33
James Pollard, 1792–1867
North Country Mails at the Peacock, Islington
1821
Not on view
34
Edward Pritchett, active ca. 1828–1864
The Piazzetta, Venice
mid-19th century
Not on view
35
Richard Dadd, 1817–1886
Negation
1860
Not on view
36
Henry Dawson, 1811–1878
London from Greenwich Hill
1869 to 1870
Not on view
37
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
38
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
39
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
40
Edward Lear, 1812–1888
Howatke
1867
41
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
42
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
43
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
44
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
45
Henry Heath, active 1824–1835
Ominum Gatherum No. 6
undated
46
Henry Heath, active 1824–1835
Omnium Gatherum, No. 7
undated
47
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
48
Print made by Alfred Henry Forrester, 1804–1872
Alfred Crowquill's Christmas
undated
49
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
50
Samuel Prout, 1783–1852
Study of Figures at Ulm
undated
51
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
52
Print made by Robert Isaac Cruikshank, 1789–1856
Monstrosities of 1827
1835
53
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
54
Print made by George Cruikshank, 1792–1878
Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!
1835
55
Thomas Shotter Boys, 1803–1874
A Christening
undated
56
Sir David Wilkie, 1785–1841
Sketch for "Reading the Will"
before 1820
57
Robert Hills, 1769–1844
A Village Snow Scene
1819
58
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
59
Sir David Wilkie, 1785–1841
The Interior of Pitlessie Mill with a Man Sieving Corn
1818
60
Florence Claxton, active 1855–1889
A Game at Cards
undated
61
unknown artist
Miserable Sinners
undated
62
Print made by William John Cooke, 1797–1865
Worcester
undated
63
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 3
undated
64
Charles Heath, 1785–1848
Green Park
1825
65
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
66
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
67
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
68
Print made by James Charles Armytage, 1802–1897
The Balcony
between 1835 and 1854
69
Print made by Richard Parkes Bonington, 1802–1828
L'Eglise de St. Gervais et St. Protais
1824
70
Print made by William Day, 1764–1807
The High Street, Southampton
1828
71
Print made by François-Séraphin Delpech, 1778–1825
Ratisbonne
between 1818 and 1825
72
Print made by George Cruikshank, 1792–1878
The Triumph of Cupid: A Reverie
undated
73
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
74
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
75
Bradshaw & Blacklock, active ca.1850
Swiss Costumes
after 1850
76
Print made by Gregory, Collins and Reynolds, active 1843
The Religion of Europe: Professed and Practiced
ca. 1845
77
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
78
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
79
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
80
Print made by Richard Parkes Bonington, 1802–1828
Ruines de Château d'Arlay
1827
81
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
82
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale de l'Eglise de l'Abbaye de Tournus
1825
83
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
84
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
85
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
86
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
87
Print made by Richard Parkes Bonington, 1802–1828
La Prière
1826
88
Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
89
Print made by Thomas Shotter Boys, 1803–1874
La rue des Prouvaires et l'église saint Eustache, Paris
1833
90
Print made by Thomas Shotter Boys, 1803–1874
Corner of the Palais de Justice, Paris
ca. 1833
91
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
92
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
93
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
94
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
95
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
96
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
97
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
98
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
99
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
100
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed